本文關(guān)鍵詞： 清初 山左 顏山孫氏 家族文學(xué) 雅正　出處：《山東大學(xué)》2014年碩士論文　論文類型：學(xué)位論文

【摘要】：文學(xué)家族是明清文壇之上一種普遍存在而又引人注目的文學(xué)現(xiàn)象,而明清時(shí)期又是繼兩漢之后,山左文化世家繁榮發(fā)展的又一個(gè)重要時(shí)期。顏山孫氏家族是這一時(shí)期對(duì)山左地區(qū)的政治、文化、經(jīng)濟(jì)等領(lǐng)域產(chǎn)生過(guò)一定影響的家族。顏山孫氏自明代移居益都顏神鎮(zhèn)以來(lái),以宮廷匠役與經(jīng)商起家,興盛于清朝初年,不僅出現(xiàn)了政績(jī)顯著、仕途顯達(dá)的朝廷大員,更因?yàn)樯詈竦募覍W(xué)積累而創(chuàng)造出了別有成就的文化成果,涉及文學(xué)、地理、歷史等多個(gè)領(lǐng)域。顏山孫氏與諸多海內(nèi)大家、遺民名士都有著廣泛的文學(xué)交游,他們的作品不僅在山左,而且也在京師、江南等地流布,產(chǎn)生了較為深遠(yuǎn)的影響。本論文在廣泛收集資料的基礎(chǔ)上,從一個(gè)比較廣闊的社會(huì)、文化和家族視角來(lái)研究顏山孫氏的文學(xué)創(chuàng)作,力求展現(xiàn)出顏山孫氏家族文學(xué)創(chuàng)作的全貌并作出客觀公允的評(píng)價(jià)。論文正文包括四個(gè)部分： 第一部分探討了顏山孫氏家族的起源、遷徙及發(fā)展歷程。顏山孫氏在明初由直隸棗強(qiáng)遷居青州府益都縣顏神鎮(zhèn),祖先為宮廷匠役,從事琉璃工藝品制作,后通過(guò)經(jīng)商發(fā)家,又以科舉而崛起,并由此實(shí)現(xiàn)了家族的振興。從六世孫延壽起開始讀書,此后經(jīng)過(guò)三世的文化積累,至九世時(shí)孫廷銓以進(jìn)士身份歷任朝廷要職,并官至宰輔,對(duì)清初的政治、經(jīng)濟(jì)、軍事產(chǎn)生了較大的影響,同時(shí)孫廷銓、孫廷鐸、孫寶侗等人的文學(xué)創(chuàng)作亦十分可觀,他們共同推動(dòng)顏山孫氏家族發(fā)展到巔峰狀態(tài)。從第十一世開始,顏山孫氏逐漸走向衰敗。本章還分別對(duì)孫廷銓和孫廷鐸的生平經(jīng)歷進(jìn)行了詳細(xì)的論述,尤其突出展現(xiàn)了孫廷銓清廉高潔的品性和孫廷鐸治理廣東陽(yáng)江的官績(jī)。 第二部分論述了顏山孫氏家族文學(xué)創(chuàng)作的社會(huì)文化環(huán)境與文學(xué)交游情況。本文將顏山孫氏家族的文學(xué)創(chuàng)作大致劃分為三個(gè)階段來(lái)進(jìn)行文化環(huán)境研究：初始期為明萬(wàn)歷年間至清順治初年,孫氏剛剛開始文學(xué)創(chuàng)作,受到了以復(fù)古派為代表的山左文學(xué)傳統(tǒng)的影響,同時(shí)又因身處明清易代帶來(lái)的文化反思大潮之中,故而對(duì)七子復(fù)古詩(shī)學(xué)進(jìn)行了批判性繼承；鼎盛期為順治中后期至康熙前中期,“本朝詩(shī)人,山左為盛”的局面為顏山孫氏文學(xué)創(chuàng)作營(yíng)造了積極、活躍的文化氛圍；衰落期為康熙中期及以后,尤其是從康熙末年開始,隨著“一代詩(shī)宗”王士禎的逝去與江南文壇的重新崛起,山左文壇難以重演昔日盛景,顏山孫氏的文學(xué)創(chuàng)作也逐漸暗淡。此外,本章還分別探究了孫廷銓、孫廷鐸和孫寶侗的文學(xué)交游情況：孫廷銓因多年在京為官,故而交游對(duì)象多為朝廷要員或文壇大家,如梁清標(biāo)、趙進(jìn)美、高珩、施閏章、龔鼎孳等,此外還在南下之時(shí)與江南文人有過(guò)不少往來(lái)；孫廷鐸中年以前幽居田園,交游對(duì)象多為山左文士,如王士禎等,中年以后的孫廷鐸遠(yuǎn)赴廣東做官,更加嗜好佛學(xué),故而與眾多粵地僧人都有交游;孫寶侗的文學(xué)交游按照地域集聚的特點(diǎn)可以劃分為三個(gè)圈子,其中京城圈多為達(dá)官顯宦或清流文士,如周亮工、梁清標(biāo)等；孫寶侗在山左圈的文學(xué)交游活動(dòng)集中表現(xiàn)為參加了順治十四年的秋柳詩(shī)社和秋柳唱和,并與發(fā)起者王士禎有較多的交游活動(dòng)；孫寶侗在南下之時(shí)與江南圈的文人有過(guò)一定的交往,像顧炎武、吳偉業(yè)、吳懋謙、歸莊等人皆與其有唱和活動(dòng)。 第三部分是對(duì)孫廷銓著作的專門研究。孫廷銓的詩(shī)文創(chuàng)作秉承“雅正”的文學(xué)傳統(tǒng),詩(shī)學(xué)七子而能變化,不傖、不纖,平和醇雅。