本文選題：國(guó)際標(biāo)準(zhǔn)舞 + 中國(guó)特色��； 參考：《天津師范大學(xué)》2017年碩士論文

【摘要】：國(guó)際標(biāo)準(zhǔn)舞一項(xiàng)發(fā)源于西方傳統(tǒng)民間舞蹈的藝術(shù)種類,歷經(jīng)了幾個(gè)世紀(jì)的不斷演變與自我完善,最終形成以摩登舞與拉丁舞兩大舞系為主,涵蓋十個(gè)舞種的舞蹈藝術(shù)模式。我國(guó)于20世紀(jì)20-30年代,由上海率先刮起了這股興學(xué)西方社交舞的風(fēng)潮,且專業(yè)程度緊隨歐美發(fā)達(dá)國(guó)家之后,然而后續(xù)國(guó)際標(biāo)準(zhǔn)舞在中國(guó)的發(fā)展因受到當(dāng)時(shí)政治經(jīng)濟(jì)等社會(huì)因素的制約,徹底消失在了這片熱土之上。20世紀(jì)80年代,伴隨著改革開(kāi)放的春風(fēng),國(guó)際標(biāo)準(zhǔn)舞被引入國(guó)門(mén)并迅速發(fā)展起來(lái),但由于幾年間的銷聲匿跡,中國(guó)國(guó)際標(biāo)準(zhǔn)舞的發(fā)展水平已與不斷發(fā)展的西方國(guó)標(biāo)舞先進(jìn)水平產(chǎn)生了判若云泥的差距。20世紀(jì)80年代起,在政府引導(dǎo),社會(huì)支持和群眾參與的多方合力之下,歷經(jīng)了 30多年的發(fā)展,我國(guó)國(guó)標(biāo)舞的競(jìng)技水平得到了顯著的提升。然而,在一度追求國(guó)標(biāo)舞在競(jìng)技賽場(chǎng)上的速度與力度等技術(shù)難度的不斷攀升之時(shí),從屬于舞蹈藝術(shù)門(mén)類之下的國(guó)際標(biāo)準(zhǔn)舞的表演性與藝術(shù)性本質(zhì)日趨凸顯,但面對(duì)中西方傳統(tǒng)文化和人體生理形態(tài)的顯著差異,在運(yùn)用西方舞蹈藝術(shù)語(yǔ)言表現(xiàn)其文化內(nèi)涵時(shí),我們顯得力不從心,為此我國(guó)國(guó)標(biāo)舞藝術(shù)工作者們不斷尋找這其中的突破口。華夏民族是一個(gè)飽含優(yōu)秀傳統(tǒng)文化的民族,這其中有我們?nèi)≈唤叩奈幕囆g(shù)創(chuàng)作素材,更有用之不盡的姊妹舞蹈藝術(shù)語(yǔ)言。具有中國(guó)特色的表演性國(guó)標(biāo)舞的產(chǎn)生是踐行挖掘國(guó)際標(biāo)準(zhǔn)舞內(nèi)在表演性與藝術(shù)性實(shí)踐中的一次偉大嘗試,也是舞蹈藝術(shù)自身發(fā)展與創(chuàng)新的內(nèi)驅(qū)動(dòng)力,更是樹(shù)立中國(guó)文化自信的一種有效途徑。本論文以國(guó)標(biāo)舞藝術(shù)的產(chǎn)生與發(fā)展為背景,立足于我國(guó)國(guó)際標(biāo)準(zhǔn)舞的總體發(fā)展歷程,研究具有中國(guó)特色表演性國(guó)標(biāo)舞形成與演變的整體進(jìn)程,根據(jù)不同時(shí)期所呈現(xiàn)的階段性特征,按時(shí)間順序?qū)⑵浞譃槎ㄎ浑A段、形成階段和發(fā)展階段,而后從構(gòu)成舞蹈作品要素的舞蹈題材、音樂(lè)選取、動(dòng)作編排和服飾設(shè)計(jì)四方面對(duì)表演性國(guó)標(biāo)舞作品的中國(guó)特色融入方法進(jìn)行了研究分析,最終總結(jié)出發(fā)展具有中國(guó)特色表演性國(guó)標(biāo)舞的意義所在并對(duì)未來(lái)我國(guó)發(fā)展中國(guó)特色國(guó)標(biāo)舞事業(yè)提出了相應(yīng)的建議。
[Abstract]:International standard dance originated from the western traditional folk dance art category, after several centuries of continuous evolution and self-improvement, the final formation of modern dance and Latin dance two major dance system, covering ten dance types of dance art model. In the 20-30 's of the 20th century, Shanghai took the lead in setting up a wave of learning western social dance, and followed the developed countries in Europe and the United States with a professional degree. However, the development of the subsequent international standard dance in China was restricted by social factors such as politics and economy at that time, and completely disappeared on this hot land in the 1980s, accompanied by the spring wind of reform and opening up. The international standard dance was introduced into the country and developed rapidly. However, due to the disappearance of several years, the development level of China's international standard dance has been different from the developed advanced level of the western national standard dance since the 1980s. Under the guidance of the government, social support and mass participation, after more than 30 years of development, China's national standard dance competitive level has been significantly improved. However, with the increasing technical difficulty of pursuing the speed and intensity of the national standard dance in the competitive arena, the performance and artistic nature of the international standard dance, which belongs to the category of dance art, is becoming increasingly prominent. However, in the face of the significant differences between Chinese and western traditional culture and the physiological form of human body, when we use the western dance language to express its cultural connotation, we seem to be unable to do what we can do. Therefore, our national standard dance artists are constantly looking for a breakthrough in this field. The Chinese nation is a nation full of excellent traditional culture, which has our inexhaustible cultural and artistic creation materials, more useful sister dance art language. The emergence of the national standard dance with Chinese characteristics is a great attempt to excavate the internal performance and artistic practice of the international standard dance, and it is also the internal driving force of the development and innovation of the dance art itself. It is also an effective way to establish Chinese cultural self-confidence. With the background of the emergence and development of the national standard dance art, this thesis is based on the overall development course of our country's international standard dance, and studies the overall process of the formation and evolution of the national standard dance with Chinese characteristics. According to the stage characteristics of different periods, it is divided into positioning stage, forming stage and developing stage according to the time order, and then from the dance theme that constitutes the elements of dance works, music is selected. In this paper, four aspects of movement arrangement and dress design are studied and analyzed on the integration of the Chinese characteristics of the performance national standard dance works. Finally, it summarizes the significance of developing the national standard dance with Chinese characteristics and puts forward corresponding suggestions for the future development of the national standard dance with Chinese characteristics in China.
【學(xué)位授予單位】：天津師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J722.8

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本文編號(hào)：1779967