【摘要】：中國古典園林因其悠久的文化歷史和獨(dú)特的造園思想,在世界造園史上極富盛名,地處江蘇揚(yáng)州的晚清園林——何園就是其中典型的代表,本文以何園作為研究對象,從園林要素研究角度出發(fā),通過對何園實(shí)地考察,系統(tǒng)分析歸納了園林要素的造景手法,并運(yùn)用圖示分析其藝術(shù)特點(diǎn),旨在表現(xiàn)獨(dú)特精湛的造園藝術(shù)特色,以期達(dá)到園林藝術(shù)的傳承與保護(hù),為積淀現(xiàn)代城市特色景觀設(shè)計(jì)思路提供素材。 本文主要由三個(gè)部分組成：第一部分是通過對多大量相關(guān)歷史文獻(xiàn)、著作的解讀,相對全面地陳述了何園地理位置、歷史沿革、修復(fù)狀況、園主背景及主要景點(diǎn),結(jié)合前人研究成果,將文獻(xiàn)中收錄的何園歷史平面圖與現(xiàn)今的平面圖作了一個(gè)系統(tǒng)的對比,梳理歷史原貌與修復(fù)狀況,解析空間變化的差異,展示其動(dòng)態(tài)的發(fā)展過程,為何園造園藝術(shù)研究作一個(gè)直觀性的鋪墊；第二部分是通過現(xiàn)場測繪、數(shù)字輔助、圖示分析等科學(xué)研究手法,細(xì)致分析何園的造園藝術(shù)特色,在建筑方面,何園在傳統(tǒng)園林綜合化藝術(shù)推動(dòng)下以及本土與外來文化的的結(jié)合中,堅(jiān)持自身的造園文化內(nèi)涵,豐富了建筑結(jié)構(gòu)的形式美以及造景藝術(shù)手法；在理水藝術(shù)中,根據(jù)園內(nèi)水體形狀和大小以及位置將其分為點(diǎn)、線、面三種水體形態(tài),并在解析水面分割手法、水岸處理、水位處理的基礎(chǔ)上,總結(jié)歸納何園理水的虛實(shí)、藏隱、曲直的理水特色；在疊山置石方面,以園內(nèi)山石石性的特色、山石布局為基點(diǎn),解析山石與其他造園要素的藝術(shù)格局；在花木配置方面,通過現(xiàn)場調(diào)研,結(jié)合圖示分析,重點(diǎn)探討園林內(nèi)花木植栽如景象點(diǎn)題、分隔空間、襯托建筑等造景藝術(shù)手法的運(yùn)用；第三部分是對上述造園藝術(shù)的總結(jié)回顧,并提出該研究的后續(xù)展望。
[Abstract]:Because of its long cultural history and unique garden idea, Chinese classical garden is very famous in the history of world gardening. The garden of late Qing Dynasty, located in Yangzhou, Jiangsu Province-he Yuan is a typical representative. This paper takes the garden as the research object. From the point of view of the study of garden elements, this paper systematically analyzes and sums up the landscaping techniques of the garden elements through the field investigation of he Yuan, and analyzes the artistic characteristics of the garden elements by using the figures in order to show the unique and exquisite artistic characteristics of the garden building. In order to achieve the heritage and protection of garden art, provide materials for the accumulation of modern urban landscape design ideas. This paper is mainly composed of three parts: the first part is the interpretation of a large number of related historical documents, works, relatively comprehensive statement of the geographical location, historical evolution, restoration situation, the main background and main scenic spots. Combining with the previous research results, this paper makes a systematic comparison between the historical plan collected in the literature and the present plan, combs the historical appearance and the restoration situation, analyzes the difference of the spatial change, and shows its dynamic development process. The second part is the detailed analysis of the artistic characteristics of the garden by scientific research techniques such as on-site surveying and mapping, digital assistance, graphic analysis, and so on. He Yuan, promoted by the comprehensive art of traditional garden and the combination of native culture and foreign culture, insists on its own cultural connotation of garden construction, enriches the beauty of architectural structure and the artistic techniques of landscape building, and in the art of rational water, According to the shape, size and position of the water body in the garden, it can be divided into three kinds of water forms: point, line and surface. On the basis of analyzing the water surface segmentation technique, the treatment of water bank and the treatment of water level, the paper summarizes and summarizes the virtual reality of he Yuanli water, which is hidden and hidden. The art pattern of mountain stone and other garden elements is analyzed based on the characteristics of rock and mountain stone in the garden, and the arrangement of flowers and trees is analyzed through on-the-spot investigation and graphic analysis. This paper focuses on the application of landscape art techniques such as planting flowers and trees in the garden such as scene spot, separating space, setting off architecture, etc. The third part is a summary and review of the above gardening art, and puts forward the future prospect of the study.
【學(xué)位授予單位】：揚(yáng)州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TU986

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本文編號：2207992