【摘要】：孟子以"承三圣"自我期許,自覺地接續(xù)孔子所開創(chuàng)的儒家樂教傳統(tǒng),并發(fā)展之。他"攻乎異端",孜孜于"辟楊墨",力挽儒家樂教之道統(tǒng)而不墜。在新聲勃興、雅樂式微的時(shí)局下,孟子審時(shí)度勢(shì),以"仁政"理想的實(shí)現(xiàn)為終極指向,聲言"今之樂猶古之樂",以一種迂回的話語策略說服齊宣王"與民同樂",表現(xiàn)出極高的權(quán)變智慧。這種權(quán)變,從容中道,在夾縫中為儒家樂教的復(fù)興覓得一線生機(jī)。
[Abstract]:Mencius, in order to inherit three sages, consciously followed the Confucian music tradition created by Confucius, and developed it. He "attack heresy", assiduously in "Yang Mo", pull the Confucian music doctrine and never fall. In the new sound booming, elegant music decline in the current situation, Mencius judge the situation, with the realization of the ideal of "benevolent government" as the ultimate direction, Declaring "the joy of this day and the music of ancient times", Qi Xuanwang was persuaded by a kind of circuitous discourse strategy to "be happy with the people", showing a high degree of contingency wisdom. This kind of contingency, leisurely in the middle, in the gap for the revival of Confucian music to find a chance to live.
【作者單位】： 河南科技大學(xué)馬克思主義學(xué)院;
【基金】：國家社科基金項(xiàng)目“先秦儒家樂教文獻(xiàn)的生成與思想演進(jìn)”(編號(hào):12CZX032) 河南省高�？萍紕�(chuàng)新人才項(xiàng)目的階段性研究成果
【分類號(hào)】：B222.5

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