【摘要】：艾米莉·狄金森(1830-1886)被譽(yù)為美國現(xiàn)代詩歌的創(chuàng)始人之一。含混是其詩歌的顯著特征,含混這一獨(dú)特藝術(shù)手法的運(yùn)用,大大豐富了詩歌內(nèi)涵。本文作者試圖運(yùn)用威廉·燕卜遜的含混理論,并結(jié)合狄金森的詩學(xué)主張,從詞匯層、句法層、修辭手法層三個層面探討了狄金森1862死亡詩歌中的含混。 本文共包括四章。第1章著重介紹了狄金森自身的詩學(xué)理論中,與含混相關(guān)的理論。含混是狄金森詩歌創(chuàng)作的追求。狄金森將含混喻為圓周“周延”,這一詩學(xué)主張與燕卜遜的含混理論相契合。第2章運(yùn)用含混理論,從詞匯層面分析了死亡詩歌中的含混。艾米莉在詩歌中有意識地制造含混；對狄金森而言,語言是密碼和面具,而詞是最基本的。狄金森通過語義含混隱藏自己的感情和思想,從而給讀者留下了想象的空間,使讀者對詩義有多種解讀。第3章從句法層面探討了狄金森死亡詩歌中的含混。狄金森詩歌中經(jīng)常使用省略,為讀者提供無盡的聯(lián)想和想象空間；同時,一語雙用的使用,造成句法上的朦朧,使多種解讀成為可能。第4章從修辭的角度探討狄金森詩歌中的含混。狄金森在其死亡詩歌中,大量使用暗喻、雙關(guān)和悖論,來增強(qiáng)其詩歌中的蘊(yùn)意。 狄金森出生在一個清教主義家庭,從小熟讀《圣經(jīng)》,深受宗教傳統(tǒng)的熏染。然而,盡管相信上帝的存在,狄金森常常質(zhì)疑上帝的恩慈和永生的存在,因而不斷徘徊于信仰和懷疑之中。本文通過探討狄金森1862年死亡詩歌中的含混特點(diǎn),揭示狄金森對死亡質(zhì)疑與信任相互交織的含混態(tài)度。
[Abstract]:Emily Dickinson (1830 / 1886) is known as one of the founders of modern American poetry. Ambiguity is the remarkable feature of his poetry, and the use of ambiguity, a unique artistic technique, greatly enriches the connotation of poetry. Based on William Yanbson's ambiguous theory and Dickinson's poetics, the author attempts to explore the ambiguity in Dickinson's 1862 death poetry from three aspects: lexical layer, syntactic layer and rhetorical device layer. This paper consists of four chapters. Chapter 1 focuses on Dickinson's own poetics theory, which is related to ambiguity. Ambiguity is the pursuit of Dickinson's poetry creation. Dickinson refers to inclusion as circumferential "circumferential extension", which is consistent with Yan Benson's ambiguous theory. Chapter 2 analyzes the ambiguity in death poetry from the lexical level by using the theory of ambiguity. Emily consciously creates ambiguity in poetry; for Dickinson, language is password and mask, and words are the most basic. Dickinson hides his feelings and thoughts through semantic ambiguity, which leaves readers with space for imagination and makes readers have a variety of interpretations of the meaning of poetry. Chapter 3 discusses the ambiguity in Dickinson's death poetry from the syntactic level. In Dickinson's poems, ellipsis is often used to provide readers with endless association and imagination space. At the same time, the use of one word in combination causes syntactic hazy and makes it possible to interpret a variety of things. Chapter 4 discusses the ambiguity in Dickinson's poetry from a rhetorical point of view. Dickinson used metaphors, puns and paradoxes in his death poems to enhance the meaning of his poems. Dickinson was born into a Puritan family, read the Bible well from an early age, and was deeply influenced by religious traditions. However, despite believing in the existence of God, Dickinson often questioned God's kindness and the existence of eternal life, and therefore lingered in faith and doubt. This paper discusses the vague characteristics of Dickinson's 1862 death poetry, and reveals Dickinson's vague attitude towards death questioning and trust.
【學(xué)位授予單位】：中南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I712.072

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