通感隱喻是語言中普遍存在的現(xiàn)象,而從認(rèn)知角度看,通感隱喻不但是一種修辭手段,而且也是一種認(rèn)知現(xiàn)象,它表現(xiàn)為感官特征之間的映射過程。音樂中包含著豐富的情感體驗(yàn)和視覺景象。不同的音高、音強(qiáng)和音長能夠引發(fā)其他感官相應(yīng)的感受。事實(shí)上,聽覺感受和非聽覺性體驗(yàn)的產(chǎn)生正是一種通感現(xiàn)象。本文以一些古典音樂片段為分析樣本,運(yùn)用實(shí)證檢驗(yàn)和理論詳解的方法對(duì)音樂節(jié)律中的三個(gè)特點(diǎn)——音高、音強(qiáng)、音長——進(jìn)行通感隱喻研究,旨在說明以通感隱喻和體驗(yàn)觀為理論基礎(chǔ)的通感隱喻能夠有效地解釋理解音樂的過程,同時(shí)證明個(gè)體經(jīng)驗(yàn)是音樂理解和想象的基礎(chǔ)。本研究為音樂審美研究開辟了一個(gè)新的角度,同時(shí)也擴(kuò)大了隱喻及體驗(yàn)觀的解釋范圍。 

【文章來源】：華北電力大學(xué)(北京)北京市211工程院校教育部直屬院校

【文章頁數(shù)】：85 頁

【學(xué)位級(jí)別】：碩士

【文章目錄】：
摘要
ABSTRACT
Chapter One Introduction
    1.1 Research background
    1.2 Methodology
    1.3 Significance of the research
    1.4 Outline of the thesis
Chapter Two Literature Review
    2.1 Research on musical expression in terms of aesthetics
        2.1.1 Research in China
        2.1.2 Related research abroad
    2.2 Research on musical expression in terms of psychology
    2.3 Research on synesthesia in terms of cognitive linguistic
Chapter Three Theoretical Framework
    3.1 Definition of metaphor
        3.1.1 Metaphor as a figure of speech
        3.1.2 Metaphor as a cognitive instrument
    3.2 Definition of synesthesia
    3.3 The relationship between synesthetic metaphor and musical expression
    3.4 Embodiment:the ground of metaphor
Chapter Four A Synesthetic Metaphorical Analysis of Musical Rhythmic Features
    4.1 Synesthetic metaphor and pitch
        4.1.1 Synesthetic metaphor and pitch by visual brightness
        4.1.2 Synesthetic metaphor and pitch by mood excitability
        4.1.3 Synesthetic metaphor and pitch by space perception
        4.1.4 Synesthetic metaphor and pitch by physical property
        4.1.5 Summary
    4.2 Synesthetic metaphor and intensity
        4.2.1 Synesthetic metaphor and intensity by power and energy
        4.2.2 Synesthetic metaphor and intensity by mood
        4.2.3 Synesthetic metaphor and intensity by physical property
        4.2.4 Synesthetic metaphor and intensity by space perception
        4.2.5 Summary
    4.3 Synesthetic metaphor and duration
        4.3.1 Synesthetic metaphor and duration by space perception
        4.3.2 Synesthetic metaphor and duration by physical property
        4.3.3 Synesthetic metaphor and tempo/rhythm by physical motion
        4.3.4 Synesthetic metaphor and tempo/rhythm by mood motion
        4.3.5 Summary
Chapter Five Conclusion
    5.1 Major Conclusions Reached in the Thesis
    5.2 Limitations of the research
    5.3 Suggestions for further research
Bibliography
Acknowledgements
Appendix Ⅰ
Appendix Ⅱ
Publication


【參考文獻(xiàn)】：
期刊論文
[1]通感·聯(lián)想·認(rèn)知[J]. 汪少華.  現(xiàn)代外語. 2002(02)
[2]音樂創(chuàng)作心理初探[J]. 張前.  中央音樂學(xué)院學(xué)報(bào). 1984(01)



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