海峽兩岸宋體楷體字形比較研究
發(fā)布時(shí)間：2018-07-25 11:39
【摘要】：海峽兩岸一直在提倡“書同文”,過去“書同文”的研究較多地集中于兩岸繁簡(jiǎn)字、異體字、新舊字形等方面,關(guān)于兩岸印刷字體字形的研究幾乎沒有,尤其是作為海峽兩岸的主要印刷字體——宋體和楷體。 由于兩岸不同字體的字形會(huì)有微別差異,因此研究海峽兩岸宋體、楷體的字形差異,分析差異字形的特點(diǎn)并探究差異產(chǎn)生的原因,提出規(guī)范建議,為兩岸無障礙交流做好學(xué)術(shù)準(zhǔn)備,為兩岸相關(guān)語文政策的制定提供一定的理論依據(jù),又會(huì)促進(jìn)整個(gè)漢字文化圈的統(tǒng)一融合,為海外華人和外國人學(xué)習(xí)漢語漢字提供更加便利的條件。信息化時(shí)代,字形上任何細(xì)微的差異可能會(huì)導(dǎo)致信息處理的錯(cuò)誤,所以本文的研究還可以提高漢字信息處理的準(zhǔn)確性和效率。 論文共分為七個(gè)部分： 首先是緒論,交代了研究背景、選題緣由、研究現(xiàn)狀、選題意義；第一章為宋體與楷體研究述評(píng)。不但界定了字體,而且對(duì)宋體與楷體展開界定與溯源,同時(shí)分別梳理宋體與楷體的研究狀況；第二章為海峽兩岸宋體字形差異分析。本章從筆形差異、筆畫差異、部件差異、結(jié)構(gòu)差異四個(gè)方面比較兩岸宋體字形差異,并做出定量統(tǒng)計(jì)；第三章為海峽兩岸楷體字形差異分析。本章首先從筆形差異、筆畫差異、部件差異、結(jié)構(gòu)差異分析了兩岸楷體字形差異,其次結(jié)合第二章與本章的研究,總結(jié)出字體導(dǎo)致的字形差異；第四章為海峽兩岸宋體、楷體差異字形特點(diǎn)及原因。首先分別分析宋體差異字形特點(diǎn)和楷體差異字形特點(diǎn),接著從歷史因素、語言文字政策、漢字信息處理角度去探討差異字形原因；第五章為規(guī)范建議。本章從字源、結(jié)構(gòu)對(duì)稱性、漢字信息處理三個(gè)方面對(duì)差異字形提出規(guī)范建議；第六章為結(jié)語。本章首先歸納了研究后得出的結(jié)論,然后討論了本文未解決的問題以及仍可做的工作。 論文的主要?jiǎng)?chuàng)新之處： 1.第一次提出對(duì)兩岸印刷字形進(jìn)行比較研究時(shí),應(yīng)該區(qū)別不同字體的字形比較,同時(shí)提出宋體楷體字形差異應(yīng)該包括兩個(gè)層面(字形本身差異和字體字形差異)。 2.從微觀層面來比較大陸、臺(tái)灣兩個(gè)不同系統(tǒng)里的字體(宋體、楷體)字形差異,并且結(jié)合漢字結(jié)構(gòu)對(duì)稱性等相關(guān)理論談具體的規(guī)范,這對(duì)漢字的書寫排印、漢字的編碼和信息處理服務(wù)等方面有指導(dǎo)意義。 3.首次梳理了兩種主要印刷字體(宋體、楷體)的研究現(xiàn)狀。
[Abstract]:The two sides of the Taiwan Strait have been advocating "calligraphy and writing". In the past, the study of "calligraphy and article" focused more on the traditional characters, variant characters, new and old characters, etc., but there was hardly any research on cross-Strait typography. Especially as the two sides of the Taiwan Strait the main print-Song and italics. Since there will be slight differences in the font shapes of the two sides of the Taiwan Strait, this paper studies the font differences of the Song style and italics on both sides of the Taiwan Strait, analyzes the characteristics of the different fonts, probes into the causes of the differences, and puts forward some normative suggestions. Making academic preparations for cross-strait barrier-free exchanges, providing a certain theoretical basis for the formulation of relevant language policies on both sides of the strait, and promoting the unification and integration of the entire Chinese character cultural circle, To provide more convenient conditions for overseas Chinese and foreigners to learn Chinese characters. In the information age, any slight difference in font shape may lead to the error of information processing, so the research in this paper can also improve the accuracy and efficiency of Chinese character information processing. The thesis is divided into seven parts: the first is the introduction, explaining the research background, the reason of the topic, the status quo of the study, and the significance of the topic; the first chapter is a review of the research of Song and italics. It not only defines the font, but also defines and traces the source of the Song and italics. At the same time, it combs the research status of the Song and italics respectively. The second chapter is the analysis of the differences between the two sides of the Taiwan Strait. In this chapter, we compare the character difference of the two sides of the Taiwan Strait from four aspects: stroke difference, component difference and structure difference, and make quantitative statistics; the third chapter is the analysis of the difference of italics between the two sides of the Taiwan Strait. In this chapter, we first analyze the differences of italics between the two sides of the strait from the differences of strokes, components and structures, and then sum up the font differences caused by fonts combined with the research of chapter two and this chapter; the fourth chapter is the song style of the two sides of the Taiwan Strait, and the fourth chapter is the song style of the two sides of the Taiwan Strait. The characters and causes of italics difference. First of all, it analyzes the characteristics of the difference font and the character of the italics, and then discusses the cause of the difference from the historical factors, the language policy and the Chinese character information processing. Chapter five is the standard suggestion. In this chapter, the author puts forward some suggestions from three aspects: word source, structure symmetry and Chinese character information processing. Chapter 6 is the conclusion. In this chapter, the conclusions are summarized firstly, then the unsolved problems and the work that can be done in this paper are discussed. The main innovations of this paper are as follows: 1. For the first time, we should distinguish the font comparison of different fonts when comparing and studying the typography between the two sides of the Taiwan Strait. At the same time, we should put forward that the differences of italics in the Song Dynasty should include two levels (the difference of the font itself and the difference of the font shape). 2. From the micro level, we compare the differences of font shapes in the two different systems of mainland China and Taiwan (Song type, italics), and discuss the specific norms combined with the relevant theories such as the symmetry of the structure of Chinese characters, which is the writing and typesetting of Chinese characters. Chinese character coding and information processing services and other aspects of guiding significance. 3. For the first time, the current research status of two main typography (Song type, italics) is reviewed for the first time.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：H123
