1921-1933年《申報》中有關(guān)德國審美與價值觀報道分析
發(fā)布時間：2018-10-24 11:19
【摘要】：20世紀(jì)二、三十年代的中德關(guān)系對于兩國關(guān)系史的研究具有十分重要的意義。在此階段內(nèi),兩國出于各自的利益,諸多領(lǐng)域的交往均呈現(xiàn)出緊密的狀態(tài)。本文選取1921年兩國簽訂中德條約為研究起點,1933年以希特勒為首的納粹黨在德國掌握政權(quán)為結(jié)點,以當(dāng)時在中國具有較大影響力的《申報》中關(guān)于德國審美與價值觀兩方面的報道為研究對象,其原因在于,從此角度出發(fā),報刊中的德國形象能被更為直觀地表達。在具體的分析過程中,本文首先根據(jù)對當(dāng)時中國產(chǎn)生較大影響的一系列內(nèi)政外交事件,對研究時段進行了劃分。繼而,對每個階段內(nèi)關(guān)于德國審美與價值觀的報道進行了量化與質(zhì)化兩方面的細(xì)致分析。在此過程中,本文采用了數(shù)量分析法、質(zhì)量分析法、比較分析法及背景分析法,力求論證的客觀性和準(zhǔn)確性。在第一階段內(nèi),關(guān)于德國相關(guān)領(lǐng)域的報道數(shù)量較少,且多集中于價值觀方面,但在其評論中已可見較強的介紹意愿。第二階段中,雖報道總數(shù)增長仍不明顯,但關(guān)注的領(lǐng)域已涉及如造型藝術(shù)、文學(xué)藝術(shù)、表演藝術(shù)等多方面,且均采取了較為積極的評論。第三階段內(nèi),《申報》中大部分與之相關(guān)的報道均集中于德國文學(xué),且總數(shù)有了較為明顯的上升。在內(nèi)容方面,德國新興作家與表現(xiàn)派文學(xué)得到了重點關(guān)注,在相關(guān)評論中可見中國對此了解的進一步加深。第四階段中大部分的報道涉及德國的造型藝術(shù)與表演藝術(shù),在數(shù)量與內(nèi)容兩方面均呈現(xiàn)出不穩(wěn)定的趨勢。雖然德國法西斯勢力的崛起在此期間已有一定的表現(xiàn),但報道對于德國相關(guān)領(lǐng)域的推崇并未受此影響,而是呈現(xiàn)愈加欣賞的態(tài)度。之后,為使上述結(jié)論更加完善,本文把研究時段內(nèi)關(guān)于德國審美與價值觀的報道與對當(dāng)時中國亦產(chǎn)生較為重要影響的日本、美國、俄國、英國、法國的相關(guān)報道進行了比較與分析,由此,報刊中的德國形象被更恰當(dāng)?shù)乩斫�。最�?本文把所得的德國形象映射至當(dāng)時的社會歷史大背景中,力圖還原出當(dāng)時中國相關(guān)領(lǐng)域的發(fā)展情況對報道所產(chǎn)生的、及其報道對于相關(guān)領(lǐng)域所產(chǎn)生的雙向影響,希望此文的分析論證,能對當(dāng)下相關(guān)領(lǐng)域的學(xué)術(shù)研究提供有價值的補充。
[Abstract]:The relations between China and Germany in the twenties and thirties of the 20th century are of great significance to the study of the history of relations between the two countries. In this stage, the two countries out of their own interests, many fields of exchanges have shown a close state. This paper chooses the Sino-German Treaty of 1921 as the starting point of the study, and the Nazi Party led by Hitler in 1933 as the node of the German regime. Taking the reports on German aesthetics and values in the "Declaration", which had great influence in China at that time, as the object of study, the reason is that from this point of view, the German image in newspapers and periodicals can be expressed more intuitively. In the process of concrete analysis, this paper first divides the period of study according to a series of domestic and foreign affairs which have a great influence on China at that time. Then, the report on German aesthetics and values in each stage is analyzed in both quantitative and qualitative aspects. In this process, quantitative analysis, quality analysis, comparative analysis and background analysis are used to demonstrate objectivity and accuracy. In the first stage, the number of reports on German related fields is relatively small, and most of them focus on values, but there is a strong willingness to introduce in his comments. In the second stage, although the increase in the total number of reports is still not obvious, the areas of concern have been involved in many aspects, such as plastic arts, literary arts, performing arts and so on, and have taken more positive comments. In the third stage, most of the related reports are concentrated in German literature, and the total number has increased obviously. In terms of content, the new German writers and expressionist literature have been paid more attention to, and in the relevant comments, China's further understanding of this issue can be seen. In the fourth stage, most of the reports related to German plastic arts and performing arts, both in terms of quantity and content showed an unstable trend. Although the rise of fascist forces in Germany has been shown during this period, the report has not been affected by the praise of German related fields, but has shown an increasingly appreciative attitude. After that, in order to make the above conclusion more perfect, this paper reports the German aesthetics and values in the period of study and Japan, the United States, Russia, Britain, which also had a relatively important impact on China at that time. By comparing and analyzing the relevant reports in France, the image of Germany in the press is better understood. Finally, this paper maps the image of Germany to the social and historical background of the time, trying to restore the development of relevant fields in China at that time, and the two-way impact of the report on the related fields. It is hoped that the analysis and argumentation of this paper will provide a valuable supplement to the current academic research in related fields.
