本文選題：御窯　切入點(diǎn)：國(guó)家陶瓷　出處：《中國(guó)陶瓷》2016年11期 　論文類型：期刊論文

【摘要】：在當(dāng)今世界,文化產(chǎn)業(yè)的發(fā)展和競(jìng)爭(zhēng)將成為21世紀(jì)的主流,陶瓷是中國(guó)文化的名片,中國(guó)仍是世界頭號(hào)的陶瓷生產(chǎn)大國(guó),但在高檔陶瓷設(shè)計(jì)生產(chǎn)及品牌方面,中國(guó)遠(yuǎn)非世界強(qiáng)國(guó),其中最主要的原因就是代表御窯精英式設(shè)計(jì)模式的消失及中國(guó)高雅貴族設(shè)計(jì)精神的消失。在景德鎮(zhèn)設(shè)立"國(guó)家陶瓷文化特區(qū)",就是動(dòng)用國(guó)家力量,整合行業(yè)資源,突出國(guó)家陶瓷文化精英設(shè)計(jì)產(chǎn)業(yè)的優(yōu)勢(shì)發(fā)展,從而帶動(dòng)整體文化產(chǎn)業(yè)及生產(chǎn)力發(fā)展,建立在新的歷史條件上新的官御窯及民窯的發(fā)展模式,這在陶瓷文化產(chǎn)業(yè)體制上是一種全新的探索,也是對(duì)未來(lái)五十至一百年的國(guó)家陶瓷中長(zhǎng)期發(fā)展戰(zhàn)略的一種積極思考。全文分為"國(guó)家陶瓷文化特區(qū)"之提出、內(nèi)涵、實(shí)施三個(gè)部分。
[Abstract]:In today's world, the development and competition of the cultural industry will become the mainstream in 21th century. Ceramics is the name card of Chinese culture. China is still the largest ceramic producer in the world, but in the design, production and brand of high-grade ceramics, China is far from a powerful country in the world. The main reason for this is the disappearance of the meritocracy design model representing the imperial kiln and the disappearance of the noble design spirit of China. The establishment of the "National Ceramic Culture Special Zone" in Jingdezhen is the use of national strength. Integrating industry resources, highlighting the advantages of the national ceramic cultural elite design industry, thus promoting the overall cultural industry and the development of productive forces, and establishing a new development model of government kiln and civil kiln based on the new historical conditions. This is a brand new exploration in the system of ceramic culture industry, and also a positive reflection on the medium and long-term development strategy of national ceramics in the next 50 to 100 years. Implement three parts.
【作者單位】： 景德鎮(zhèn)陶瓷大學(xué);
【基金】：2014年江西省景德鎮(zhèn)陶瓷文化傳承創(chuàng)新協(xié)同創(chuàng)新中心人文社科項(xiàng)目《景德鎮(zhèn)“國(guó)家陶瓷文化特區(qū)”建設(shè)及作用研究》研究成果之一
【分類號(hào)】：J527
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本文編號(hào)：1640730