【摘要】：宣傳畫是一個創(chuàng)作和表現(xiàn)與政治、經(jīng)濟、文化息息相關(guān)的畫種,在20世紀(jì)中國風(fēng)起云涌的社會背景下,呈現(xiàn)出了與其歷史時期相對相應(yīng)而又多姿多彩的面目和風(fēng)格。作為在20世紀(jì)中國政治宣傳畫的發(fā)展嬗變軌跡中具有分水嶺標(biāo)志的時期,從新民主主義到社會主義轉(zhuǎn)變時期(1949-1956)具有自己的獨特風(fēng)貌,本文從藝術(shù)特征、影響因素和地位價值等幾方面對這一時期的政治宣傳畫進(jìn)行了闡述。 藝術(shù)特征上,從新民主主義到社會主義轉(zhuǎn)變時期(1949-1956)的政治宣傳畫在主題和題材上由此前的主要以反對帝國主義、封建主義(如反對八國聯(lián)軍、北洋政府及抗日戰(zhàn)爭、解放戰(zhàn)爭等)的諷刺性、戰(zhàn)斗性的政治宣傳畫演變?yōu)橐员憩F(xiàn)這個時期的新中國的生產(chǎn)和建設(shè)(如抗美援朝、三反五反、婚姻法、增產(chǎn)節(jié)約等主題)為主的歌頌性的政治宣傳畫;在畫面形式上建國前的政治宣傳畫多是以漫畫、諷刺畫和木刻等的形式出現(xiàn),這些宣傳畫多具有主題突出鮮明、形象粗獷簡潔、色彩黑白對比強烈等特點;建國后的則多以油畫、水粉、國畫、年畫等形式繪出,風(fēng)格上也一變此前面目而呈現(xiàn)出形象塑造結(jié)實有力、背景激越復(fù)雜、色彩鮮明熱烈等特征風(fēng)貌;伴隨著從新民主主義到社會主義轉(zhuǎn)變時期(1949-1956)的到來,宣傳畫的創(chuàng)作隊伍出現(xiàn)了多元化的趨勢,首先是專業(yè)創(chuàng)作隊伍的創(chuàng)建,一批專門的宣傳畫畫家出現(xiàn)了,如哈瓊文、翁逸之、吳敏、游龍姑、吳性清、錢大昕、楊文秀、張汝濟等等。以木刻、漫畫等替代宣傳畫的境況也得到改觀。同時,作為在建國初期走在造型藝術(shù)前列的政治宣傳畫藝術(shù),
[Abstract]:Poster painting is a kind of painting which is closely related to politics, economy and culture. Under the social background of the 20th century, it presents a variety of colors and styles corresponding to its historical period. As a period marked by watershed in the development and evolution of Chinese political posters in the 20th century, the transition period from New Democracy to Socialism (1949-1956) has its own unique style and features. The influence factors and status value of the political posters of this period are expounded. In terms of artistic characteristics, the themes and themes of the political posters in the period of transition from New Democracy to Socialism (1949-1956) were mainly opposed to imperialism and feudalism (such as against the allied forces of the eight powers, the Beiyang government and the War of Resistance against Japan). The satire of the war of liberation and so on, the battle political propaganda has evolved into the political propaganda painting which mainly expresses the production and construction of the new China in this period (such as resisting US aggression and aiding Korea, opposing the five evils, marriage law, increasing production and saving, etc.); In the form of pictures before the founding of the people's Republic of China, most of the political posters appeared in the form of comics, caricatures and wood carvings. These posters were characterized by prominent themes, rough and concise images, strong contrast in color and black and white, and so on. After the founding of the people's Republic of China, oil painting, water powder, traditional Chinese painting, New year painting and other forms of painting, style is also a change before the face of the image to shape strong and powerful, the background is more complex, bright and warm color and other features; With the arrival of the transition period from New Democracy to Socialism (1949-1956), the creative team of propaganda paintings appeared the trend of diversification, first of all, the creation of professional creative team, a number of special posters and painters appeared, such as Ha Qiongwen, Weng Yizhi, Wu Min, you Longgu, Wu Xiqing, Qian Daxin, Yang Wenxiu, Zhang Ruji and so on. The situation of alternative posters, such as wood carvings and comics, has also been changed. At the same time, the art of political propaganda, which was at the forefront of plastic arts in the early days of the founding of the people's Republic of China,
【學(xué)位授予單位】：四川大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2005
【分類號】：J209.2

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 陸永祥;陜西革命歷史題材繪畫研究[D];西安美術(shù)學(xué)院;2010年

相關(guān)碩士學(xué)位論文 前2條

1 鄒燦;“大躍進(jìn)”時期的宣傳畫與政治社會化[D];南開大學(xué);2011年

2 郝莉穎;哈瓊文的宣傳畫研究[D];華東師范大學(xué);2010年

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本文編號：2294899