本文關(guān)鍵詞： 韓國(guó)娛樂(lè)節(jié)目 發(fā)展史 社會(huì)文化意義 啟示　出處：《北京第二外國(guó)語(yǔ)學(xué)院》2015年碩士論文　論文類型：學(xué)位論文

【摘要】：韓國(guó)的電視產(chǎn)業(yè)距今已發(fā)展了近60年之久，如今已完全進(jìn)入多媒體、多通道時(shí)代。電視劇、娛樂(lè)節(jié)目、歌曲等不僅在韓國(guó)國(guó)內(nèi)站穩(wěn)了腳跟，更被周邊國(guó)家大規(guī)模引進(jìn)效仿，吸引了大量人氣。在電視節(jié)目題材當(dāng)中，，娛樂(lè)節(jié)目相對(duì)來(lái)說(shuō)與社會(huì)文化的關(guān)系更加密切。娛樂(lè)節(jié)目的發(fā)展史是伴隨著政治、經(jīng)濟(jì)環(huán)境的影響，與社會(huì)文化潮流交相呼應(yīng)的結(jié)果。本論文對(duì)韓國(guó)娛樂(lè)節(jié)目的發(fā)展史做了體系化的整理和研究，挖掘其對(duì)我國(guó)娛樂(lè)節(jié)目產(chǎn)業(yè)的啟示與參考意見，進(jìn)而加以借鑒學(xué)習(xí)。 序論部分首先就本論文的研究目的、研究現(xiàn)狀及研究方法進(jìn)行了說(shuō)明，之后第一章闡述了娛樂(lè)節(jié)目的社會(huì)文化意義，介紹了電視產(chǎn)業(yè)與社會(huì)文化的關(guān)系，特別是娛樂(lè)節(jié)目在社會(huì)發(fā)展中的影響和地位。韓國(guó)娛樂(lè)節(jié)目取得良好發(fā)展的重要原因在于韓國(guó)相對(duì)成熟的產(chǎn)業(yè)機(jī)制及相對(duì)寬松開放的社會(huì)氛圍。同樣，韓國(guó)電視娛樂(lè)節(jié)目作為其文化產(chǎn)業(yè)的重要組成部分，其發(fā)展也給韓國(guó)文化的進(jìn)步帶來(lái)了巨大的動(dòng)力和競(jìng)爭(zhēng)力。 第二章按照年代解析韓國(guó)娛樂(lè)節(jié)目的時(shí)代變遷。參照韓國(guó)電視廣播史上的重要事件和重大轉(zhuǎn)變，本文將韓國(guó)娛樂(lè)節(jié)目的發(fā)展過(guò)程分為了五個(gè)階段：“電視產(chǎn)業(yè)試驗(yàn)期”是廣播節(jié)目逐漸靠攏電視媒體的過(guò)程，是娛樂(lè)節(jié)目的初步試驗(yàn)階段；“電視產(chǎn)業(yè)幼兒期”時(shí)受到的政治影響相對(duì)較少，電視臺(tái)開始對(duì)娛樂(lè)節(jié)目這一領(lǐng)域展開探索，積累經(jīng)驗(yàn)；“電視產(chǎn)業(yè)成長(zhǎng)期”時(shí)娛樂(lè)節(jié)目的發(fā)展相對(duì)緩慢，受到政府管制的影響，該時(shí)期的娛樂(lè)節(jié)目多呈現(xiàn)出教條主義傾向；“公營(yíng)廣播壟斷期”時(shí)，政府脫政治化戰(zhàn)略和社會(huì)民主化的推進(jìn)，為娛樂(lè)節(jié)目的發(fā)展奠定了堅(jiān)實(shí)的基礎(chǔ)；“多媒體競(jìng)爭(zhēng)期”時(shí)政治環(huán)境對(duì)娛樂(lè)節(jié)目影響較小，大眾文化的變化成為娛樂(lè)節(jié)目發(fā)展的原動(dòng)力，娛樂(lè)節(jié)目的數(shù)量和質(zhì)量都取得了突飛猛進(jìn)的增長(zhǎng)，并開始開拓國(guó)際市場(chǎng)，強(qiáng)化外向型發(fā)展，提高了國(guó)際競(jìng)爭(zhēng)力。 第三章將韓國(guó)娛樂(lè)節(jié)目按照題材劃分為綜合類、歌謠類、搞笑類、競(jìng)猜類、脫口秀、游戲類、選秀類等共計(jì)八類節(jié)目。分析各類型娛樂(lè)節(jié)目的特征及發(fā)展過(guò)程，通過(guò)對(duì)不同類型節(jié)目的橫向研究，與第二章中對(duì)時(shí)代變遷的縱向研究結(jié)合起來(lái)，完善韓國(guó)娛樂(lè)節(jié)目的發(fā)展脈絡(luò)。 第四章則分析總結(jié)了韓國(guó)娛樂(lè)節(jié)目帶給我國(guó)的啟示和借鑒意義。制作團(tuán)隊(duì)的創(chuàng)新精神、完善的行業(yè)模式和產(chǎn)業(yè)鏈、社會(huì)的尊重與政策的支持是我國(guó)可以借鑒的成功之道，但重點(diǎn)在于有選擇性地借鑒，制作出具有我國(guó)自身文化特質(zhì)的娛樂(lè)節(jié)目作品。 本論文對(duì)韓國(guó)娛樂(lè)節(jié)目的發(fā)展史進(jìn)行了整體、系統(tǒng)的研究，并分析了其給予我國(guó)電視娛樂(lè)節(jié)目發(fā)展的啟示，實(shí)現(xiàn)了“學(xué)術(shù)性”和“實(shí)踐性”的雙重意義。
[Abstract]:South Korea's television industry has been developing for nearly 60 years. Now it has entered a multi-media, multi-channel era. TV dramas, entertainment programs, songs and so on have not only established a foothold in South Korea, but have also been introduced and imitated on a large scale by neighboring countries. Has attracted a lot of popularity. Among the TV programs, entertainment programs are relatively more closely related to social culture. The history of entertainment programs is accompanied by the influence of the political and economic environment. This paper systemically arranges and studies the history of the Korean entertainment program, excavates its enlightenment and the reference opinion to the entertainment program industry of our country, and then draws lessons from it. In the part of preface, the purpose of this thesis, the present research situation and the research methods are explained, and the first chapter expounds the social and cultural significance of entertainment programs, and introduces the relationship between TV industry and social culture. In