孫廷銓之山水詩(shī)清秀明麗,含蓄蘊(yùn)藉,展現(xiàn)出寧?kù)o淡泊之志；田園詩(shī)則多寫與山夫野老同樂的場(chǎng)景,質(zhì)實(shí)純樸；酬唱應(yīng)答之作則典麗雍容,擁有臺(tái)閣之氣；其散文雍容大雅,平正可讀。孫廷銓之地理著作《顏山雜記》具有重要的地理、歷史研究?jī)r(jià)值,尤以《琉璃篇》為經(jīng)典,表現(xiàn)出他對(duì)家鄉(xiāng)的熱愛與大力支持。《南征紀(jì)略》一書記錄其南下一路所見的地理風(fēng)物,以及與遺民的交游活動(dòng),《漢史憶》展現(xiàn)了他對(duì)歷史、政治以及君臣之道的獨(dú)到見解。 第四部分為孫廷鐸、孫寶侗及其他孫氏家族成員詩(shī)文研究。孫廷鐸的詩(shī)歌呈現(xiàn)出清逸古樸的面貌,其山水寫景詩(shī)或?qū)懠亦l(xiāng)風(fēng)光,或?qū)懩舷嘛L(fēng)景,還有大量描繪寺廟景致的詩(shī)歌,這些詩(shī)歌中寄寓著他復(fù)雜的情懷,既有山居寂寞的感嘆,亦有懷才不遇的郁悶,也有積極用世的豪情,還有思念家鄉(xiāng)的哀傷；他的田園詩(shī)則多展現(xiàn)對(duì)農(nóng)事的關(guān)心和躬耕中的樂趣與辛勞。孫寶侗作詩(shī)以盛唐為宗,其詩(shī)歌呈現(xiàn)出宏麗壯闊的特色,具有昂揚(yáng)向上的精神面貌。其《初集》中的詩(shī)歌多抒發(fā)建功立業(yè)的豪情,帶有“年少輕狂”的特點(diǎn)；《立身集》詩(shī)歌以歌頌圣人與圣主、描繪壯觀山川為主,風(fēng)格雄渾雅正；《過(guò)江集》多作于江南之地,題材以酬唱贈(zèng)答與山水寫景為主,典麗的特色更加凸顯。除此之外,目前可以見到的孫氏家族其他成員的詩(shī)作大多古雅質(zhì)樸,具有一脈相承的特色,體現(xiàn)出顏山孫氏家族文學(xué)的傳承。
[Abstract]:The family is the Ming and Qing Dynasties literature literary on a common literary phenomenon and compelling, the Ming and Qing Dynasties and the Han Dynasty, an important period of the development of cultural family prosperity. Yan Shansun's family left the mountain is on the left of the mountain area politics, the culture of this period, economic and other fields have a certain influence family since Yan's Shansun. Since the Ming Dynasty moved to the palace Shenzhen Yidu Yan, carpenter hall and business started, flourished in the early Qing Dynasty, there was a significant achievement, government official career hilltop, because of deep family accumulation and create achievements do not have cultural achievements, including literature, geography, many areas of history Shansun. Yan's and many domestic people, Yimin celebrities have a wide range of literary works not only in the mountain, they left, but also in the capital, the Jiangnan area distribution, influence is deep. This thesis On the basis of extensive data collection, we study Yan Shansunshi's literary creation from a broader social, cultural and family perspective, trying to show the whole picture of Yan Shansun's family literature and make an objective and fair evaluation. The main body of the thesis consists of four parts.
