論於梨華留學生文學創(chuàng)作的主題嬗變
發(fā)布時間：2018-10-18 10:06
【摘要】：20世紀60年代於梨華以《又見棕櫚又見棕櫚》崛起于華文文壇,并被譽為“留學生文學的鼻祖”。於梨華以其豐富多變的創(chuàng)作主題、清暢而又嚴謹?shù)脑捳Z風格、個性鮮明的藝術形象,在表現(xiàn)海外華人的生存現(xiàn)狀與文化心理變遷方面做出了自己獨特的貢獻,也為海內外廣大讀者所熟知和喜愛。20世紀50—60年代,於梨華曾用寫實的筆尖傷感吟唱“失根”的痛楚與無奈,用急切渴望的筆觸書寫“尋根”與“歸根”的興奮與喜悅。20世紀70—80年代,於梨華一手書寫為贏得“永久聘書”而掙扎的高校知識分子;一手書寫陷入婚戀“圍城”的海外華人女性自我意識的執(zhí)著尋求、覺醒與突圍。進入新世紀后,作者將視角轉向華人家庭及人類所面臨的共同問題,特別是2009年《彼岸》的出版,作品中所顯示出的人性審視與人文關懷廣受贊譽,使她再次受到華文文壇及學界的廣泛關注。閱讀於梨華的作品我們可以清晰地發(fā)現(xiàn),於梨華在50多年的文學創(chuàng)作生涯中一直堅守自己的文學信念,并在不斷的創(chuàng)作實踐中逐漸形成了成熟的創(chuàng)作理念。特別是其后期作品,對華人知識分子家庭中母女關系與倫理觀念的審視充滿了人文關懷,對當代華文文壇及“新移民文學”產生了積極的影響。本文通過梳理和研究於梨華的小說創(chuàng)作,尋找其創(chuàng)作主題嬗變的緣由及創(chuàng)作動力,將分別剖析於梨華不同時期的文學作品,探討其創(chuàng)作不同時期的主題與風格,解讀和分析其創(chuàng)作不斷拓展的過程。本文分為三章:第一章從作家自身的留學經歷出發(fā),主要以《又見棕櫚又見棕櫚》《傅家的兒女們》《三人行》為例,以“失根—尋根—歸根”為論述主線,闡述海外留學生在物質與精神的雙重困境下“身份的迷失”及迷失后的“尋根”與“歸根”。第二章從作者以華人知識分子為題材創(chuàng)作的作品出發(fā),以《考驗》與《在離去與道別之間》這兩部作品為例,描繪了一幅華人知識分子的“士林百態(tài)圖”,并揭示海外華人女性意識的覺醒與艱難的突圍過程,既有對造成知識分子如此命運的反思,又有對傳統(tǒng)文化的批判。第三章以作者從家庭倫理、現(xiàn)實人性的角度出發(fā)創(chuàng)作的作品為側重點,主要以《一個天使的沉淪》和《彼岸》兩部小說為例,剖析華人家庭中家庭倫理觀念的沖突與斷裂,探討代際間的諸多問題及西方語境下的母女關系,從而呈現(xiàn)出作者的人文關懷精神及對人類社會所共有的人性的深切關注。最后是余論部分。
[Abstract]:Yu Lihua emerged in the Chinese literary world in 1960's with Palme d'Or, and was praised as the ancestor of the literature of overseas students. Yu Lihua, with his rich and changeable theme, clear and rigorous discourse style and distinctive artistic image, has made his own unique contribution to the expression of the living situation and cultural and psychological changes of overseas Chinese. Also known and loved by many readers at home and abroad. In the 50-60 's of the 20th century, Yu Lihua sang the pain and helplessness of "loss of root" with a down-to-earth nib. The excitement and joy of "searching for roots" and "returning to roots" are written with eager strokes. In the 1970s and 1980s, Yu Lihua wrote single-handedly the intellectuals in colleges and universities struggling to win the "permanent employment letter"; In one hand, we write about the persistent seeking, awakening and breaking out of the self-consciousness of overseas Chinese women who fall into marriage and love besieged cities. After entering the new century, the author turned to the common problems faced by Chinese families and human beings, especially in the publication of "the other Bank" in 2009. So that she once again attracted widespread attention in the Chinese literary world and academic circles. Reading Yu Lihua's works, we can clearly find that Yu Lihua has been sticking to his own literary belief in his literary creation career for more than 50 years, and has gradually formed a mature creative idea in his continuous creative practice. Especially in his later works, the examination of mother-daughter relationship and ethics in the family of Chinese intellectuals is full of humanistic concern and has a positive influence on the contemporary Chinese literary world and "new immigrant literature". By combing and studying Yu Lihua's novel creation, this paper finds out the reason and motive force for the change of his creative theme, analyzes the literary works in different periods, and probes into the theme and style of his creation in different periods. To interpret and analyze the process of continuous expansion of his creation. This article is divided into three chapters: the first chapter starts from the writer's own experience of studying abroad, mainly takes "see Palm" < the Children of Fu's Family > < the three people's Bank "as an example, and takes" losing root-seeking root-returning root "as the main line." This paper expounds the "lost identity" of overseas students under the dual predicament of material and spirit, and the "seeking root" and "returning to the root" after being lost. The second chapter starts from the author's works on the subject of Chinese intellectuals, taking the two works "test" and "between departure and farewell" as examples, and depicts a picture of "Schilling hundred States" of Chinese intellectuals. It also reveals that the awakening of overseas Chinese women's consciousness and the difficult process of breaking through not only reflect on the fate of intellectuals, but also criticize the traditional culture. The third chapter focuses on the works created by the author from the angle of family ethics and realistic human nature, mainly taking two novels, "the fall of an Angel" and "the other Bank" as examples, to analyze the conflicts and breakages of family ethics in Chinese families. This paper probes into the intergenerational problems and the mother-daughter relationship in the western context, thus presenting the author's humanistic caring spirit and his deep concern for the humanity shared by human society. The last part is the conclusion.
