本文選題：阿來 + 《塵埃落定》��； 參考：《天津大學(xué)》2013年碩士論文

【摘要】：《塵埃落定》是作家阿來的經(jīng)典代表作之一，作品以獨(dú)特的藏族視角書寫了一部波瀾壯闊的藏族史詩，取得了巨大的社會(huì)反響。《塵埃落定》的成功源于作品本身極富傳奇色彩的故事選材，更源于作品所使用的極富美感的語言�！秹m埃落定》的語言美感不是來源于單一的語言風(fēng)格，，而是來自多種語言風(fēng)格的有機(jī)整合。多種語言風(fēng)格相互融合造就了作品獨(dú)特的語言美感�！秹m埃落定》的文學(xué)語言所具有的豐富多元的語言美感極大地提高了作品語言的表達(dá)效果，增加了作品的藝術(shù)魅力。 本文從作品的語言本身出發(fā)，從修辭學(xué)視角對(duì)整部作品展開審視。以語音、詞匯、辭格、句式四個(gè)修辭層面為主要研究對(duì)象，對(duì)《塵埃落定》在語音特色、詞語選用、修辭格使用和句式安排上表現(xiàn)出的特點(diǎn)加以總結(jié)分析，全面的了解了作品語言美感的來源。明快靈動(dòng)之美，含蓄厚重之美以及民族風(fēng)情之美作為作品語言美感的三個(gè)主要來源，在各種修辭手法的綜合運(yùn)用中完成了有機(jī)整合，共同構(gòu)成了《塵埃落定》豐富多元的整體語言美感。與此同時(shí)，《塵埃落定》語言美感的形成還同作家獨(dú)特的人生經(jīng)歷與文學(xué)思想有著密不可分的聯(lián)系。 總之，對(duì)《塵埃落定》語言美感的修辭學(xué)分析為我們了解作者的創(chuàng)作傾向，理解作家的創(chuàng)作目的，更加深入的理解作品本身提供了一個(gè)嶄新的視角。
[Abstract]:Settled dust is one of the classic masterpieces of the writer Alai, whose works have written a magnificent Tibetan epic from a unique Tibetan perspective. Great social repercussions have been achieved. The success of the Dust settles stems from the legendary selection of stories in the work itself, and more from the extremely beautiful language used in the work. The aesthetic sense of the language of the Dust settles does not come from a single language style. It is organic integration from multiple language styles. The fusion of various language styles creates a unique aesthetic sense of language in the works. The rich and diverse linguistic aesthetic sense of literary language greatly improves the expression effect of the language and increases the artistic charm of the works. Starting from the language itself, this paper examines the whole work from the perspective of rhetoric. Taking the four rhetorical aspects of phonology, vocabulary, rhetoric and sentence pattern as the main research objects, this paper summarizes and analyzes the characteristics of the Phonetics, the choice of words, the use of rhetorical devices and the arrangement of sentence patterns. A comprehensive understanding of the source of aesthetic language works. As the three main sources of aesthetic sense of language, the beauty of lightness and intelligence, the beauty of implication and the beauty of national amorous feelings, as the three main sources of aesthetic sense of language in the works, have completed the organic integration in the comprehensive application of various rhetorical devices. Together constitute the "dust settled" rich and diverse aesthetic sense of the whole language. At the same time, the formation of the aesthetic sense of language is closely related to the writer's unique life experience and literary thought. In a word, the rhetorical analysis of the aesthetic sense of language provides a new perspective for us to understand the author's creative tendency, to understand the writer's creative purpose, and to further understand the works themselves.
【學(xué)位授予單位】：天津大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：H15

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