論陌生化在納博科夫的《洛麗塔》中的實現(xiàn)
發(fā)布時間：2021-01-23 17:11
“陌生化”理論是俄國形式主義運動的一個重要理論,由形式主義的首要代表和主要發(fā)言人什克洛夫斯基（以下簡稱十氏）于1916年在其著名的論文《作為藝術(shù)的手段》中提出。這是俄國形式主義運動的綱領(lǐng)性論文。在這篇文章中,什氏在批判波捷勃尼亞的藝術(shù)即形象思維這一觀點時,寫下了一段關(guān)于藝術(shù)的名言:“那種被稱為藝術(shù)的東西的存在,正是為了喚回人對生活的感受,使人感受到事物,使石頭更成其為石頭。藝術(shù)的目的是使你對事物感覺如同你所見的視象那樣,而不是如同你所認知的那樣;藝術(shù)的手法是事物的‘反�；址ㄊ菑碗s化形式的手法,它增加了感受的難度和時延,既然藝術(shù)中的領(lǐng)悟過程是以自身為目的的,它就理應(yīng)延長;藝術(shù)是一種體驗事物之創(chuàng)造的方式,而被創(chuàng)造物在藝術(shù)中已無足輕重�！边@段文字讓我們看到了什氏對藝術(shù)的目的、藝術(shù)程序以及藝術(shù)是什么等重大問題的回答,而其中“陌生化”正是解答這些問題的關(guān)鍵。正值俄國形式主義運動蓬勃發(fā)展之時,一位19歲的俄國少年卻由于政治原因離開故土,開始了自己此后漫長的流亡人生。這人就是享譽當今世界文壇多才多藝的文學巨擘—弗拉的米爾·納博科夫（1899--1977）。而他的《洛麗塔》,這部有著傳奇色彩且為納...
【文章來源】：上海外國語大學上海市 211工程院校 教育部直屬院校
【文章頁數(shù)】：70 頁
【學位級別】：碩士
【文章目錄】：
Acknowledgements
摘要
Abstract
Introduction
Chapter 1. The feasibility of applying the theory "defamiliarization" to Lolita
1.1 An Introduction to the Notion "Defamiliarization"
1.1.1 the Definition of "Defamiliarization"
1.1.2 The Methods to Defamiliarize in Literature
1.2 Applying "defamiliarization" to Lolita
1.2.1 Formalist Criticism about Vladimir Nabokov's Writings
1.2.2 Novelty--the shared ideas between "defamiliarization" and Nabokov's view of art
Chapter 2. The Realization of Defamiliarization in Nabokov's Lolita
2.1 Parody: an Essential method to Defamiliarize the Theme of Lolita
2.1.1 Parody of Love Romance
2.1.2 Parody of Detective stories
2.1.3 Parody of the Prustian Theme on Time and Memory
2.1.4 Sub-conclusion
2.2 Poetic Language : a Most Effective Way to Defamiliarize in Lolita
2.2.1 Multilingualism
2.2.2 Baroque Language
2.2.3 Word Play
2.2.4 Sub-conclusion
Chapter 3. The Artistic Effect of the Realization of Defamiliarization in Lolita
3.1 Defamiliarization Refracting Nabokov's Unique View of Art and Aesthetics
3.1.1 Parody, a Key Word to Lolita
3.1.2 Poetic Language, a Highlight in Lolita
3.2 Defamiliarization Enabling Readers of Lolita to Acquire Artistic Perception
3.2.1 Defamiliarization: an Effective Way to Acquire artistic perception
3.2.2 Lolita: a Works of Art to Break Over-automatic Perception
Conclusion
Notes
Bibliography
本文編號：2995592
【文章來源】：上海外國語大學上海市 211工程院校 教育部直屬院校
【文章頁數(shù)】：70 頁
【學位級別】：碩士
【文章目錄】：
Acknowledgements
摘要
Abstract
Introduction
Chapter 1. The feasibility of applying the theory "defamiliarization" to Lolita
1.1 An Introduction to the Notion "Defamiliarization"
1.1.1 the Definition of "Defamiliarization"
1.1.2 The Methods to Defamiliarize in Literature
1.2 Applying "defamiliarization" to Lolita
1.2.1 Formalist Criticism about Vladimir Nabokov's Writings
1.2.2 Novelty--the shared ideas between "defamiliarization" and Nabokov's view of art
Chapter 2. The Realization of Defamiliarization in Nabokov's Lolita
2.1 Parody: an Essential method to Defamiliarize the Theme of Lolita
2.1.1 Parody of Love Romance
2.1.2 Parody of Detective stories
2.1.3 Parody of the Prustian Theme on Time and Memory
2.1.4 Sub-conclusion
2.2 Poetic Language : a Most Effective Way to Defamiliarize in Lolita
2.2.1 Multilingualism
2.2.2 Baroque Language
2.2.3 Word Play
2.2.4 Sub-conclusion
Chapter 3. The Artistic Effect of the Realization of Defamiliarization in Lolita
3.1 Defamiliarization Refracting Nabokov's Unique View of Art and Aesthetics
3.1.1 Parody, a Key Word to Lolita
3.1.2 Poetic Language, a Highlight in Lolita
3.2 Defamiliarization Enabling Readers of Lolita to Acquire Artistic Perception
3.2.1 Defamiliarization: an Effective Way to Acquire artistic perception
3.2.2 Lolita: a Works of Art to Break Over-automatic Perception
Conclusion
Notes
Bibliography
本文編號：2995592
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