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三音節(jié)新詞語的韻律特點及其概念整合效應

發(fā)布時間:2018-09-03 09:00
【摘要】:在現(xiàn)代漢語中,雙音節(jié)長期以來一直占據(jù)主導地位。但是隨著社會的不斷發(fā)展變化,大量新詞語如雨后春筍般不斷涌現(xiàn),而在這些新詞語中,三音節(jié)數(shù)量不斷增多,并逐步取代了雙音節(jié)的主導地位,成為了新的風向標,在人們生活大舞臺中扮演越來越重要的角色,吸引人們的目光,受到人們的追捧。 本文以2006年至2010年現(xiàn)代漢語中的三音節(jié)新詞語作為整體研究對象,以McCarthy和Prince(1993)的“韻律構(gòu)詞學”理論、馮勝利的漢語韻律句法學理論以及Fauconnier提出的“概念整合理論”為主要的理論依據(jù),具體探討三音節(jié)新詞語的韻律特點及其整合效應,同時揭示三音節(jié)新詞語的整合效應與韻律框架的關(guān)系。 本文一共分為五個章節(jié)。第一章是緒論,主要說明本文的選題動機、研究現(xiàn)狀、研究價值、研究方法以及語料來源等。第二章是三音節(jié)新詞語的概說。主要是對幾個術(shù)語進行界定,分析新詞語發(fā)展三音節(jié)化傾向的原因,并且通過它們的結(jié)構(gòu)特點,將三音節(jié)新詞語進行了分類,并簡要分析了其形成的原因。第三章是三音節(jié)新詞語的韻律特點分析。先分析了三音節(jié)新詞語的總體特點,然后將三種與普通三音節(jié)最為不同的結(jié)構(gòu)進行了韻律特點的分析,從而得出了三音節(jié)新詞語在韻律方面與普通三音節(jié)的不同之處。第四章是探討三音節(jié)新詞語的整合效應與韻律框架的關(guān)系。通過概念整合理論,將三音節(jié)新詞語劃分為三個不同的整合層級,并由此探討三音節(jié)整合度與韻律框架的關(guān)系。第五章是本文的結(jié)語部分。主要是對本文內(nèi)容進行總結(jié),提出局限和不足。 總而言之,本文是將三音節(jié)新詞語從韻律的角度入手,,在分析韻律特征的同時,結(jié)合概念整合的相關(guān)內(nèi)容,進一步探討三音節(jié)新詞語的整合度與韻律框架之間的關(guān)系。通過本文的分析研究,或可為更好掌握流行語的發(fā)展趨勢和傾向,更好地規(guī)范現(xiàn)代漢語的使用提供一定的參考。
[Abstract]:In modern Chinese, dicyllabic has been dominant for a long time. However, with the development and change of society, a large number of new words have sprung up. In these new words, the number of three-syllable has been increasing, and has gradually replaced the dominant position of two-syllable and become a new vane. Play more and more important role in people's life stage, attract people's attention, be sought after by people. This paper takes the three syllable neologisms in modern Chinese from 2006 to 2010 as the whole research object, and uses the prosodic word-formation theory of McCarthy and Prince (1993). Feng Shengli's Chinese prosodic syntactic theory and Fauconnier's "Conceptual Integration Theory" are the main theoretical bases. The prosodic characteristics and integration effects of three-syllable neologisms are discussed in detail. At the same time, it reveals the relationship between the integration effect of three syllable neologisms and the prosodic framework. This paper is divided into five chapters. The first chapter is the introduction, which mainly explains the motivation, research status, research value, research methods and data sources of this paper. The second chapter is the introduction of three-syllable neologisms. This paper mainly defines several terms, analyzes the reasons for the development of trisyllabic tendency of neologisms, classifies them through their structural characteristics, and briefly analyzes the reasons for their formation. Chapter three analyzes the prosodic characteristics of three-syllable neologisms. This paper first analyzes the general characteristics of the three-syllable new words, and then analyzes the prosodic characteristics of the three structures which are the most different from the common three-syllable, and then obtains the difference between the three-syllable new words and the common three-syllable in the prosodic aspect. Chapter four discusses the relationship between the integration effect of three-syllable neologisms and the prosodic framework. Based on the theory of conceptual integration, the three-syllable neologisms are divided into three different levels of integration, and the relationship between the degree of three-syllable integration and the prosodic framework is discussed. The fifth chapter is the conclusion of this paper. The main content of this paper is to summarize, put forward limitations and deficiencies. In a word, this paper analyzes the prosodic characteristics of the new words of three syllables from the prosodic point of view, and further discusses the relationship between the integration degree of the three syllable new words and the prosodic framework by combining the relevant contents of conceptual integration. The analysis and research in this paper may provide some references for better understanding of the trend and tendency of the development of catchwords and for standardizing the use of modern Chinese.
【學位授予單位】:上海外國語大學
【學位級別】:碩士
【學位授予年份】:2013
【分類號】:H136

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