發(fā)布時(shí)間：2018-06-14 14:49

  本文選題：格羅皮烏斯 + 密斯��； 參考：《湖南師范大學(xué)》2014年碩士論文

【摘要】：格羅皮烏斯和密斯,這兩位現(xiàn)代建筑史上最為重要的大師,通過他們畢生的努力,實(shí)現(xiàn)了現(xiàn)代設(shè)計(jì)、現(xiàn)代建筑、以及現(xiàn)代設(shè)計(jì)教育體系的發(fā)展和成熟。本文通過比較分析格羅皮烏斯與密斯建筑作品之異同,從而挖掘出產(chǎn)生異同的深層原因,并由此引發(fā)出戰(zhàn)爭(zhēng)對(duì)兩人建筑理論的影響、性格對(duì)建筑理論的影響以及政治立場(chǎng)對(duì)建筑理論的影響等這些建筑理論中的影響因素的探討,借此來指導(dǎo)建筑實(shí)際。 文章選取了格羅皮烏斯的法古斯工廠與密斯的巴塞羅那德國館進(jìn)行比較,來展現(xiàn)兩人設(shè)計(jì)理論的異同：相同的是兩人的建筑在建造技術(shù)、建筑空間、藝術(shù)美學(xué)和設(shè)計(jì)功能這幾方面都具備了現(xiàn)代主義建筑的典型特征,具體體現(xiàn)在：都創(chuàng)新的使用了鋼和玻璃,空間應(yīng)用上都偏愛流通空間,并且都將建筑、雕刻(塑)、繪畫融為一體,通過建筑去表達(dá)“時(shí)代精神”與“民眾精神”。但在功能與形式的側(cè)重、材料的選擇、構(gòu)圖手法、設(shè)計(jì)市場(chǎng)以及兩人對(duì)待設(shè)計(jì)的矛盾與堅(jiān)持的情結(jié)等方面卻存在著某些差異,最終表現(xiàn)為格羅皮烏斯全面建筑觀與密斯“少就是多”建筑理論的不同；格羅皮烏斯理想主義教育思想與密斯現(xiàn)實(shí)主義教育思想的不同。接著通過兩人的出生背景、教育經(jīng)歷、性格特點(diǎn)、政治立場(chǎng)、軍旅生涯對(duì)他們建筑理論的影響等幾方面來解釋兩人差異性產(chǎn)生原因,并把兩人的建筑理論放置于當(dāng)時(shí)的社會(huì)背景環(huán)境下探究現(xiàn)代主義建筑發(fā)展的文脈繼承關(guān)系。最后討論他們的建筑理論對(duì)現(xiàn)代建筑產(chǎn)生的影響以及帶給我們的啟示。 眾所周知,建筑理論對(duì)建筑創(chuàng)作的重要性,影響建筑創(chuàng)作的方向,本論文試想通過格羅皮烏斯與密斯現(xiàn)代主義建筑設(shè)計(jì)理論比較研究,進(jìn)一步喚起人們現(xiàn)代主義建筑設(shè)計(jì)理論中實(shí)在的真諦的重視,而不是盲目的模仿現(xiàn)代主義建筑表面的樣式和外形,從而忽視了現(xiàn)代主義建筑真正的時(shí)代精神。希望我們?cè)诮窈蠼ㄖO(shè)計(jì)史論的學(xué)習(xí)中思路更加明確、合理。同時(shí)通過這篇文章讓新時(shí)代的建筑設(shè)計(jì)師們能夠更加重視自己的藝術(shù)修養(yǎng)和文化修養(yǎng)。
[Abstract]:Gropius and Mies, two of the most important masters in the history of modern architecture, achieved the development and maturity of modern design, modern architecture and modern design education system through their lifelong efforts. By comparing and analyzing the similarities and differences between Gropius and Mies' architectural works, this paper excavates the deep causes of the similarities and differences, and thus causes the influence of the war on the architectural theory of the two men. The influence of personality on architectural theory and the influence of political position on architectural theory are discussed in order to guide architectural practice. This paper compares the Fagus factory in Gropius with the German Pavilion in Barcelona in Mies to show the similarities and differences of the two people's design theory: the same is the construction technology, the building space, The artistic aesthetics and design functions have the typical characteristics of modern architecture, which are embodied in the innovative use of steel and glass, the preference for circulation space in space applications, and the building. Sculpture, painting, the integration of architecture to express the "spirit of the times" and "the spirit of the people." However, there are some differences in function and form, material selection, composition technique, design market and the contradiction and persistence of design between the two people. The ultimate manifestation is the difference between Gropius' comprehensive architectural view and Mies' theory of "less is more", and the difference between Gropius' idealistic educational thought and Mies' realistic educational thought. Then through the birth background, education experience, personality characteristics, political position, the influence of military career on their architectural theory and other aspects to explain the differences between the two. And put their architectural theory in the social background at that time to explore the development of modernist architecture inheritance relationship. Finally, the influence of their architectural theory on modern architecture and the enlightenment to us are discussed. As we all know, the importance of architectural theory to architectural creation and the direction of architectural creation are affected. Further arouse people's attention to the true meaning of modernism architectural design theory, instead of blindly imitating the style and shape of modernism architecture surface, thus ignoring the real spirit of modernism architecture. Hope that we in the future in the study of architectural design history theory thinking more clear and reasonable. At the same time, through this article, architectural designers in the new era can pay more attention to their artistic and cultural accomplishment.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：TU-86

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相關(guān)期刊論文 前2條

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本文編號(hào)：2017759