【學(xué)位授予單位】：上海外國語大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I516.06
本文編號：2291243
[Abstract]:The relations between China and Germany in the twenties and thirties of the 20th century are of great significance to the study of the history of relations between the two countries. In this stage, the two countries out of their own interests, many fields of exchanges have shown a close state. This paper chooses the Sino-German Treaty of 1921 as the starting point of the study, and the Nazi Party led by Hitler in 1933 as the node of the German regime. Taking the reports on German aesthetics and values in the "Declaration", which had great influence in China at that time, as the object of study, the reason is that from this point of view, the German image in newspapers and periodicals can be expressed more intuitively. In the process of concrete analysis, this paper first divides the period of study according to a series of domestic and foreign affairs which have a great influence on China at that time. Then, the report on German aesthetics and values in each stage is analyzed in both quantitative and qualitative aspects. In this process, quantitative analysis, quality analysis, comparative analysis and background analysis are used to demonstrate objectivity and accuracy. In the first stage, the number of reports on German related fields is relatively small, and most of them focus on values, but there is a strong willingness to introduce in his comments. In the second stage, although the increase in the total number of reports is still not obvious, the areas of concern have been involved in many aspects, such as plastic arts, literary arts, performing arts and so on, and have taken more positive comments. In the third stage, most of the related reports are concentrated in German literature, and the total number has increased obviously. In terms of content, the new German writers and expressionist literature have been paid more attention to, and in the relevant comments, China's further understanding of this issue can be seen. In the fourth stage, most of the reports related to German plastic arts and performing arts, both in terms of quantity and content showed an unstable trend. Although the rise of fascist forces in Germany has been shown during this period, the report has not been affected by the praise of German related fields, but has shown an increasingly appreciative attitude. After that, in order to make the above conclusion more perfect, this paper reports the German aesthetics and values in the period of study and Japan, the United States, Russia, Britain, which also had a relatively important impact on China at that time. By comparing and analyzing the relevant reports in France, the image of Germany in the press is better understood. Finally, this paper maps the image of Germany to the social and historical background of the time, trying to restore the development of relevant fields in China at that time, and the two-way impact of the report on the related fields. It is hoped that the analysis and argumentation of this paper will provide a valuable supplement to the current academic research in related fields.
【學(xué)位授予單位】：上海外國語大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I516.06
【參考文獻】
相關(guān)期刊論文 前1條
1 杜鵑;;中外價值觀研究的現(xiàn)狀及發(fā)展趨勢[J];濟寧學(xué)院學(xué)報;2009年06期
，本文編號：2291243
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