【摘要】：20世紀(jì)60年代開始,批判式后現(xiàn)代主義興起,批判式后現(xiàn)代主義報(bào)復(fù)式地反叛一切現(xiàn)代主義觀點(diǎn),其以徹底批判為特征的精神在一定程度上帶來了很多負(fù)面的影響。20世紀(jì)70-80年代興起的建設(shè)性后現(xiàn)代主義在提倡人文關(guān)懷的同時(shí)注重保護(hù)自然環(huán)境,在建設(shè)性后現(xiàn)代主義的影響下,人們開始更加關(guān)注人與人,人與自然的和諧相處。因此,在建設(shè)性后現(xiàn)代主義思潮的影響下,2003年英國首次提出了“低碳理念”,并且迅速被傳播,人們很快接受了這種理念并在其引導(dǎo)下進(jìn)行了生活理念和生活方式的改變。臨沭柳編,正是在這種大背景下,從一個(gè)歷史悠久的中國傳統(tǒng)手工藝,轉(zhuǎn)變成在全世界暢銷的綠色低碳產(chǎn)品。本文對(duì)建設(shè)性后現(xiàn)代主義思潮影響下的低碳理念與臨沭柳編的發(fā)展進(jìn)行了關(guān)聯(lián)研究。本文共分為四個(gè)章節(jié),其中第一章節(jié)介紹了臨沭柳編的基本概況。系統(tǒng)性的對(duì)臨沭柳編進(jìn)行了敘述,為后續(xù)文章論述打下基礎(chǔ)。主要對(duì)臨沭柳編的概況、臨沭柳編的工藝、以及臨沭柳編的發(fā)展現(xiàn)狀等幾個(gè)方面進(jìn)行詳細(xì)闡述。第二章節(jié)內(nèi)容對(duì)臨沭柳編全周期的低碳屬性進(jìn)行了較為細(xì)致的梳理,主要分為三個(gè)階段進(jìn)行分析。首先,為了研究臨沭柳編全周期性的低碳屬性,本文將研究觸角前置到種植階段,并提出了種植階段負(fù)碳性的論點(diǎn);隨后分析了臨沭柳編加工、運(yùn)輸工程中的低碳屬性;最后是后周期性,也就是回收過程中的低碳屬性。第三章節(jié)內(nèi)容敘述了低碳理念帶來的時(shí)代變化對(duì)臨沭柳編發(fā)展的一些啟示。論述了低碳理念作為臨沭柳編發(fā)展的理論指導(dǎo)的可行性,低碳理念所帶來的新的產(chǎn)品設(shè)計(jì)方向,以及臨沭柳編如何進(jìn)一步挖掘其特有的低碳屬性等三個(gè)方面的思考。第四章節(jié)內(nèi)容在以上分析的基礎(chǔ)上提出了以低碳理念為核心的臨沭柳編發(fā)展戰(zhàn)略,將低碳理念作為臨沭柳編發(fā)展突出重圍、謀求更大發(fā)展的一個(gè)新的探索思路。本章節(jié)通過對(duì)低碳設(shè)計(jì)策略、低碳品牌策略、低碳營銷策略等三個(gè)方面進(jìn)行的探討,提出了一些較為具有開放性和創(chuàng)新性的發(fā)展方式。
[Abstract]:From the 1960s, the critical postmodernism rose, and the critical postmodernism rebelled against all modernist views in return. The spirit characterized by thorough criticism has brought a lot of negative effects to a certain extent. Constructive post-modernism, which emerged in the 1970s and 1980s, advocated humanistic care while paying attention to the protection of the natural environment. Under the influence of constructive post-modernism, people begin to pay more attention to the harmony between man and man, man and nature. Therefore, under the influence of constructive post-modernism, Britain put forward "low carbon idea" for the first time in 2003, and it was spread rapidly. People quickly accepted the idea and changed the life concept and life style under its guidance. It is against this background that Linshu Willow Weaving has transformed from a traditional Chinese handicraft with a long history into a green low-carbon product that sells well all over the world. This paper deals with the relationship between the low-carbon concept and the development of Linshu edits under the influence of constructive post-modernism. This paper is divided into four chapters, the first chapter introduces the basic situation of Linshu Liujian. A systematic description of Linshu willow editor is made, which lays a foundation for the following article discussion. In this paper, the general situation of Linshu willow knitting, the technology of Linshu willow knitting, and the development status of Linshu willow knitting are described in detail. In the second chapter, the low-carbon properties of Linshu willow knitting cycle are carefully combed, which are divided into three stages. First of all, in order to study the low-carbon properties of Linshu willow knitting, this paper studies the antennae to the planting stage, and puts forward the negative carbon point of planting stage, then analyzes the low-carbon properties of Linshu willow knitting, transportation engineering, and analyzes the low-carbon properties of Linshu willow knitting, transportation engineering. Finally is the post-periodicity, that is, the low-carbon attributes in the recycling process. The third chapter narrates some enlightenments to the development of Linshu Liujian edits brought by the low-carbon idea. This paper discusses the feasibility of the low carbon concept as the theoretical guidance for the development of Linshu willow knitting, the new product design direction brought about by the low carbon idea, and how to further excavate the unique low carbon attribute of Linshu willow knitting. On the basis of the above analysis, the fourth chapter puts forward the development strategy of Linshu Liujian, which takes the low carbon idea as the core, and regards the low carbon idea as a new exploration idea for the development of Linshu Liujian. This chapter discusses three aspects of low-carbon design strategy, low-carbon brand strategy and low-carbon marketing strategy, and puts forward some more open and innovative development methods.
【學(xué)位授予單位】：山東工藝美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J528.5

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