為了尋求舒適的生存的空間,為了得到安全寧靜的生活環(huán)境,人類不斷地接近自然,依賴自然。因而,由不同色彩組成的自然界深深地影響著人類對世界和自我的認(rèn)知發(fā)展。時至今日,無論從視覺效果、物質(zhì)享受,還是精神寄托,乃至社會形象等等,都離不開各種色彩原型對人類認(rèn)知發(fā)展的影響。色彩原型貯藏在人類大腦集體無意識里,是對自然界各種色彩所反映的一系列原始性心理意象。色彩原型源自于百萬年前人類先民對原始物質(zhì)世界的感知；不同色彩的事物反復(fù)作用于人類先民的眼睛和大腦,使其對不同的色彩有了原始認(rèn)知,而色彩原型隨著認(rèn)知的改變不斷被賦予新的內(nèi)涵。從初步的原始物質(zhì)世界的認(rèn)知,到圖騰的產(chǎn)生、神話的發(fā)展,再到宗教的傳播,色彩原型經(jīng)歷了不同的發(fā)展階段。本文在卡爾·榮格的原型理論及其集體無意識理論的基礎(chǔ)上,提出了色彩原型的概念,并追溯到百萬年前人類先民的生物與心理進(jìn)化,從他們當(dāng)時的生活環(huán)境和原始感知入手,分析了色彩原型的形成,以及在人類心智逐漸進(jìn)步的同時,對色彩豐富的自然界態(tài)度的轉(zhuǎn)變。從人類初民的身心經(jīng)歷出發(fā),色彩原型經(jīng)歷了以生存為基礎(chǔ),滿足食物和性欲需求的生物性物質(zhì)發(fā)展階段,到以精神需求為基礎(chǔ)的求安的生物性精神發(fā)展階段,以及人... 

【文章來源】：沈陽師范大學(xué)遼寧省

【文章頁數(shù)】：100 頁

【學(xué)位級別】：碩士

【文章目錄】：
ABSTRACT
摘要
CHAPTER Ⅰ. INTRODUCTION
    A. A Brief Introduction to Archetype
        1. Origins of Archetype
        2. Jung and his Archetype
        3. Jungian Archetype and Collective Unconsciousness
        4. Features and Kinds of Archetypes
    B. A Brief Introduction to Color Archetypes
        1. Definition of Color Archetypes
        2. Kinds of Color Archetypes
    C. Early Human Cognitive Development
        1. Homo Sapiens
        2. Hunters and Gatherers in the Old Stone Age
        3. The Growth of the Human Brain
    D. Thesis Statement
CHAPTER Ⅱ. DEVELOPMENT OF COLOR ARCHETYPES
    A. Red Color and Black Color
        1. Red Color Archetype and the Hunters
        2. Black Color Archetype and Night and Death
    B. Green Color and Yellow Color
        1. Green Color Archetype and Plants and the Gatherers
        2. Yellow Color Archetype and the Sun and Harvests
    C. Brown Color, Blue Color and White Color
        1. Brown Color Archetype and the Land
        2. Blue Color archetype and Water and the Sky
        3. White Color Archetype and Spirituality
    D. A Summary
CHAPTER Ⅲ. IMPACTS OF COLOR ARCHETYPES ON THE DEVELOPMENT OF HUMANCOGNITION
    A. Totems
        1. Sun Totem and Dragon Totem and Yellow Color Archetype
            a. Sun Totem and its Impacts on Human Cognition
            b. Dragon Totem and its Impacts on Human Cognition
        2. Tree Totem and Snake Totem and Green Color Archetype
            a. Tree Totem and its Impacts on Human Cognition
            b. Snake Totem and its Impacts on Human Cognition
    B. Myths
        1. The Oriental Mythology and Color Archetypes
            a. Buddha and Yellow Color Archetype
            b. Avalokitesvara Bodhisattva and White Color Archetype
        2. The Western Mythology and Color Archetypes
            a. Poseidon and Blue Color Archetype
            b. Apollo and Yellow Color Archetype
    C. Religions
        1. Taoism and Color Archetypes
            a. Brown Color Archetypes in Architecture
            b. Brown Color Archetypes and Black Color Archetypes in Finery
            c. Other Important Color Archetypes in Taoism
        2. Buddhism and Yellow Color Archetypes
            a. Yellow Color Archetypes in Buddhist Worships and Architecture
            b. Yellow Color Archetypes in Buddhist Finery
        3. Christianity and Blue Color Archetypes
        4. Islam and Green Color Archetypes
    D. A Summary
CHAPTER Ⅳ. CONCLUSION
    A. The Main Findings
    B. The Significance of the Main Findings
    C. The Implications of the Study
WORKS CITED
APPENDIX
ACKNOWLEDGEMENTS
PERSONAL RESUME AND PUBLISHED PAPERS



本文編號：3241631