1949年至1976年間的外國文學(xué)作品翻譯研究在我國一直處于一個(gè)被遺忘的角落,直到最近幾年才引起國內(nèi)學(xué)者們的關(guān)注。但是,學(xué)界對(duì)這一時(shí)期的外國文學(xué)作品翻譯選材的研究并不是很多,而從翻譯的文化研究視域?qū)ζ溥M(jìn)行的探討與研究則更少。本文主要從文化學(xué)派視域的角度對(duì)這一階段的外國文學(xué)作品的翻譯選材進(jìn)行深入的研究。 本文的理論框架是文化學(xué)派代表人物勒弗維爾的改寫理論,又輔之以埃文·佐哈爾的多元系統(tǒng)理論中有關(guān)翻譯文學(xué)在文學(xué)多元系統(tǒng)中所處的地位的相關(guān)理論。在勒弗維爾看來,一切翻譯都可以看作是改寫。在翻譯的過程中,譯者的翻譯行為不可避免地會(huì)受到時(shí)代和社會(huì)文化的影響和制約,從而也就使譯者的翻譯成了一種在特定文化、思想、意識(shí)形態(tài)話語中的改寫、變形或再創(chuàng)造。在這個(gè)意義上,勒弗維爾認(rèn)為譯入語文化的意識(shí)形態(tài)、詩學(xué)、贊助人是操縱文學(xué)翻譯的三種基本力量,其中意識(shí)形態(tài)對(duì)翻譯文學(xué)的制約和影響尤為顯著。 由于中國特殊的政治歷史背景,1949年至1976間的外國文學(xué)作品翻譯選材被高度地意識(shí)形態(tài)化,使其具有鮮明的階級(jí)性和服從性。換句話說,這一時(shí)期的外國文學(xué)作品翻譯選材是在中國共產(chǎn)黨和中央政府的領(lǐng)導(dǎo)之下,始終遵循著黨的文藝方針,與...

【文章頁數(shù)】：100 頁

【學(xué)位級(jí)別】：碩士

【文章目錄】：
Acknowledgement Abstract (English) 摘要 Chapter 1 Introduction
1.1 The background of the present study
1.2 The scope and the motivation and rationality of the study
1.3 The significance of the study
1.4 The research methodology
1.5 The layout of the thesis Chapter 2 Literature Review
2.1 Development of cultural translation studies in the west
2.2 Development of cultural translation studies in China
2.3 Foreign literary translation studies from 1949 to 1976
2.4 Summary Chapter 3 Theoretical Framework
3.1 Some essentials of Lefevere’s Rewriting theory
    3.1.1 Ideology
    3.1.2 Poetics
    3.1.3 Patronage
3.2 The Polysystem theory related to this thesis
3.3 Summary Chapter 4 Analysis of the Selection of Foreign Literary Translation from 1949 to 1966
4.1 The background of the selection of literary translation
    4.1.1 Political background
    4.1.2 Diplomatic background
    4.1.3 The develoment direction of literature and art
4.2 The selection of literary translation
    4.2.1 Selection of source text countries
    4.2.2 Selection of source text writers
    4.2.3 Selection of source texts
4.3 The characteristics of the selection of literary translation
4.4 Analysis of the selection of literary translation i111949-1966
    4.4.1 Manipulation of the selection of literary translation by patronage and ideology
    4.4.2 Manipulation of the selection of literary translation by poetics
    4.4.3 Translator’s subjectivity in the selection of literary translation
4.5 The position of translated literature in the literary polysystem
4.6 The influence of translated literature on national literary creation
4.7 Summary Chapter 5 Analysis of the Selection of Foreign Literary Translations from1966 to 1976
5.1 The background of the selection of literary translation
    5.1.1 Political background
    5.1.2 Diplomatic situation
    5.1.3 The development direction of literature and art
5.2 The selection of literary translation in the CRP
    5.2.1 Selection of source text countries
    5.2.2 Selection of source text writers
    5.2.3 Selection of source texts
5.3 The characteristics of the selection of literary translation
5.4 Analysis of the selection of literary translation in the CRP
    5.4.1 Manipulation of the selection of literary translation by ideology and patronage
    5.4.2 Manipulation of the selection of literary translation by poetics
    5.4.3 Translators’subjectivity in the selection of literary translation in the CRP .
5.5 The position of translated literature in the literary polysystem
5.6 The influence of translated literature on national literary creation
5.7 Summary Chapter 6 Conclusion
6.1 Main findings of this thesis
6.2 Significance for further study
6.3 Limitations Bibliography



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