圖像小說《鼠族》的表現(xiàn)語言研究
[Abstract]:The image novel, which originated in the United States, is the natural product of the evolution of the times, which was originally changed from a simple, general and satirical cartoon to a continuous comic book with a theme similar to a comic strip. Then it became a serious adult reading, that is, to express a literary and philosophical story in the form of images. For thousands of years, images have been regarded by the public as easy to understand, and esoteric literature is sometimes difficult to understand, and image novels combine images with characters, that is, the way in which pictures and texts complement each other. This is more convenient for adult readers to read and understand the content of the story intuitively than to tell it in words, so as to meet the readers' ideological and visual needs. Therefore, image novels can be called "visual literature". It has distinct characteristics compared with cartoons and other types of publications. Mouse, the only Pulitzer Prize-winning image novel in the past hundred years, has great research value in literature and art. Under the situation of different familiarity at home and abroad, this paper is divided into two chapters to study the general situation and expression language of the image novel "Mouse nationality": first, it expounds the related situation of the image novel "Mouse nationality". It includes the content of the image novel, the comparison with other types of publications, the introduction of the author of the Mouse nationality, the creative background and content, which shows that the image novel originates from the cartoon, which is higher than the cartoon, and the Mouse nationality is an excellent work of the image novel. Second, collate and analyze the expressive language of the Mouse nationality, including literary language and picture language. In literary language, the narrative perspective and techniques are explored, the characters, the shaping of real animals, the transformation of picture lens and the style of picture are explored in picture language. Through the study of the two parts, the artistic value of the Mouse nationality is affirmed again, and it is hoped that the image novel can ignite a new hot spot, get high attention, and finally adapt to the upsurge of the "picture reading era".
【學(xué)位授予單位】:西安美術(shù)學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2017
【分類號】:I712.074
【參考文獻】
相關(guān)期刊論文 前10條
1 吳忠華;章諦夢;;美國圖像小說話語特征認知視角研究:對文學(xué)傳播新形式的思考[J];新聞知識;2016年10期
2 段楓;;大屠殺記憶及其藝術(shù)想象:《鼠族》的繪畫敘事策略[J];外國文學(xué)研究;2016年04期
3 張開瑋;;圖像與文字的合奏——淺析圖像小說的創(chuàng)作[J];湖北美術(shù)學(xué)院學(xué)報;2016年03期
4 閆書穎;;身份與象征:解讀斯皮格曼的《鼠族》[J];當(dāng)代外國文學(xué);2015年02期
5 王霞;;納粹屠猶的話語建構(gòu)與創(chuàng)傷敘事——以阿特·斯皮格曼《鼠族》為例[J];暨南學(xué)報(哲學(xué)社會科學(xué)版);2014年08期
6 江瑛;;《鼠族》中的創(chuàng)傷[J];湖北經(jīng)濟學(xué)院學(xué)報(人文社會科學(xué)版);2013年07期
7 劉鋒;;圖像記錄中的納粹大屠殺——美國繪圖小說《鼠族》中的現(xiàn)實主義表現(xiàn)手法[J];伊犁師范學(xué)院學(xué)報(社會科學(xué)版);2013年01期
8 王虹;;敘事的兩條共生藤蔓——圖文小說敘事特點研究[J];重慶工商大學(xué)學(xué)報(社會科學(xué)版);2011年03期
9 沙海燕;張偉英;;圖畫故事書與插圖、漫畫、連環(huán)畫之關(guān)系[J];藝術(shù)百家;2008年02期
10 ;論第一人稱敘述與第三人稱有限視角敘述在視角上的差異[J];外國文學(xué)評論;1996年02期
相關(guān)重要報紙文章 前1條
1 劉志偉;;圖像小說有望引燃出版新熱點[N];中國出版?zhèn)髅缴虉?2015年
相關(guān)碩士學(xué)位論文 前4條
1 方琪;模糊敘事興起的必然性[D];江南大學(xué);2014年
2 李鵬鵬;圖文小說《鼠族》藝術(shù)研究[D];西安美術(shù)學(xué)院;2014年
3 朱珠;美國圖像小說研究[D];南京藝術(shù)學(xué)院;2011年
4 白志如;中國漫畫發(fā)展斷層現(xiàn)象研究[D];浙江大學(xué);2007年
,本文編號:2480748
本文鏈接:http://sikaile.net/xiandaiwenxuelunwen/2480748.html