本文選題：原生態(tài)　切入點(diǎn)：再生態(tài)　出處：《魯迅美術(shù)學(xué)院》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：時(shí)代變化日新月異。任何國(guó)家、任何民族,實(shí)現(xiàn)政治、經(jīng)濟(jì)、社會(huì)文化永續(xù)發(fā)展的基礎(chǔ)便是人與自然的和諧。所以,在當(dāng)今社會(huì)時(shí)代背景下,生態(tài)環(huán)境設(shè)計(jì)毋庸置疑是一個(gè)長(zhǎng)期的發(fā)展趨勢(shì)。本篇論文深入探究了生態(tài)設(shè)計(jì)學(xué)的基本理論,借助古今中外相關(guān)的文獻(xiàn)資料,客觀辯證的分析與批判了“偽生態(tài)設(shè)計(jì)”的現(xiàn)狀與不足。在借鑒了國(guó)內(nèi)外優(yōu)秀前沿案例的基礎(chǔ)之上,對(duì)生態(tài)設(shè)計(jì)的指導(dǎo)思想和發(fā)展模式進(jìn)行了深入的分析和研究,具體內(nèi)容如下:本文主要探討了有關(guān)景觀生態(tài)與再生態(tài)設(shè)計(jì)的相關(guān)問題,并以“最小干預(yù)手段”作為創(chuàng)新點(diǎn),提出最小干預(yù)手段下,如何實(shí)現(xiàn)生態(tài)保護(hù)與社會(huì)發(fā)展的雙贏格局。我國(guó)環(huán)境設(shè)計(jì)從沒有生態(tài)到提倡生態(tài)的過程中,由于理論與實(shí)踐的不足,出現(xiàn)了許多“偽生態(tài)”的設(shè)計(jì)。我們要將生態(tài)化的理念貫穿于設(shè)計(jì)的方方面面之中,將生態(tài)發(fā)展與恢復(fù)性生態(tài)發(fā)展相結(jié)合,重塑自然的自我維護(hù)性。同時(shí),我們要意識(shí)到這個(gè)過程不可急功近利,要循序漸進(jìn)的完成環(huán)境的生態(tài)化改造。與此同時(shí),由于不可逆轉(zhuǎn)的時(shí)代背景的影響,我們要把握住人們現(xiàn)代化的審美觀念和原生態(tài)審美之間的微妙關(guān)系。因時(shí)因地因人制宜,嘗試用最小的干預(yù)手段,在滿足人們生活與審美需求的同時(shí),讓自然做功,逐漸減少在未來發(fā)展時(shí)人工手段對(duì)生態(tài)環(huán)境的維護(hù)和干預(yù)。因勢(shì)利導(dǎo)進(jìn)行設(shè)計(jì),最大化的將自然的能動(dòng)性發(fā)揮到極致,這樣才可以做到生態(tài)景觀真正的可持續(xù)性發(fā)展,緩解自然和人類之間的矛盾。權(quán)衡經(jīng)濟(jì)、思想、環(huán)境各個(gè)方面的利益最大化,解決生態(tài)景觀功能與形式美之間的沖突,實(shí)現(xiàn)真正的生態(tài)化設(shè)計(jì)與審美理性的回歸。
[Abstract]:Times change with each passing day. The basis for the sustainable development of politics, economy, society and culture in any country or nation is the harmony between man and nature. There is no doubt that ecological environment design is a long-term development trend. This paper deeply explores the basic theory of ecological design, with the help of relevant literature, The objective and dialectical analysis and criticism of the present situation and shortcomings of "pseudo-ecological design". On the basis of drawing lessons from excellent frontier cases at home and abroad, the guiding ideology and development mode of ecological design are deeply analyzed and studied. The specific contents are as follows: this paper mainly discusses the related problems of landscape ecology and re-ecological design, and takes "minimum intervention means" as the innovation point, and puts forward the minimum intervention means. How to realize the win-win pattern of ecological protection and social development. In the process of environment design from no ecology to advocating ecology, due to the deficiency of theory and practice, There are many "pseudo-ecological" designs. We need to integrate the concept of ecology into all aspects of design, combine ecological development with restorative ecological development, and reshape the self-preservation of nature. We have to realize that this process should not be rushed to immediate benefit, that we should gradually complete the ecological transformation of the environment. At the same time, due to the influence of the irreversible background of the times, We must grasp the delicate relationship between people's modern aesthetic concepts and original ecological aesthetics. Because time and place suit measures to people, we try to use the smallest means of intervention to satisfy people's life and aesthetic needs, while allowing nature to do its work. Gradually reduce the artificial means in the future development of the ecological environment maintenance and intervention. According to the circumstances of the design, maximize the nature of the initiative to the maximum, so as to achieve the true sustainable development of ecological landscape, To alleviate the contradiction between nature and human beings, to balance the benefits of economy, thought and environment, to solve the conflict between ecological landscape function and formal beauty, and to realize the return of real ecological design and aesthetic rationality.
【學(xué)位授予單位】：魯迅美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：TU986

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