【摘要】：法律與音樂作為一項法學(xué)跨學(xué)科研究是建立在法律和音樂的關(guān)聯(lián)性基礎(chǔ)上的,其具有鮮明的理論特點(diǎn)與獨(dú)特的理論優(yōu)勢。法律和音樂領(lǐng)域共同關(guān)注文本的解釋實踐活動。法律與音樂確立了"作曲家—作品—演奏家—聽眾"的理論框架,對原初意圖論、文本原意論等提出了反思與批判,合力推進(jìn)了對原意論的理論認(rèn)識深度。法律與音樂視角下的原意論研究為該理論的更新與超越提供了一種新的可能,促使法律和音樂實踐活動中權(quán)力關(guān)系的重新定位,消除單一要素的絕對控制,朝更具開放性、復(fù)雜性與解釋力的方向發(fā)展。同時,法律與音樂為理解原意論的生成與發(fā)展的總體歷史脈絡(luò)提供了一種新思路。法律與音樂研究可使兩個領(lǐng)域的學(xué)科相互參照,彼此聯(lián)系,達(dá)成理論資源與成果的共享,對推進(jìn)國內(nèi)的法學(xué)跨學(xué)科研究發(fā)展具有積極意義。
[Abstract]:As an interdisciplinary study of law and music, law and music are based on the relevance of law and music, with distinct theoretical characteristics and unique theoretical advantages. The field of law and music pays close attention to the practice of text interpretation. The law and music have established the theoretical frame of "composer-work-performer-listener", have put forward the reflection and criticism to the original intention graph theory, the text original idea theory and so on, have promoted the theoretical understanding depth of the original meaning theory together. The study of the original theory from the perspective of law and music provides a new possibility for the renewal and transcendence of the theory, promotes the re-positioning of the power relationship in the practice of law and music, eliminates the absolute control of a single element, and becomes more open to the future. The development of complexity and explanatory power. At the same time, law and music provide a new train of thought for understanding the overall historical context of the formation and development of idealism. The study of law and music can make the subjects of the two fields cross-reference, connect with each other, and achieve the sharing of theoretical resources and achievements. It is of positive significance to promote the development of interdisciplinary research of law in China.
【作者單位】： 吉林省社會科學(xué)院法學(xué)研究所;
【基金】：國家“2011計劃”·司法文明協(xié)同創(chuàng)新中心研究成果
【分類號】：D90-05
，

本文編號：2462172