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弗洛伊德視角下《法國(guó)中尉的女人》中薩拉的自戀現(xiàn)象研究

發(fā)布時(shí)間:2018-11-21 14:03
【摘要】:著名英國(guó)小說(shuō)家約翰·羅伯特·福爾斯的代表作《法國(guó)中尉的女人》在1969年出版后,備受女權(quán)主義以及自由主義層面的關(guān)注。甚至福爾斯也聲稱(chēng)這是一部女權(quán)小說(shuō),并贊揚(yáng)女主公薩拉捍衛(wèi)自由的精神。但嚴(yán)格來(lái)講,薩拉并不是一個(gè)純粹的女權(quán)主義者或純粹的由由捍衛(wèi)者。本文并不否認(rèn)批評(píng)前輩們對(duì)薩拉所作出的女權(quán)以及自由主義層面的解讀,只是希望在此基礎(chǔ)上,通過(guò)弗洛伊德的精神分析來(lái)探討薩拉身上的這種"不純粹性",并將此作為對(duì)薩拉研究的一個(gè)補(bǔ)充。受到弗洛伊德精神分析學(xué)的啟發(fā),特別是其中的自戀理論,本文將薩拉作為一個(gè)自戀者進(jìn)行分析。薩拉的自戀特征主要體現(xiàn)在顯性的自虐和隱性的同性戀這兩個(gè)方面。因父親的移情作用,幼年的薩拉發(fā)展到初級(jí)自戀階段。又因未能與法國(guó)中尉發(fā)展戀情來(lái)排遣孤獨(dú)感,她繼續(xù)進(jìn)入二級(jí)自戀階段。之后她將查爾斯作為愛(ài)的對(duì)象,以此來(lái)排遣自我力比多的過(guò)多堆積。薩拉成功地弓引誘了查爾斯,但卻拋棄了他。最后她似乎又與女詩(shī)人克里斯蒂娜有著隱晦的同性戀關(guān)系,這一點(diǎn)雖然沒(méi)有得到福爾斯的肯定,但也得不到否認(rèn),因?yàn)樽髡呓o出太多的隱含信息直指薩拉的女同身份。最終薩拉投身于藝術(shù),實(shí)現(xiàn)了自由。本文的研究意義在于,通過(guò)對(duì)薩拉的分析,有意向大眾傳達(dá)出一種|R極的生·活態(tài)度,即要學(xué)會(huì)如何正確地排遣自我力比多的過(guò)多堆積,與此同時(shí),升華力比多是避免悲劇發(fā)生的一個(gè)有效途徑。
[Abstract]:The French Lieutenant's woman, a masterpiece of John Robert Fowles, a famous British novelist, has attracted much attention from feminist and liberal perspectives since it was published in 1969. Even Fowles claimed that it was a feminist novel and praised her mistress Sarah for defending the spirit of freedom. But strictly speaking, Sarah is not a pure feminist or purely by defenders. This article does not deny criticism of the feminist and liberal interpretations of Sarah made by her predecessors, but only hopes to explore the "impure nature" of Sarah through Freud's psychoanalysis. And take this as a supplement to Sarah's research. Inspired by Freud's psychoanalysis, especially the narcissistic theory, this paper analyzes Sarah as a narcissistic. Sarah's narcissism is mainly reflected in two aspects: explicit self-abuse and implicit homosexuality. As a result of the father's transference, Sarah's early development to the stage of primary narcissism. Unable to develop a romantic relationship with a French lieutenant, she went on to a second-level narcissism. She then made Charles the object of love to dispel the excessive accumulation of self-libido. Sarah succeeded in luring Charles with her bow, but abandoned him. In the end, she seemed to have an obscure homosexual relationship with the poet Christina, which was not recognized by Fowles, but could not be denied because the author gave too much implicit information about Sarah's lesbian identity. Eventually Sarah devoted herself to art and realized her freedom. The significance of this study is that, through the analysis of Sarah, it is intended to convey to the public an attitude of living and living, that is, to learn how to correct the excessive accumulation of self-libido, and at the same time, Sublimation of libido is an effective way to avoid tragedy.
【學(xué)位授予單位】:浙江工商大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類(lèi)號(hào)】:I561.074

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 鄭嵐;;“法國(guó)中尉的女人”——薩拉的女性主義解讀[J];文學(xué)界(理論版);2011年10期

2 王衛(wèi)新;;《法國(guó)中尉的女人》中薩拉的隱身與現(xiàn)身[J];浙江師范大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2008年04期

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