【摘要】：西班牙——秘魯作家略薩以其層出不窮的結(jié)構(gòu)試驗贏得了世人的贊譽(yù)，在其作品多種多樣之形式的背后，跳動著他那顆關(guān)注拉美弱勢群體和祖國落后現(xiàn)狀的滾燙的心。在秘魯專制體制下成長起來的略薩，極其痛恨攪亂社會的毒瘤，他憑借自己敏銳的眼光，以夸張、荒誕的筆觸諷刺世事，從審美的高度反映了拉美生存境遇的荒謬性和不合理性，直達(dá)社會病癥的癥結(jié)。表現(xiàn)了他作為優(yōu)秀作家的高度責(zé)任感，從中也折射出他對理想社會的大膽追求。 首先，略薩在作品中為我們展現(xiàn)出一個荒誕的世界，怪異的客體世界和悖謬的主觀世界是它的組成部分�？陀^世界的怪異不僅表現(xiàn)為國家機(jī)器對人的敵視，更突出表現(xiàn)為人與人之間的隔閡。而主觀感覺的悖謬主要也體現(xiàn)在兩個方面，其一是異化的人物，其二是面對荒誕，人只能做無用的反抗。第二，在作家本人的荒誕意識觀照下，他運用了多種荒誕化的藝術(shù)手法來剖析荒誕現(xiàn)實，包括人物和情節(jié)的變形、時空倒錯的結(jié)構(gòu)以及黑色幽默等，這些手法使作品的形式與內(nèi)容完美結(jié)合，強(qiáng)化了主體的聲音。第三，略薩的荒誕意識來源于西方存在主義的影響，拉美社會的生存境遇和他本人的生活經(jīng)歷也促使他的創(chuàng)作帶著“荒誕”的色彩。從審美角度而言，略薩作品中的荒誕意識讓讀者置身于一種陌生化的審美體驗中，傳遞著反常合真的審美精神，，也營造了多維度的審美意蘊(yùn)和悲喜交融的審美境界，具有獨特的審美價值。
[Abstract]:Spanish-Peruvian writer Llosa has won praise for his endless structural experiments, beating his burning heart behind his diverse forms of work, focusing on the underprivileged in Latin America and the backwardness of the motherland. Growing up under the Peruvian autocratic system, he hated the tumour that disturbed society, and with his keen eyes, he satirized the world with exaggerated and absurd strokes. It reflects the absurdity and irrationality of Latin American living conditions from the aesthetic point of view, and leads to the crux of social illness. It shows his high sense of responsibility as an excellent writer and reflects his bold pursuit of the ideal society. First of all, Llosa shows us an absurd world in his works. The weird object world and the paradoxical subjective world are its components. The eccentricity of the objective world is manifested not only in the hostility of the state apparatus to human beings, but also in the estrangement between people. The paradox of subjective feeling is mainly reflected in two aspects, one is the alienation of characters, the other is the face of absurdity, people can only make useless resistance. Second, under the writer's consciousness of absurdity, he uses a variety of absurd artistic techniques to analyze the absurd reality, including the transformation of characters and plots, the wrong structure of time and space, and black humor, and so on. These techniques make the form and content of the work perfect combination, and strengthen the voice of the subject. Thirdly, Llosa's consciousness of absurdity originates from the influence of Western existentialism, and the living conditions of Latin American society and his own life experience also promote his creation with the color of "absurdity". From the aesthetic point of view, the absurd consciousness in Llosa's works puts the reader in a strange aesthetic experience, which conveys the abnormal and true aesthetic spirit, and also creates a multi-dimensional aesthetic meaning and aesthetic realm of sadness and joy. It has unique aesthetic value.
【學(xué)位授予單位】：湘潭大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I551.074

【參考文獻(xiàn)】

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