particular, the influence and status of entertainment programs in social development. The important reason for the good development of Korean entertainment programs lies in Korea's relatively mature industrial mechanism and relatively loose and open social atmosphere. Similarly, As an important part of Korean cultural industry, Korean TV entertainment program has brought great impetus and competitive power to the progress of Korean culture. The second chapter analyzes the changing times of Korean entertainment programs according to the times. Referring to the important events and major changes in the history of Korean television broadcasting, This paper divides the development process of Korean entertainment programs into five stages: "TV industry trial period" is the process of radio programs gradually converging with television media. This is the initial experimental stage of entertainment programs; "early childhood television industry" received relatively little political influence, and television stations began to explore the field of entertainment programs. Accumulated experience: the development of entertainment programs was relatively slow during the "growing up of the television industry", and affected by government regulation, the entertainment programs of that period showed a tendency of dogmatism; when "the monopoly period of public broadcasting", The government's strategy of depoliticization and the promotion of social democratization have laid a solid foundation for the development of entertainment programs, and the political environment has little influence on entertainment programs during the period of "multimedia competition", and the change of popular culture has become the motive force for the development of entertainment programs. The quantity and quality of entertainment programs have increased by leaps and bounds, and they have begun to open up the international market, strengthen the export-oriented development, and improve their international competitiveness. In the third chapter, Korean entertainment programs are divided into eight categories according to their themes: comprehensive, ballad, funny, guessing, talk show, game, draft, etc. The characteristics and development process of various types of entertainment programs are analyzed. Through the horizontal study of different types of programs and the longitudinal study of the changes of the times in the second chapter, the development of Korean entertainment programs is improved. Chapter 4th analyzes and summarizes the enlightenment and reference significance of Korean entertainment programs. The creative spirit of production team, perfect industry model and industry chain, social respect and policy support are the successful ways that our country can use for reference. But the key lies in selectively drawing lessons from, producing entertainment works with our own cultural characteristics. This thesis has carried on the whole, the systematic research to the Korean entertainment program development history, and has analyzed its to our country television entertainment program development enlightenment, has realized "the academic" and "the practicality" the dual significance.
【學(xué)位授予單位】：北京第二外國(guó)語(yǔ)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：G222

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