發(fā)布時間：2018-01-19 14:32

  本文關(guān)鍵詞： 村上春樹 非虛構(gòu)文本 敘事　出處：《吉林大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：《地下》和《在約定的場所》是日本作家村上春樹為1995年東京發(fā)生的地鐵沙林毒氣邪教襲擊事件所著的非虛構(gòu)文本。村上前后約訪了事件的被害者與施害者雙方共70位,分別與其單獨對談,打破了將“被害者=無辜=善”的“此側(cè)”同“施害者=污穢=惡”的“彼側(cè)”對立起來的僵化模式,還原了為數(shù)眾多的受害者的個體面孔。與1995年的日本新聞界相比,當(dāng)前的媒介輿論環(huán)境可說是更加混亂繁雜。媒體追蹤快速的新聞熱點,放大社交媒體的輿論情緒,簡化敘事、模式化報道大行其道。不同于大眾媒體對于事件的常規(guī)報道,村上采取的是讓受害者們自述的方式(即“自傳式生命故事”):從出生家庭,講到故鄉(xiāng)童年,從學(xué)校生涯,講到成長心路,再到上班工作、結(jié)婚生子,最后到出乎意料地橫遭此難……村上讓受訪者們展示的是其真實性格,表現(xiàn)的是其本來面目。具體研究上,本文先是對兩部文本進(jìn)行剝離,剖出其多重視角,找出其敘事人稱(第二章)。接著,第三章,是對村上非虛構(gòu)文本的敘事意圖、敘事準(zhǔn)備——調(diào)查約訪與訪談詳情進(jìn)行介紹。第四章,是對非虛構(gòu)文本的敘事時間、敘事空間加以研究,列舉出其真實性、生動性和貼近性的敘事特征。第五章,則是對村上非虛構(gòu)文本所采用的“自傳式生命故事”的敘事結(jié)構(gòu)詳加闡述,對其思想背景追根溯源,總結(jié)出其故事結(jié)構(gòu)和話語結(jié)構(gòu)。本文以西方生命故事傳播理論作研究背景,從中抽出“自傳式生命故事”這一概念視作獨立敘事結(jié)構(gòu),與村上春樹的非虛構(gòu)文本結(jié)合加以研究,具有一定的理論與現(xiàn)實意義。
[Abstract]:"Underground" and "in the appointed place" are non-fictional texts written by Japanese writer Haruki Murakami for the attack of the sarin gas cult on the subway in Tokyo on 1995. Murakami interviewed the victims and the victims about the incident. A total of 70 were from both parties. Talking to each other separately, it breaks the rigid pattern of opposing "this side" of "victim = innocent = good" and "the other side" of "perpetrator = filth = evil". Restores the individual faces of many victims. Compared with the Japanese press in 1995, the current media environment is much more chaotic and complicated. The media follow up fast news hot spots. Amplify public opinion in social media, simplify narratives, and stylize reporting. Different from the conventional coverage of events in the mass media. Murakami takes the approach of letting the victims tell their own stories ("autobiographical life stories"): from birth to childhood, from school, to growing up, to working, getting married and having children. Finally to unexpectedly cross this difficult. Murakami asked the interviewees to show its authenticity, performance is its true face. Find out its narrative person (chapter two and chapter three, then, chapter three, is to introduce the narrative intention of Murakami's non-fiction text, narrative preparation-investigation interview and interview details. 4th chapters. It is a study of the narrative time and space of the non-fictional text, enumerating the narrative characteristics of its authenticity, vividness and closeness. Chapter 5th. The narrative structure of "autobiographical life story" adopted by Murakami's nonfiction text is elaborated in detail, and its ideological background is traced back to its source. Based on the western theory of life story communication, this paper draws out the concept of "autobiographical life story" as an independent narrative structure. Combining with Murakami's nonfiction text, it has certain theoretical and practical significance.
【學(xué)位授予單位】：吉林大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I313.06;G206

【參考文獻(xiàn)】

相關(guān)期刊論文 前7條

1 呂斌;;《地下》的敘事結(jié)構(gòu)與創(chuàng)傷書寫[J];當(dāng)代外國文學(xué);2015年01期

2 鞠惠冰;;村上春樹與“地下鐵事件”[J];讀書;2014年05期

3 林少華;;之于村上春樹的物語:從《地下世界》到《1Q84》[J];外國文學(xué);2010年04期

4 林少華;;《1Q84》:當(dāng)代“羅生門”及其意義[J];外國文學(xué)評論;2010年02期

5 劉鐘鳴;曾妍;;村上春樹的個人理解與寬容——村上春樹與他的《地下鐵事件》、《約束的場所:地下鐵事件2》[J];長春理工大學(xué)學(xué)報(社會科學(xué)版);2010年03期

6 吳思佳;;論村上春樹的日本關(guān)心[J];寧波教育學(xué)院學(xué)報;2009年02期

7 戴維·皮林 ,顧信文;日本的黑洞[J];國外社會科學(xué)文摘;2005年06期

，

本文編號：1444590