【摘要】：現(xiàn)代中文歌詞是有別于中國(guó)詩(shī)歌的一種文學(xué)新形式符號(hào)。歌詞貴平易、詩(shī)多深?yuàn)W，歌詞貴感性、詩(shī)多智性，歌詞貴直露、詩(shī)多掩飾，歌詞貴清晰、詩(shī)多歧義，歌詞講究朗朗上口，節(jié)奏緊湊、詩(shī)歌多婉轉(zhuǎn)，曲徑通幽。 縱覽古今，中國(guó)古代歌詞早已是文學(xué)經(jīng)典的一部分，長(zhǎng)期受到學(xué)術(shù)界的高度重視，即便是散佚在民間的歌詞，例如敦煌俗曲等，都有大量的文獻(xiàn)對(duì)其進(jìn)行細(xì)致地研究。然而與此相反的是，現(xiàn)代中文歌詞較少受到學(xué)者們關(guān)注，以至于到目前仍未形成一個(gè)專有的研究，留下大量空白急待填補(bǔ)。 本論文試圖從語(yǔ)言學(xué)角度緊抓現(xiàn)代歌詞韻律的特點(diǎn)，主要以孟欣等主編、現(xiàn)代出版社出版的《同一首歌》系列歌本為例，選取“流行”、“民族”、“影視”三大主題歌曲的歌詞作為研究語(yǔ)料，著重分析歌詞的平仄格律、用韻特點(diǎn)等屬性，強(qiáng)調(diào)以具體數(shù)據(jù)為依據(jù)，深入研究現(xiàn)代中文歌詞的韻律特點(diǎn)。 論文分成五章。第一章為緒論，包括研究的目的、意義、主要方法、范圍及背景等。第二章介紹現(xiàn)代歌詞平仄格律的運(yùn)用情況，第三章對(duì)現(xiàn)代歌詞的用韻進(jìn)行詳細(xì)分析，第四章則通過(guò)統(tǒng)計(jì)數(shù)據(jù)比較“流行”、“民族”、“影視”三大主題歌詞的綜合韻律情況。第五章是結(jié)論，，闡述學(xué)位論文的主要結(jié)果及論點(diǎn)的總體概括。 全文通過(guò)運(yùn)用多角度的屬性設(shè)置及標(biāo)記、分類及綜合統(tǒng)計(jì)、比較分析及歸納等方法，深度探索現(xiàn)代中文歌詞獨(dú)特的韻律特征，力求在歌詞韻律方面為語(yǔ)言學(xué)的研究與應(yīng)用做出微薄的貢獻(xiàn)。
[Abstract]:Modern Chinese lyrics are a new form of literary symbol different from Chinese poetry. The lyrics are easy, the poems are more profound, the lyrics are more perceptual, the poems are more intelligent, the lyrics are expensive, the poems are more concealed, the lyrics are expensive and clear, the lyrics are more ambiguous, the lyrics are exquisite, the rhythm is tight, the poetry is more tactful, the twists and turns are secluded. The lyrics of ancient China have long been a part of literary classics, and have been attached great importance by the academic circles for a long time. Even the lyrics lost in the folk, such as Dunhuang folk songs, have been studied in great detail by a large number of documents. However, in contrast, modern Chinese lyrics are less concerned by scholars, so far there has not been a proprietary study, leaving a large number of gaps to be filled. This paper attempts to grasp the rhythm of modern lyrics from the linguistic point of view, mainly taking Meng Xin and other editor-in-chief and modern publishing house published the same song series as an example, select "popular", "the nation". The lyrics of the three major theme songs in Movie and TV are used as the research materials, focusing on the analysis of the rhythm of the lyrics, the characteristics of rhyme and other attributes, and emphasizing that, based on the concrete data, the prosodic characteristics of the lyrics of modern Chinese are deeply studied. The paper is divided into five chapters. The first chapter is the introduction, including the purpose, significance, main methods, scope and background of the research. The second chapter introduces the application of the modern lyric, the third chapter analyzes the rhyme of the modern lyric in detail, and the fourth chapter compares the comprehensive prosody of the lyrics of "popular", "nation" and "film and television" by statistical data. The fifth chapter is the conclusion, expounding the main results and the general summary of the thesis. By using multi-angle attribute setting and marking, classification and comprehensive statistics, comparative analysis and induction, this paper explores in depth the unique prosodic features of modern Chinese lyrics. To make a modest contribution to the research and application of linguistics in the aspect of lyric prosody.
【學(xué)位授予單位】：廣西民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：H116

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