【摘要】：20世紀(jì)60年代開始,批判式后現(xiàn)代主義興起,批判式后現(xiàn)代主義報復(fù)式地反叛一切現(xiàn)代主義觀點,其以徹底批判為特征的精神在一定程度上帶來了很多負(fù)面的影響。20世紀(jì)70-80年代興起的建設(shè)性后現(xiàn)代主義在提倡人文關(guān)懷的同時注重保護(hù)自然環(huán)境,在建設(shè)性后現(xiàn)代主義的影響下,人們開始更加關(guān)注人與人,人與自然的和諧相處。因此,在建設(shè)性后現(xiàn)代主義思潮的影響下,2003年英國首次提出了“低碳理念”,并且迅速被傳播,人們很快接受了這種理念并在其引導(dǎo)下進(jìn)行了生活理念和生活方式的改變。臨沭柳編,正是在這種大背景下,從一個歷史悠久的中國傳統(tǒng)手工藝,轉(zhuǎn)變成在全世界暢銷的綠色低碳產(chǎn)品。本文對建設(shè)性后現(xiàn)代主義思潮影響下的低碳理念與臨沭柳編的發(fā)展進(jìn)行了關(guān)聯(lián)研究。本文共分為四個章節(jié),其中第一章節(jié)介紹了臨沭柳編的基本概況。系統(tǒng)性的對臨沭柳編進(jìn)行了敘述,為后續(xù)文章論述打下基礎(chǔ)。主要對臨沭柳編的概況、臨沭柳編的工藝、以及臨沭柳編的發(fā)展現(xiàn)狀等幾個方面進(jìn)行詳細(xì)闡述。第二章節(jié)內(nèi)容對臨沭柳編全周期的低碳屬性進(jìn)行了較為細(xì)致的梳理,主要分為三個階段進(jìn)行分析。首先,為了研究臨沭柳編全周期性的低碳屬性,本文將研究觸角前置到種植階段,并提出了種植階段負(fù)碳性的論點;隨后分析了臨沭柳編加工、運輸工程中的低碳屬性;最后是后周期性,也就是回收過程中的低碳屬性。第三章節(jié)內(nèi)容敘述了低碳理念帶來的時代變化對臨沭柳編發(fā)展的一些啟示。論述了低碳理念作為臨沭柳編發(fā)展的理論指導(dǎo)的可行性,低碳理念所帶來的新的產(chǎn)品設(shè)計方向,以及臨沭柳編如何進(jìn)一步挖掘其特有的低碳屬性等三個方面的思考。第四章節(jié)內(nèi)容在以上分析的基礎(chǔ)上提出了以低碳理念為核心的臨沭柳編發(fā)展戰(zhàn)略,將低碳理念作為臨沭柳編發(fā)展突出重圍、謀求更大發(fā)展的一個新的探索思路。本章節(jié)通過對低碳設(shè)計策略、低碳品牌策略、低碳營銷策略等三個方面進(jìn)行的探討,提出了一些較為具有開放性和創(chuàng)新性的發(fā)展方式。
[Abstract]:From the 1960s, the critical postmodernism rose, and the critical postmodernism rebelled against all modernist views in return. The spirit characterized by thorough criticism has brought a lot of negative effects to a certain extent. Constructive post-modernism, which emerged in the 1970s and 1980s, advocated humanistic care while paying attention to the protection of the natural environment. Under the influence of constructive post-modernism, people begin to pay more attention to the harmony between man and man, man and nature. Therefore, under the influence of constructive post-modernism, Britain put forward "low carbon idea" for the first time in 2003, and it was spread rapidly. People quickly accepted the idea and changed the life concept and life style under its guidance. It is against this background that Linshu Willow Weaving has transformed from a traditional Chinese handicraft with a long history into a green low-carbon product that sells well all over the world. This paper deals with the relationship between the low-carbon concept and the development of Linshu edits under the influence of constructive post-modernism. This paper is divided into four chapters, the first chapter introduces the basic situation of Linshu Liujian. A systematic description of Linshu willow editor is made, which lays a foundation for the following article discussion. In this paper, the general situation of Linshu willow knitting, the technology of Linshu willow knitting, and the development status of Linshu willow knitting are described in detail. In the second chapter, the low-carbon properties of Linshu willow knitting cycle are carefully combed, which are divided into three stages. First of all, in order to study the low-carbon properties of Linshu willow knitting, this paper studies the antennae to the planting stage, and puts forward the negative carbon point of planting stage, then analyzes the low-carbon properties of Linshu willow knitting, transportation engineering, and analyzes the low-carbon properties of Linshu willow knitting, transportation engineering. Finally is the post-periodicity, that is, the low-carbon attributes in the recycling process. The third chapter narrates some enlightenments to the development of Linshu Liujian edits brought by the low-carbon idea. This paper discusses the feasibility of the low carbon concept as the theoretical guidance for the development of Linshu willow knitting, the new product design direction brought about by the low carbon idea, and how to further excavate the unique low carbon attribute of Linshu willow knitting. On the basis of the above analysis, the fourth chapter puts forward the development strategy of Linshu Liujian, which takes the low carbon idea as the core, and regards the low carbon idea as a new exploration idea for the development of Linshu Liujian. This chapter discusses three aspects of low-carbon design strategy, low-carbon brand strategy and low-carbon marketing strategy, and puts forward some more open and innovative development methods.
【學(xué)位授予單位】：山東工藝美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J528.5

