發(fā)布時間：2018-01-19 12:44

  本文關(guān)鍵詞： 異化 施虐狂和受虐狂 崇生和趨死 上帝與人 男人和女人　出處：《俄羅斯文藝》2016年04期 　論文類型：期刊論文

【摘要】：高爾基是俄羅斯著名作家,曾被普遍認為是蘇聯(lián)時期社會主義現(xiàn)實主義文學(xué)代表。在19世紀末20世紀初俄國社會動蕩及意識巨變的白銀時代,高爾基深受現(xiàn)代主義文學(xué)的影響,在反映外部現(xiàn)實世界的同時,也深入探索個體的意識領(lǐng)域及人的內(nèi)心世界。在西方資本主義文明與俄羅斯社會文化相互碰撞的深刻歷史背景下,作家借助系列文學(xué)創(chuàng)作提出了人的異化,即人的非人化及主體性喪失等問題。本文通過對高爾基自傳體三部曲中施虐狂和受虐狂、崇生和趨死、上帝和人、男人和女人等對立形象的分析,闡釋其對人性的深刻洞察和對宗教異化現(xiàn)象的批判思想,以求進一步認識作家創(chuàng)作的深廣內(nèi)涵。
[Abstract]:Gorky is a famous Russian writer who was widely regarded as the representative of socialist realism literature in the Soviet period. At the end of 19th century and the beginning of 20th century Russian social unrest and great changes in consciousness of the silver era. Gorky was deeply influenced by modernist literature and reflected the external real world at the same time. In the background of the collision between western capitalist civilization and Russian social culture, the writer puts forward the alienation of human with the help of a series of literary creation. This paper analyzes the opposites of sadism and masochism in Gorky's autobiographical trilogy, living and dying, God and man, men and women. It explains his deep insight into human nature and his critical thought on the phenomenon of religious alienation in order to further understand the profound and extensive connotation of the writer's creation.
【作者單位】： 哈爾濱師范大學(xué)斯拉夫語學(xué)院;
【分類號】：I512.074
【正文快照】： The Theme of Alienation in Gorky's Autobiographical Trilogy高爾基雖享譽世界文壇,但他受到了來自同時代不同陣營作家及后世評論者對其文學(xué)成就、理論思想的質(zhì)疑和詬病。“關(guān)于藝術(shù)家高爾基三言兩語就足夠了,再多就不值得了。”[1]《母親》(1906)和《懺悔》(1909)等多部作，

本文編號：1444253