傳統(tǒng)風(fēng)水理論在中國(guó)古典園林中的應(yīng)用及對(duì)現(xiàn)代園林景觀的影響
發(fā)布時(shí)間:2018-07-06 11:58
本文選題:風(fēng)水理論 + 天人合一; 參考:《西北農(nóng)林科技大學(xué)》2014年碩士論文
【摘要】:傳統(tǒng)風(fēng)水理論以“天地人合一”為核心思想,其目的就是自然與人之間的和諧統(tǒng)一。即人在開(kāi)發(fā)自然、改造自然的過(guò)程中,要順應(yīng)自然的變化規(guī)律,不得違背自然,過(guò)多的改造自然,以達(dá)到“天人合一”的境界。而現(xiàn)代風(fēng)景園林規(guī)劃設(shè)計(jì)是以滿足現(xiàn)代人的生存需要和精神文化需要為前提,結(jié)合傳統(tǒng)文化理念,將人與環(huán)境、環(huán)境與建筑、人與建筑三者有機(jī)的結(jié)合在一起,從而形成新的“天地人合一”的精神內(nèi)涵。 本文以“形勢(shì)宗”風(fēng)水流派的理論為先導(dǎo),以其“龍、砂、水、穴、向”之地理五訣,結(jié)合古典園林風(fēng)水觀,對(duì)現(xiàn)代園林造景藝術(shù)手法進(jìn)行分析,總結(jié)出傳統(tǒng)風(fēng)水理論在古典園林中具體應(yīng)用。同時(shí),,以風(fēng)水理論的核心思想“天人合一”原則結(jié)合現(xiàn)代生態(tài)理論,闡述了影響現(xiàn)代園林景觀營(yíng)造的“依山傍水”、“因地制宜”、“觀形察勢(shì)”、“順乘生氣”、“地質(zhì)檢驗(yàn)”、“水質(zhì)分析”六大風(fēng)水原則,并以寧夏銀川中阿之軸景觀帶為例,進(jìn)行論證。 本文之所以從風(fēng)水的角度去理解、詮釋現(xiàn)代景觀學(xué),并不是對(duì)風(fēng)水理論盲目的聽(tīng)之信之,而是從科學(xué)的角度,告訴人們:風(fēng)水理論的實(shí)質(zhì)是給現(xiàn)代景觀設(shè)計(jì)師提供了一種思維方式,告訴設(shè)計(jì)師應(yīng)尊重自然,保護(hù)和可持續(xù)地開(kāi)發(fā)利用自然資源,以求在天地之中尋找一種天、地、人之間的平衡。即利用風(fēng)水理論所體現(xiàn)的思維形式,創(chuàng)造現(xiàn)代景觀設(shè)計(jì)師理想中富有詩(shī)情畫意的美的景觀,更是現(xiàn)代景觀生態(tài)評(píng)價(jià)模式中的健全的生態(tài)景觀系統(tǒng)。
[Abstract]:The traditional geomantic theory regards "heaven, earth and man as one" as its core thought, and its purpose is the harmony and unity between nature and man. That is to say, in the process of developing and transforming nature, man should conform to the law of natural change, and must not violate nature and transform nature too much in order to achieve the realm of "the unity of nature and man". Modern landscape architecture planning and design is to meet the needs of modern people's survival and spiritual and cultural needs as the premise, combined with the traditional cultural concept, people and the environment, environment and architecture, people and architecture three organic combination, Thus form a new "heaven, earth and man in one" spiritual connotation. Based on the theory of Feng Shui School of "situation Zong", this paper analyzes the art techniques of modern landscape making with the geography of "Dragon, Sand, Water, Cave and orientation", combined with the view of classical garden geomantic water. Summarize the concrete application of traditional geomantic theory in classical garden. At the same time, with the principle of "harmony of nature and man", which is the core thought of geomantic theory, combined with modern ecological theory, this paper expounds the "leaning on mountains and water", "taking measures according to local conditions", "observing form and observing the situation" and "riding along with life", which affect the construction of modern landscape. "Geological examination", "Water quality Analysis", six principles of geomantic water, and take Yinchuan as an example to demonstrate. The reason why this paper understands and interprets modern landscape science from the view of feng shui is not to blindly listen to geomantic theory, but from a scientific point of view. Tell people: the essence of geomantic theory is to provide a way of thinking for modern landscape designers, telling them that they should respect nature, protect and use natural resources sustainably, in order to find a kind of heaven and earth in heaven and earth. The balance between men. That is the use of the geomantic theory reflected in the form of thinking to create modern landscape designers ideal poetic beauty landscape is the modern landscape ecological evaluation model of sound ecological landscape system.
【學(xué)位授予單位】:西北農(nóng)林科技大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:TU986;TU-023
【參考文獻(xiàn)】
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