【相似文獻(xiàn)】

相關(guān)期刊論文 前6條

1 高睿霞;趙慶文;;臨沭柳編的發(fā)展現(xiàn)狀研究[J];青年文學(xué)家;2014年20期

2 杜輝升;;臨沭小柳編進(jìn)入“指數(shù)時代”[J];農(nóng)業(yè)知識;2013年20期

3 吳慶文;;政府強力推動臨沭縣柳編產(chǎn)業(yè)規(guī)�；l(fā)展[J];中國集體經(jīng)濟;2012年20期

4 李曉林;;臨沭縣柳編產(chǎn)業(yè)現(xiàn)狀、問題及對策分析[J];現(xiàn)代經(jīng)濟信息;2009年14期

5 張東軍;;創(chuàng)品牌謀發(fā)展 闖出一片晴朗天[J];中國果菜;2010年10期

6 ;[J];;年期

相關(guān)重要報紙文章 前10條

1 呂永國　張皓原 記者 吳本笠;臨沭實現(xiàn)省級“生態(tài)鎮(zhèn)街”全覆蓋[N];中國縣域經(jīng)濟報;2012年

2 通訊員 呂永國　張皓原;臨沭縣：實現(xiàn)省級“生態(tài)鎮(zhèn)街”全覆蓋[N];山東科技報;2012年

3 曹珊珊 聞銳 艷妮;臨沭強化案件評查倒逼質(zhì)效提升[N];人民法院報;2014年

4 王艾玉;臨沭縣形成環(huán)保肥集群[N];中國化工報;2007年

5 季德山;臨沭鎮(zhèn)兩萬名農(nóng)民“兼職”二三產(chǎn)業(yè)[N];中國特產(chǎn)報;2007年

6 陳兆永　曹卿娟;臨沭公安行風(fēng)評議連續(xù)兩年名列全縣榜首[N];人民公安報;2007年

7 王志銀;臨沭政協(xié)精心鑄造調(diào)研精品[N];聯(lián)合日報;2007年

8 陳兆永邋孟凡朵;臨沭：小調(diào)解促進(jìn)社會大和諧[N];人民公安報;2008年

9 呂永國　左德寶;臨沭柳編逆市編出競爭力[N];農(nóng)民日報;2009年

10 本報通訊員 王成玉 本報記者 孟海星;臨沭“復(fù)混肥現(xiàn)象”探析[N];農(nóng)民日報;2000年

相關(guān)碩士學(xué)位論文 前1條

1 陳麒龍;建設(shè)性后現(xiàn)代主義思潮下的低碳理念對臨沭柳編的發(fā)展啟示[D];山東工藝美術(shù)學(xué)院;2016年

，

本文編號：2443446