本文編號(hào)：2143709
[Abstract]:The two sides of the Taiwan Strait have been advocating "calligraphy and writing". In the past, the study of "calligraphy and article" focused more on the traditional characters, variant characters, new and old characters, etc., but there was hardly any research on cross-Strait typography. Especially as the two sides of the Taiwan Strait the main print-Song and italics. Since there will be slight differences in the font shapes of the two sides of the Taiwan Strait, this paper studies the font differences of the Song style and italics on both sides of the Taiwan Strait, analyzes the characteristics of the different fonts, probes into the causes of the differences, and puts forward some normative suggestions. Making academic preparations for cross-strait barrier-free exchanges, providing a certain theoretical basis for the formulation of relevant language policies on both sides of the strait, and promoting the unification and integration of the entire Chinese character cultural circle, To provide more convenient conditions for overseas Chinese and foreigners to learn Chinese characters. In the information age, any slight difference in font shape may lead to the error of information processing, so the research in this paper can also improve the accuracy and efficiency of Chinese character information processing. The thesis is divided into seven parts: the first is the introduction, explaining the research background, the reason of the topic, the status quo of the study, and the significance of the topic; the first chapter is a review of the research of Song and italics. It not only defines the font, but also defines and traces the source of the Song and italics. At the same time, it combs the research status of the Song and italics respectively. The second chapter is the analysis of the differences between the two sides of the Taiwan Strait. In this chapter, we compare the character difference of the two sides of the Taiwan Strait from four aspects: stroke difference, component difference and structure difference, and make quantitative statistics; the third chapter is the analysis of the difference of italics between the two sides of the Taiwan Strait. In this chapter, we first analyze the differences of italics between the two sides of the strait from the differences of strokes, components and structures, and then sum up the font differences caused by fonts combined with the research of chapter two and this chapter; the fourth chapter is the song style of the two sides of the Taiwan Strait, and the fourth chapter is the song style of the two sides of the Taiwan Strait. The characters and causes of italics difference. First of all, it analyzes the characteristics of the difference font and the character of the italics, and then discusses the cause of the difference from the historical factors, the language policy and the Chinese character information processing. Chapter five is the standard suggestion. In this chapter, the author puts forward some suggestions from three aspects: word source, structure symmetry and Chinese character information processing. Chapter 6 is the conclusion. In this chapter, the conclusions are summarized firstly, then the unsolved problems and the work that can be done in this paper are discussed. The main innovations of this paper are as follows: 1. For the first time, we should distinguish the font comparison of different fonts when comparing and studying the typography between the two sides of the Taiwan Strait. At the same time, we should put forward that the differences of italics in the Song Dynasty should include two levels (the difference of the font itself and the difference of the font shape). 2. From the micro level, we compare the differences of font shapes in the two different systems of mainland China and Taiwan (Song type, italics), and discuss the specific norms combined with the relevant theories such as the symmetry of the structure of Chinese characters, which is the writing and typesetting of Chinese characters. Chinese character coding and information processing services and other aspects of guiding significance. 3. For the first time, the current research status of two main typography (Song type, italics) is reviewed for the first time.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：H123
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