【摘要】：《論語(yǔ)》是儒家的經(jīng)典著作,也是中國(guó)傳統(tǒng)文化的突出代表。長(zhǎng)久以來國(guó)內(nèi)外對(duì)其在歷史影響,應(yīng)用價(jià)值,英譯研究等方面進(jìn)行了廣泛而深入的研究。在對(duì)本書的語(yǔ)言方面也有大量的研究,但主要停留在文字層面研究書中所涉及的修辭。隨著認(rèn)知語(yǔ)言學(xué)的發(fā)展,已有少數(shù)學(xué)者對(duì)其從認(rèn)知的角度進(jìn)行研究,但依然存在較大的研究空間。鑒于此,本文力圖在認(rèn)知語(yǔ)言學(xué)框架內(nèi),采用描寫和分析相結(jié)合的方法,根據(jù)概念隱喻理論,將書中的隱喻語(yǔ)料分成結(jié)構(gòu)隱喻、空間隱喻和本體隱喻三大類,詳盡地對(duì)其源域和目標(biāo)域的相似性進(jìn)行分析,挖掘隱喻的認(rèn)知機(jī)制,儒家的思想體系及其對(duì)社會(huì)文化的影響。并利用意象圖式的原理對(duì)部分隱喻的結(jié)構(gòu)成因進(jìn)行了分析,推導(dǎo)中國(guó)古代人們的認(rèn)知模式。研究結(jié)果如下： (1)論語(yǔ)中存在四大概念隱喻：人隱喻,即人是植物,動(dòng)物,器皿,玉,工具,天體等；得道是行路；上中下空間隱喻,即地位高為上,地位低為下,理想狀態(tài)為上,非理想狀態(tài)為下,中庸之道為中；抽象概念是具體事物,即將“德,仁,天,鬼”等抽象概念投射到具體事物上,或?qū)⑵鋽M人化。從這些概念隱喻可以看到孔子注重人在道德上的修養(yǎng)和完善,提倡中庸的行事之道,重視封建社會(huì)等級(jí)和秩序,相信鬼神的存在,敬畏天的權(quán)威。同時(shí)也證明了Lakoff和Johnson的“隱喻無(wú)處不在并與文化緊密相關(guān)”的觀點(diǎn)。(2)對(duì)論語(yǔ)中兩個(gè)重要隱喻“為政以德,譬如北辰,居其所而眾星拱之”及“君子之德風(fēng),小人之德草,草上之風(fēng),必偃�！钡囊庀髨D式進(jìn)行了分析,推導(dǎo)出自然宇宙及身體經(jīng)驗(yàn)對(duì)人們認(rèn)知模式的重要性,并解釋了這些隱喻易于理解,廣為流傳的原因。
[Abstract]:The Analects of Confucius is a classic of Confucianism and also a prominent representative of Chinese traditional culture. It has long studied its historical influence, application value and English translation studies at home and abroad. There is also a lot of research on the language of this book, but it mainly stops in the rhetorical figures involved in the study of the text. In view of the development of cognitive linguistics, a few scholars have studied it from the perspective of cognition, but still there are still large space for research. In view of this, this paper tries to divide the metaphorical materials in the book into structural metaphor, space metaphor and noumenon in the framework of cognitive linguistics. Three major categories of metaphor, the analysis of the similarity between the source and target domains, the cognitive mechanism of metaphor, the ideological system of Confucianism and its influence on the social culture, and the analysis of the structural causes of some metaphors by using the principle of image schema, are used to deduce the cognitive patterns of Chinese ancient generations. The results are as follows:
(1) there are four conceptual metaphors in the Analects of Confucius: human metaphor, that is, human beings are plants, animals, utensils, jade, tools, and celestial bodies; the middle and lower space metaphors, that is, the position is high, the status is low, the ideal state is lower, the ideal state is under, the ideal state is under, the middle way is in the middle; the abstract concept is the concrete thing, forthcoming "virtue, benevolence, heaven, ghosts" and so on. From these conceptual metaphors, we can see that Confucius pays attention to the moral cultivation and perfection of people, advocates the doctrine of the doctrine of the mean, emphasizes the feudal social rank and order, believes in the existence of ghosts and gods, and reverence the authority of the sky. It also proves that the "metaphor of Lakoff and Johnson" is everywhere and the "metaphor is everywhere" (2) the images of the two important metaphors in the Analects of Confucius, such as Beichen, such as the arches of the stars, the virtue of the gentleman, the grass of the small man, the wind on the grass, and the need to be removed, were analyzed, and the importance of the natural universe and physical experience to the cognitive patterns of the people was derived and explained. These metaphors are easy to understand and are widely spread.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：H15;B222.2

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本文編號(hào)：2144275