【摘要】：連讀變調(diào)是音節(jié)進(jìn)入語音鏈后出現(xiàn)的音變現(xiàn)象,它在語音層面與音步、重音、語調(diào)直接聯(lián)系,在語義語法層面與特定語義、詞類和短語結(jié)構(gòu)相互關(guān)聯(lián)。語法和語義最終要通過語音的形式呈現(xiàn)出來,反過來,語音形式的不同有望能揭示出語法、語義的差異。本文就是利用語流音變來解決一些語法分析問題,本文是從普通話上聲連讀變調(diào)的角度來研究詞語的內(nèi)部組合層次。本文主要分為四個部分：第一部分主要是介紹現(xiàn)代漢語上聲連讀變調(diào)的研究現(xiàn)狀；第二部分是對上下文無關(guān)文法及二分法的介紹、說明；第三部分是對上聲連讀變調(diào)的實(shí)驗(yàn)分析研究；第四部分是研究結(jié)果。 本文采用實(shí)驗(yàn)語音學(xué)的方法對普通話上聲變調(diào)現(xiàn)象進(jìn)行分析。在語音實(shí)驗(yàn)部分,采用Praat語音分析軟件來分析兩位發(fā)音合作人的錄音數(shù)據(jù),通過這一軟件,可以得到所輸入語料的基頻值,基頻值再通過轉(zhuǎn)換公式轉(zhuǎn)換成五度值。這樣,各字組的變調(diào)情況就清楚地顯現(xiàn)出來。在分析說明部分,我們知道,三音節(jié)上聲連讀變調(diào)是受詞語內(nèi)部組合層次影響的。當(dāng)上聲三字組是單雙格的時(shí)候,它的變調(diào)模式為“21+35+214”；當(dāng)上聲三字組是雙單格的時(shí)候,它的變調(diào)模式為“35+35+214”,當(dāng)上聲三字組是全單格的時(shí)候,它的變調(diào)模式為“35+35+214”。反過來,本文以三音節(jié)上聲連讀變調(diào)模式來推導(dǎo)詞語的內(nèi)部組合形式,從而可以劃分那些組合形式富有爭議的詞組。就上下文無關(guān)而言,三個上聲相連,連讀變調(diào)規(guī)則是：單雙格,“21+35+214”；雙單格,“35+35+214”。反過來,如果我們確定是哪一種連讀變調(diào)模式,就可以根據(jù)變調(diào)情況與二分法的對應(yīng)或?qū)哟畏治龅膶?yīng),來確定是哪一種組合形式,或者,確定它不是上下文無關(guān)文法所能描寫的。
[Abstract]:Linked tone sandhi is a phonetic phenomenon that occurs when a syllable enters the phonetic chain. It is directly related to the steps, stress and intonation at the phonetic level. It is interrelated with specific meanings, parts of speech and phrase structures at the semantic and grammatical level. Grammar and semantics are ultimately presented in the form of phonetics. Conversely, different phonetic forms are expected to reveal grammar. This paper is to solve some grammatical analysis problems by using the stream of speech sounds. This paper studies the internal combination of words from the perspective of the tone sandhi in Putonghua. This paper is mainly divided into four parts: the first part mainly introduces the current research situation of the tone sandhi in modern Chinese; the second part is about the upper and lower parts. The third part is the experimental analysis of the tone sandhi of the upper tone. The fourth part is the result of the research.
In the speech experiment part, the Praat speech analysis software is used to analyze the recording data of two pronunciation partners. Through this software, the fundamental frequency value of the input corpus can be obtained, and then the fundamental frequency value can be converted to the fifth degree value through the conversion formula. In the analysis and explanation section, we know that the tone sandhi of the three-syllable upper-syllable is influenced by the level of the internal combination of the words. When the upper-syllable upper-syllable three-syllable is a single-double case, its tone sandhi mode is "21+35+214"; when the upper-syllable three-syllable upper-syllable is a double-single case, its tone sandhi mode is "35+35+214". Conversely, this paper uses the three-syllable suprasyllabic tone sandhi model to derive the internal combinations of words, which can be divided into controversial phrases. As far as context is concerned, the three suprasyllabic phrases are connected, and the rules of tone sandhi are: single-syllable suprasyllabic tone sandhi. Double lattices, "21+35+214"; double singles, "35+35+214." Conversely, if we determine which tone sandhi pattern is, we can determine which combination form is based on the corresponding tone sandhi pattern to dichotomy or hierarchical analysis, or we can determine whether it is not a context-free grammar description.
【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：H116;H146

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本文編號：2243434