The first part discusses the origin of Yan Shansun's family, migration and development. Shansun Yan's in the early Ming Dynasty by Zaoqiang Yidu county government moved to Qingzhou province Yan Shenzhen, ancestral palace carpenter hall, engaged in glass handicraft production, by taking the imperial examinations and fortune in business, and the rise, and the implementation of the revitalization of the family from vi. Sun Yanshou began after the third reading, the accumulation of culture, to nine century when Sun Tingquan served as officials and scholars identity, the official saisuke, in early Qing Dynasty's political, economic and military have a greater impact, while Sun Tingquan, Sun Tingduo, Sun Baodong, et al. Literary creation is also very impressive, they jointly promote Yan Shansun family development to the peak. From the beginning of the eleventh world, Yan Shansun's declining gradually. This chapter of Sun Tingquan and Sun Tingduo's life experiences are discussed in detail, especially the show Sun Tingquan's honest Gao Jie's character and Sun Tingduo's official performance in Yangjiang, Guangdong.
The second part discusses Yan Shansun's family literature's social and cultural environment and his literary. The Yan Shansun family's literary creation can be divided into three stages: the initial period of the cultural environment for the Ming Dynasty to the early Qing Shunzhi, the sun just began his literary creation, influenced by the traditional retro Camp Hill the left literature represented by Ming Qingyi, also because in flood tide brings generation to reflect the culture, therefore the critical inheritance of the seven sub ancient poetics; heyday in the late Shunzhi to Kangxi for the medium-term, "this dynasty poet, shanzuo Sheng" situation for Shansun Yan's literary creation to create a positive. Active cultural atmosphere; declining period of Kangxi in the middle and later, especially from the beginning of the Kangxi Dynasty, with the passing of the "generation of poetry" Wang Shizhen and Jiangnan literature re emergence, Zuo Wen Hill It is difficult to repeat the old buildings, Shansun Yan's literary creation is gradually dim. In addition, this chapter also explores respectively the sun Tingquan, friends of Sun Tingduo and Sun Baodong's Literature: Sun Tingquan for years in Beijing, the official, and friends are government officials or writer, such as Liang Qingbiao, Zhao Jinmei, Gao Heng, Shi Runzhang. Gong Dingzi, in the South and the Jiangnan literati have had many contacts; Sun Tingduo before middle age and pastoral, friends for Yamasa Wenji, such as Wang Shizhen, later Sun Tingduo went to Guangdong to be an official, more like Buddhism, so many monks and Guangdong have intercourse; Sun Baodong's literary friends can be divided into three according to the characteristics of regional agglomeration of the circle, the circle of Beijing is daguanxianhuan or more scribes, such as Zhou Lianggong, Liang Qingbiao and Sun Baodong; in the literary circle on the left hand mountain tour activities focus on the performance of In the fourteen years of Shunzhi and Akiyanagi Wa autumn poetry society, and there are many activities of making friends and sponsors Wang Shizhen; sun Bao Dong in the South and the Jiangnan literati circle had a certain contact, like Gu Yanwu, Wu Weiye, Wu Maoqian, Gui Zhuang et al are all with the exchange activities.
The third part is devoted to the study of Sun Tingquan's works. The literary creation of Sun Tingquan adhering to the "righteous" literary tradition, seven poetics can vary, not one, not the fiber, flat and elegance. Sun Tingquan's landscape poetry and bright, implicative, show peaceful ambition; pastoral poems and Shanfu a fun scene, simple substance; responding for elegance and response, with Taiwan Pavilion gas; the prose Pingzheng geography books to read. Grace Taya, Sun Tingquan < > Yan Mountain miscellanies has important research value in geography, history, especially in the < > glass as a classic, showing his love for hometown with the support of the South. "A book recording the south to see all the way to the geographical scenery, and their social activities," Han history memory > shows him in history, politics and the way of insights.
The fourth part is the study of Sun Tingduo, Sun Baodong and other members of the family of sun's poetry. Sun Tingduo's poetry presents Seiitsu simple appearance, his landscape poems or write hometown scenery, or write down the scenery, there are a lot of scenes depicting Temple poems, these poems reflected his complex feelings, both mountain lonely sigh also, their depressed, also he is positive feelings, and miss the hometown of grief; his pastoral poetry is more fun and hard to show concern and Gonggeng in farming. Sun Baodong poem to Tang and his poems appear magnificent Hongli features, with a high spirited spirit. "At the beginning of the set" poetry expresses meritorious sentiments, with characteristics of "young"; "the foundation set" poetry in praise of saints and the magnificent mountains, painted, powerful style elegant; across the river in many < > In Jiangnan, with the theme of poem exchanges and landscape scenery, elegance features more prominent. In addition, other family members can see the sun's poetry is quaint simplicity, with the characteristics of the same strain, reflects Yan Shansun's family literature heritage.

【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I206.2

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本文編號(hào)：1536521