【摘要】：戴維·洛奇是英國著名的小說家和文學(xué)評論家。作為身兼二職的學(xué)者型作家，，他一直致力于在小說中反映學(xué)術(shù)界的各種現(xiàn)象。他最著名的小說幾乎都是以知識分子為主要人物，以學(xué)術(shù)界和文化界作為寫作背景。他的小說風(fēng)格通常被認(rèn)為是后現(xiàn)代主義之后對傳統(tǒng)的回歸，具有現(xiàn)實(shí)主義和后現(xiàn)代主義的雙重特點(diǎn)。 《換位》是一部具有多重主題的小說。在國外，對《換位》的研究開展相對較早，《換位》曾獲得霍桑頓文學(xué)獎和約克郡郵報(bào)最佳小說獎。在國內(nèi)對《換位》的研究主要集中在敘事手法、現(xiàn)代主義、后現(xiàn)代主義和英美文化差異等角度。然而，縱觀國內(nèi)外研究現(xiàn)狀，很少有人對這部小說進(jìn)行鏡像理論方面的研究。本文旨在運(yùn)用拉康的鏡像理論對《換位》進(jìn)行系統(tǒng)分析和論述，從自我與他者的角度出發(fā)探討文本中人物的自我身份認(rèn)同危機(jī)。 除了引言和結(jié)論，本文包括五章：第一章介紹了作者的生平及其主要作品、闡述了該文本的國內(nèi)外研究現(xiàn)狀、本文的創(chuàng)新點(diǎn)與目的、意義。第二章介紹了鏡像理論、自我、他者以及自我與他者的關(guān)系。第三章具體描述了在《換位》中自我與他者的沖突關(guān)系。第四章在前三章的基礎(chǔ)上，重點(diǎn)分析了《換位》中由眾人構(gòu)成的異化小世界給人物的心理狀態(tài)和生存狀態(tài)所帶來的巨大影響。第五章通過對文本的深刻解讀，結(jié)合鏡像理論總結(jié)出自我接近他者，并試圖被他者替代的過程，反映出現(xiàn)代人在成長過程中所面臨的永恒迷惘。 作者的寫作意圖是通過對兩位教授斯沃洛和扎普的描寫，反映出以斯沃洛和扎普為代表的學(xué)術(shù)界的腐敗墮落，以及現(xiàn)代人所面臨的內(nèi)心焦慮、生存困境等問題，但作者仍然對整個知識分子群體寄予厚望，期待他們能夠走出迷茫，取得新成績。
[Abstract]:David Lodge is a famous British novelist and literary critic. As a scholar writer, he has been devoted to reflecting academic phenomena in his novels. His most famous novels are almost the intellectuals as the main characters, academic and cultural circles as the background of writing. His novel style is usually regarded as a return to tradition after postmodernism, with the dual characteristics of realism and postmodernism. Transposition is a novel with many themes. Abroad, the study of transposition was carried out relatively early. It has won the HorThorton Prize for Literature and the best novel award for the Yorkshire Post. The study of transposition in China mainly focuses on narrative techniques, modernism, postmodernism and cultural differences between the United States and the United States. However, looking at the present situation of domestic and international research, few people study the mirror theory of this novel. The purpose of this paper is to make a systematic analysis and discussion on transposition by using Lacan's mirror image theory, and to discuss the crisis of self-identity of the characters in the text from the angle of self and others. In addition to the introduction and conclusion, this paper includes five chapters: the first chapter introduces the author's life and his main works, expounds the domestic and foreign research status of the text, the innovation, purpose and significance of this paper. The second chapter introduces mirror image theory, self, other and the relationship between self and other. The third chapter describes the conflict between self and other in transposition. On the basis of the first three chapters, the fourth chapter focuses on the analysis of the great influence of the dissimilated small world in transposition on the mental state and living state of the characters. The fifth chapter through the profound interpretation of the text, combined with the mirror theory to sum up the process of self approaching others and trying to be replaced by others, reflects the eternal confusion that modern people face in the process of growing up. The author's intention is to describe the two professors, Svalo and Zapp, reflecting the corruption and corruption of the academic circles represented by Svalo and Zapp, as well as the inner anxiety and survival dilemma faced by modern people. But the author still expects the whole intellectual group to get out of confusion and make new achievements.
【學(xué)位授予單位】：齊齊哈爾大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I561.074

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