自從1623年第一部《莎士比亞全集》問世以來,他的三十七部戲劇即被譯成多種語言。約一百五十年以前,“莎士比亞”這一名字傳入了中國,他的戲劇也在二十世紀(jì)初葉有了中文譯本。莎劇的特點(diǎn)之一在于大多用素體詩寫就。例如在《哈姆雷特》中,約有60%為素體詩。從這種意義上可以說,如何翻譯素體詩為決定譯本是否成功的關(guān)鍵。選擇《哈姆雷特》作為文本分析的原因在于悲劇在莎劇中最為著名,而《哈姆雷特》作為四大悲劇之一更是被卞之琳稱作“莎士比亞的中心作品,最豐富的作品”。（1989：1）根據(jù)翻譯中文體選擇的不同,我國莎劇翻譯可分為兩個流派,一是以朱生豪為代表的散文體派,一是以卞之琳為代表的詩體派。近八十年來,《哈姆雷特》的各個譯本受到廣泛關(guān)注,但其中素體詩譯文的音樂性較少人問津,而對其進(jìn)行比較研究的更是少之又少�；谏鲜鲈�,本文通過比較朱生豪、卞之琳的《哈姆雷特》譯本來分析其在素體詩移植中如何實(shí)現(xiàn)譯文的音樂性傳遞,并希望能為莎劇的翻譯和重譯帶來一定啟發(fā)。本文分為五章。第一章簡要介紹了詩歌的音樂性特征,包括節(jié)奏、韻律和修辭,并回顧了素體詩的發(fā)展歷程,對莎翁、《哈姆雷特》及其中文譯本也作了相應(yīng)敘述。第二、三、四章... 

【文章來源】：西南交通大學(xué)四川省 211工程院校 教育部直屬院校

【文章頁數(shù)】：154 頁

【學(xué)位級別】：碩士

【文章目錄】：
摘要
Abstract
Chapter One Introduction
    1.1 Musical Features in Verse
        1.1.1 Rhythm
        1.1.2 Rhyme
        1.1.3 Other Devices
    1.2 Blank Verse
        1.2.1 The Introduction of Blank Verse
        1.2.2 Blank Verse and Drama
        1.2.3 Blank Verse and Hamlet
    1.3 Hamlet's Chinese Versions
Chapter Two Zhu's and Bian's Rhythm
    2.1 Foot and Dun
        2.1.1 Similarity
        2.1.2 Difference
    2.2 Dun's Definition
        2.2.1 Dun and Pause
        2.2.2 Dun's Definition in Zhu's Version
        2.2.3 Dun's Definition in Bian's Version
    2.3 Character's Number in a Dun
        2.3.1 Character's Number
        2.3.2 Function Word's Division
        2.3.3 Foreign Name's Division
    2.4 Dun's Number in a Sentence/Line
        2.4.1 Dun's Features
        2.4.2 Rhythmic Effects
    2.5 Summary
Chapter Three Zhu's and Bian's Rhymes
    3.1 From Blank Verse to Rhymed Lines
        3.1.1 Chinese Poetic Tradition
        3.1.2 Target Readers' Expectance
        3.1.3 Rhyme's Functions
    3.2 End Rhyme
        3.2.1 Simple Rhyme Schemes
        3.2.2 Complicated Rhyme Schemes
    3.3 Imperfect Rhyme
        3.3.1 Simple Rhyme Schemes
        3.3.2 Complicated Rhyme Schemes
    3.4 Internal Rhyme
        3.4.1 Open Internal Rhymes
        3.4.2 Semi-open Internal Rhymes
        3.4.3 Close Internal Rhymes
    3.5 Other Sound Devices
        3.5.1 Alliterative Compound and Rhyming Compound
        3.5.2 Piled Reiteration
Chapter Four Zhu's and Bian's Rhetorical Devices
    4.1 Repetition
        4.1.1 Continuous Repetition
        4.1.2 Discontinuous Repetition
    4.2 Antithesis
        4.2.1 Phrase Antithesis
        4.2.2 Sentence Antithesis
    4.3 Parallelism
        4.3.1 Phrase Parallelism
        4.3.2 Clause Parallelism
        4.3.3 Sentence Parallelism
Chapter Five Conclusion
Acknowledgements
Bibliography
Publications While Registered with the MA Program
Appendix 1 Dun's Number in Zhu's Version
Appendix 2 End Rhyme
Appendix 3 Imperfect Rhyme
Appendix 4 Internal Rhyme
Appendix 5 Other Sound Devices
Appendix 6 Continuous Repetition
Appendix 7 Discontinuous Repetition
Appendix 8 Antithesis
Appendix 9 Parallelism


【參考文獻(xiàn)】：
期刊論文
[1]莎劇的翻譯:從散文體到詩體譯本——兼評方平主編《新莎士比亞全集》[J]. 藍(lán)仁哲.  中國翻譯. 2003(03)



本文編號：3201744