從關聯(lián)理論角度解讀趙本山小品中言語幽默的形成技巧
發(fā)布時間：2021-06-25 03:10
幽默在我們的日常生活中可謂無處不在,它可以營造愉快氛圍、改善人際關系、釋放緊張壓力。正是由于幽默的普遍存在,許多學者們開始從哲學、心理學、社會學、美學等方面對其進行研究,也有從語言學的語義修辭角度對其進行詳細地分析,但是對幽默從語用學角度進行系統(tǒng)而科學的研究還是從Sperber&Wilson的著作《關聯(lián)：交際與認知》問世以后開始的。Sperber&Wilson從認知學的角度對言語交際進行嘗試性的探討,認為人們的言語交際是一個尋求關聯(lián)的過程,而尋求關聯(lián)是人們在交際中自覺遵守的。他們提出的關聯(lián)理論是以認知原則和交際原則為核心的。關聯(lián)的認知原則是：人類認知往往是與最大關聯(lián)性相吻合；關聯(lián)的交際原則是：每一個明示的交際行為都應設想為它本身具有最佳關聯(lián)性。由于最大關聯(lián)和最佳關聯(lián)在言語交際中分別指向不同的交際意義,所以在兩者間的意義反差中就產生了言語幽默。本文基于幽默的以往研究成果,依據關聯(lián)理論,采用例證、分類等研究方法對言語幽默的制笑機制進行具體而深入地研究,其語料來源于春節(jié)聯(lián)歡晚會上出現的19部趙本山的小品。因為小品作為幽默的一種主要表達方式,正受到越來越多觀眾的喜愛。趙本山的遼...
【文章來源】：武漢理工大學湖北省 211工程院校 教育部直屬院校
【文章頁數】：53 頁
【學位級別】：碩士
【文章目錄】：
摘要
Abstract
Chapter One Introduction
1.1 Background of the Study
1.2 Purpose and Significance of the Study
1.3 Layout of the Study
Chapter Two Literature Review
2.1 The Previous Studies on Humor
2.1.1 Definition of Humor
2.1.2 Classification of Humor
2.1.3 Traditional Theories of Humor
2.2 Studies on Zhao Benshan's Comic Sketches
Chapter Three The Theoretical Basis of Analyzing Verbal Humor
3.1 A General Introduction of Relevance Theory
3.1.1 Definition of Relevance
3.1.2 Two Principles of Relevance
3.2 Analyzing Verbal Humor through Relevance Theory in General
Chapter Four Application of Relevance Theory into the Production of VerbalHumor in Zhao Benshan's Comic Sketches
4.1 Phonetic Techniques in Verbal Humor Production
4.1.1 Deliberate Mispronunciation
4.1.2 Using Homophone
4.1.3 Making Use of Similar Pronunciations of the Different Characters or Phrases
4.2 Lexical Techniques in Verbal Humor Production
4.2.1 Employing Polysemy
4.2.2 Giving the New Meaning to the Old Word or Phrase
4.2.3 Making Use of Abbreviation of Words,Phrases or Sentences
4.3 Syntactic Techniques in Verbal Humor Production
4.3.1 Imitating the Original Sentence Structure to Create New Sentence
4.3.2 Simulating or Using Lyrics
4.3.3 Omitting Some Sentence Elements to Cause Ambiguity
4.4 Rhetoric Techniques in Verbal Humor Production
4.4.1 Making Use of Personification
4.4.2 Exploiting Synaesthesia
4.4.3 Employing Metaphor or Simile
4.5 Pragmatic Technique in Verbal Humor Production
4.5.1 Linguistic Context
4.5.2 Personal Encyclopedic Context
4.5.3 Cultural Context
Chapter Five Conclusion
Acknowledgements
Bibliography
本文編號：3248372
【文章來源】：武漢理工大學湖北省 211工程院校 教育部直屬院校
【文章頁數】：53 頁
【學位級別】：碩士
【文章目錄】：
摘要
Abstract
Chapter One Introduction
1.1 Background of the Study
1.2 Purpose and Significance of the Study
1.3 Layout of the Study
Chapter Two Literature Review
2.1 The Previous Studies on Humor
2.1.1 Definition of Humor
2.1.2 Classification of Humor
2.1.3 Traditional Theories of Humor
2.2 Studies on Zhao Benshan's Comic Sketches
Chapter Three The Theoretical Basis of Analyzing Verbal Humor
3.1 A General Introduction of Relevance Theory
3.1.1 Definition of Relevance
3.1.2 Two Principles of Relevance
3.2 Analyzing Verbal Humor through Relevance Theory in General
Chapter Four Application of Relevance Theory into the Production of VerbalHumor in Zhao Benshan's Comic Sketches
4.1 Phonetic Techniques in Verbal Humor Production
4.1.1 Deliberate Mispronunciation
4.1.2 Using Homophone
4.1.3 Making Use of Similar Pronunciations of the Different Characters or Phrases
4.2 Lexical Techniques in Verbal Humor Production
4.2.1 Employing Polysemy
4.2.2 Giving the New Meaning to the Old Word or Phrase
4.2.3 Making Use of Abbreviation of Words,Phrases or Sentences
4.3 Syntactic Techniques in Verbal Humor Production
4.3.1 Imitating the Original Sentence Structure to Create New Sentence
4.3.2 Simulating or Using Lyrics
4.3.3 Omitting Some Sentence Elements to Cause Ambiguity
4.4 Rhetoric Techniques in Verbal Humor Production
4.4.1 Making Use of Personification
4.4.2 Exploiting Synaesthesia
4.4.3 Employing Metaphor or Simile
4.5 Pragmatic Technique in Verbal Humor Production
4.5.1 Linguistic Context
4.5.2 Personal Encyclopedic Context
4.5.3 Cultural Context
Chapter Five Conclusion
Acknowledgements
Bibliography
本文編號：3248372
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