【摘要】：約翰·馬克斯維爾·庫(kù)切是南非白人作家,用英語(yǔ)進(jìn)行創(chuàng)作,獲得了2003年的諾貝爾文學(xué)獎(jiǎng)。他創(chuàng)作了多部手法各異的小說(shuō)以及三部小說(shuō)體自傳：《男孩》、《青春》、《夏日》,后者構(gòu)成了他的自傳三部曲。庫(kù)切的自傳采用了脫離自傳常規(guī)的手法,進(jìn)行了小說(shuō)化的創(chuàng)作,兼涉小說(shuō)和自傳兩個(gè)文類(lèi)。為此,研究者的爭(zhēng)論集中在了三部作品為小說(shuō)體自傳還是自傳體小說(shuō)上。雖然三部作品各有特點(diǎn),但有其明顯的內(nèi)部一致性,那就是庫(kù)切的自傳創(chuàng)作觀念以及在認(rèn)識(shí)自我的同時(shí)蘊(yùn)涵的對(duì)南非歷史和現(xiàn)實(shí)等問(wèn)題的思考,小說(shuō)體自傳不僅擴(kuò)展了自傳的內(nèi)容,形式上的翻新也增添了自傳的魅力。 本文在前言部分提出了擬解決的中心問(wèn)題,簡(jiǎn)述了國(guó)內(nèi)外庫(kù)切小說(shuō)體自傳的研究情況,說(shuō)明了論文選題的意義和基本結(jié)構(gòu)。正文部分主要分為三個(gè)部分。第一部分主要從自傳理論中的自傳定義和“自傳契約”概念入手,確定了庫(kù)切的三部作品的文類(lèi)基本為自傳,因而稱為“小說(shuō)體自傳”似乎更為合適,并闡明了他的自傳觀念：小說(shuō)化的自傳更真實(shí)；第二部分通過(guò)分析三部小說(shuō)體自傳的敘述時(shí)態(tài)、敘述視角、敘述聲音、隱含作者等幾個(gè)方面的敘述策略,集中闡述了其是如何使內(nèi)容與形式有機(jī)結(jié)合,達(dá)到很好的審美效果的；第三部分則從道德書(shū)寫(xiě)和后殖民創(chuàng)作語(yǔ)境兩個(gè)方面,論述了庫(kù)切小說(shuō)化自傳創(chuàng)作的深層動(dòng)因。結(jié)語(yǔ)部分對(duì)全文進(jìn)行了總結(jié),指出庫(kù)切身為后殖民作家在自傳文本中融入了對(duì)南非歷史和現(xiàn)實(shí)的思考,體現(xiàn)出作為一位杰出作家的責(zé)任感和正義感。
[Abstract]:John Maxville Kuche, a white South African writer who wrote in English, won the Nobel Prize for Literature in 2003. He has written many novels with different techniques and three autobiographies: boys, Youth and Summer, which constitute the trilogy of his autobiography. Kuchi's autobiography adopts the method of breaking away from the routine of autobiography, carries on the novel creation, simultaneously involves the novel and the autobiography two categories. For this reason, the researchers focus on whether the three works are fiction autobiographies or autobiographical novels. Although each of the three works has its own characteristics, it has its obvious internal consistency, that is, Kutcher's concept of autobiography creation and his thinking on the history and reality of South Africa while understanding himself. The autobiography not only expands the content of autobiography, but also adds the charm of autobiography in form. In the preface, this paper puts forward the central problems to be solved, briefly describes the research situation of the autobiography of Kuchi's novels at home and abroad, and explains the significance and basic structure of the selected topic. The main body is divided into three parts. The first part mainly starts with the definition of autobiography and the concept of "autobiography contract" in autobiography theory, and determines that the literary categories of Kuchi's three works are basically autobiographies, so it seems more appropriate to call them "novel autobiography", and clarifies his concept of autobiography: the autobiography of novels is more real; The second part focuses on how to combine the content and form organically to achieve a good aesthetic effect by analyzing the narrative tense, narrative perspective, narrative voice, implied author and other aspects of the autobiography of the three novels; the third part discusses the deep motivation of Kutcher's autobiography creation from two aspects of moral writing and post-colonial creation context. The conclusion part summarizes the full text, and points out that Ku, as a postcolonial writer, has integrated his thinking on the history and reality of South Africa in the autobiography text, which reflects his sense of responsibility and justice as an outstanding writer.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類(lèi)號(hào)】：I478.074

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本文編號(hào)：2506441