【學位授予單位】：南昌大學
【學位級別】：碩士
【學位授予年份】：2016
【分類號】：I712.074
本文編號：2278799
[Abstract]:Yu Lihua emerged in the Chinese literary world in 1960's with Palme d'Or, and was praised as the ancestor of the literature of overseas students. Yu Lihua, with his rich and changeable theme, clear and rigorous discourse style and distinctive artistic image, has made his own unique contribution to the expression of the living situation and cultural and psychological changes of overseas Chinese. Also known and loved by many readers at home and abroad. In the 50-60 's of the 20th century, Yu Lihua sang the pain and helplessness of "loss of root" with a down-to-earth nib. The excitement and joy of "searching for roots" and "returning to roots" are written with eager strokes. In the 1970s and 1980s, Yu Lihua wrote single-handedly the intellectuals in colleges and universities struggling to win the "permanent employment letter"; In one hand, we write about the persistent seeking, awakening and breaking out of the self-consciousness of overseas Chinese women who fall into marriage and love besieged cities. After entering the new century, the author turned to the common problems faced by Chinese families and human beings, especially in the publication of "the other Bank" in 2009. So that she once again attracted widespread attention in the Chinese literary world and academic circles. Reading Yu Lihua's works, we can clearly find that Yu Lihua has been sticking to his own literary belief in his literary creation career for more than 50 years, and has gradually formed a mature creative idea in his continuous creative practice. Especially in his later works, the examination of mother-daughter relationship and ethics in the family of Chinese intellectuals is full of humanistic concern and has a positive influence on the contemporary Chinese literary world and "new immigrant literature". By combing and studying Yu Lihua's novel creation, this paper finds out the reason and motive force for the change of his creative theme, analyzes the literary works in different periods, and probes into the theme and style of his creation in different periods. To interpret and analyze the process of continuous expansion of his creation. This article is divided into three chapters: the first chapter starts from the writer's own experience of studying abroad, mainly takes "see Palm" < the Children of Fu's Family > < the three people's Bank "as an example, and takes" losing root-seeking root-returning root "as the main line." This paper expounds the "lost identity" of overseas students under the dual predicament of material and spirit, and the "seeking root" and "returning to the root" after being lost. The second chapter starts from the author's works on the subject of Chinese intellectuals, taking the two works "test" and "between departure and farewell" as examples, and depicts a picture of "Schilling hundred States" of Chinese intellectuals. It also reveals that the awakening of overseas Chinese women's consciousness and the difficult process of breaking through not only reflect on the fate of intellectuals, but also criticize the traditional culture. The third chapter focuses on the works created by the author from the angle of family ethics and realistic human nature, mainly taking two novels, "the fall of an Angel" and "the other Bank" as examples, to analyze the conflicts and breakages of family ethics in Chinese families. This paper probes into the intergenerational problems and the mother-daughter relationship in the western context, thus presenting the author's humanistic caring spirit and his deep concern for the humanity shared by human society. The last part is the conclusion.
【學位授予單位】：南昌大學
【學位級別】：碩士
【學位授予年份】：2016
【分類號】：I712.074
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