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  本文選題：愛情 + 婚姻��； 參考：《西南大學》2010年碩士論文

【摘要】： 婚姻愛情是文學史上永恒的話題,古今中外描寫婚姻愛情的作品數(shù)不勝數(shù),許多能夠留傳千古的作品都是以婚姻愛情為主題的。但是,在當代文學史上的十七年時期,婚姻愛情描寫受到了政治的強烈干擾。文藝界對蕭也牧的《我們夫婦之間》和路翎的《洼地上的“戰(zhàn)役”》等小說的批判,使得作家們在創(chuàng)作時更加小心翼翼,不敢輕易去描寫婚姻愛情。盡管愛情、婚姻這些字眼在“十七年”時期顯得有些不合時宜,但是,在建國初的50年代文學史上,仍然有一批作家寫出了一批描寫婚姻愛情的作品,或者是一些涉及婚姻愛情的作品。本文主要探討的是50年代文學中有關婚戀書寫的特點以及政策對文學的影響,弄清楚作家是如何迎合國家政策的。 本文主要是以50年代有關婚姻愛情描寫的作品為主要研究對象,全文除引言和結語外共分為三章。 引言部分主要是討論在整個十七年的大時代背景下50年代小說中婚姻愛情出現(xiàn)的幾次高潮,在前人的研究基礎上來闡明本文的寫作理由和研究目的。 第一章主要討論50年代初《婚姻法》背景下的婚戀創(chuàng)作,了解這些小說的書寫模式,分析《婚姻法》對時代青年婚姻愛情的影響,以及它在婚姻愛情中所起的作用。 第二章主要討論“紅色經(jīng)典”中的婚戀創(chuàng)作,分析主人公們在革命與愛情的夾縫中,為追求自己所向往的愛情所付出的努力,以及他們對革命、愛情的獨特理解。不論是在選擇戀愛對象時,還是在整個戀愛過程中,主人公都要服從革命和政治的需要。 第三章主要討論“雙百方針”影響下的“百花文學”創(chuàng)作,作家們受政策鼓舞放開了尺度,無論是在題材的選擇上,還是婚姻愛情的書寫上都是一個很大的突破,大量描寫了男女主人公對婚姻愛情的渴望以及對現(xiàn)實婚姻的困惑,致使作品中流露出了一種苦澀意味。但是,在50年代的時代背景下,作家們受時代潮流的影響,依然不能徹底擺脫政治思想的束縛。因此,他們對婚姻愛情的書寫也不可避免的打上了時代的烙印。 結語部分主要探討這三類作品由于政策的相對不同,各自呈現(xiàn)出的特色以及它們與政治的聯(lián)系。
[Abstract]:Marriage and love is an eternal topic in the history of literature. However, during the 17-year period in the history of contemporary literature, the description of marriage and love was strongly interfered with by politics. Literary criticism of Xiao Yemu's "between us" and Lu Ling's "Battle on the low Land" makes writers more cautious in their work and dare not easily describe marriage and love. Although the words love and marriage were a bit out of date during the period of "seventeen years", in the literary history of the 1950s in the early years of the founding of the people's Republic of China, there were still a number of writers who wrote a number of works about marriage and love. Or something about marriage and love. This paper mainly discusses the characteristics of the writing of marriage and love in the 1950s and the influence of the policy on the literature, and finds out how the writer caters to the national policy. This paper mainly focuses on the works about marriage and love description in the 1950s. The full text is divided into three chapters except the introduction and the conclusion. The preface mainly discusses several climaxes of marriage and love in the novels of 1950s under the background of the whole 17 years, and expounds the writing reasons and research purposes of this paper on the basis of previous studies. The first chapter mainly discusses the creation of marriage and love under the background of "Marriage Law" in the early 1950s, understands the writing mode of these novels, analyzes the influence of Marriage Law on the marriage and love of the youth of the times, and its role in marriage and love. The second chapter mainly discusses the love and marriage creation in "Red Classic", analyzes the protagonists' efforts to pursue the love they yearn for in the gap between revolution and love, as well as their unique understanding of revolution and love. Both in the choice of love object and in the whole process of love, the protagonist has to meet the needs of revolution and politics. The third chapter mainly discusses the creation of "hundred Flowers Literature" under the influence of "double hundred principles". Writers have been encouraged by the policy to open up the yardstick. It is a great breakthrough both in the choice of subject matter and in the writing of marriage and love. A large number of descriptions of the hero's desire for marriage and love, as well as the confusion of real marriage, lead to a bitter feeling in the works. However, under the background of the 1950s, writers are still unable to shake off the shackles of political thoughts. Therefore, their writing of marriage and love is inevitably marked with the brand of the times. The conclusion mainly discusses the characteristics of the three kinds of works and their relationship with politics because of the relative differences in policies.
【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：I207.42

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本文編號：1861268