本文選題：賢孝唱詞 + 西北方音��； 參考：《南京師范大學》2015年碩士論文

【摘要】：本文以西北地區(qū)特有的一種講唱藝術(shù)賢孝作為研究對象,通過對選取的61個賢孝曲目的4145個韻段分析研究,歸納出近現(xiàn)代西北地區(qū)方音的韻、調(diào)特點,揭示西北方音的概貌；并在參考前人研究的基礎(chǔ)上,探求西北方音從宋代經(jīng)明清至現(xiàn)代的發(fā)展與演變。通過與《切韻》音系的比較,賢孝唱詞的用韻反映出以下結(jié)論：1.賢孝唱詞是一種民間說唱藝術(shù),口語色彩強,唱詞中還有大量的韻文,且用韻比較自由,其韻文的用韻要比《廣韻》同用、獨用的規(guī)定寬泛得多,韻部明顯減少。能夠較好真實地反映近現(xiàn)代西北地區(qū)的語音概況。2.賢孝唱詞韻分10部：陰聲韻7部,歌戈部、家麻部、魚模部、皆哈部、支微部、蕭豪部、尤侯部,陽聲韻3部,江陽部、元覃部、東侵部。陽聲韻主要韻母鼻音化,鼻音韻尾[-m]已經(jīng)消失,并入了[-n]尾,且[-n]尾與[-η]已經(jīng)相混或消失。[-p]、[-t]、[-k]三個塞音韻尾完全失落,入聲韻消失,全都押入了相對應(yīng)的陰聲韻。3.近代西北方音平聲已經(jīng)分為陰陽,全濁上聲變?yōu)槿ヂ?并且平聲與去聲的音值相近,平聲似去,入聲派入了三聲。但是在現(xiàn)代西北地區(qū),有的地區(qū)是陰陽不分的,如河州地區(qū)；有的地區(qū)陽平和清、次濁上聲成為一個調(diào)類-陽平上,如涼州地區(qū)的武威�？傊�,賢孝唱詞所反映的近代西北方音在對唐五代、宋代、明清時期西北方音的繼承的基礎(chǔ)上又產(chǎn)生了一些新的特點,其韻、調(diào)系統(tǒng)與現(xiàn)代西北方音差別不大。
[Abstract]:Based on the analysis of 4145 rhyme segments of 61 hymn and filial piety tracks in Northwest China, this paper summarizes the rhyme and tone characteristics of the local sound in the northwest of China in modern times, and reveals the general features of the northwest sound. On the basis of previous studies, this paper explores the development and evolution of the western and northern sounds from the Song Dynasty to the Ming and Qing dynasties. The rhyme of Xianxiao lyrics reflects the following conclusion: 1. Xianxiao singing ci is a folk rap art with strong colloquial color. There are a large number of rhymes in singing words, and rhyme is relatively free. Its rhyme is much broader than that of "wide rhyme", and the regulation of single use is much broader, and the rhyme part is obviously reduced. It can reflect the phonetic survey of the northwest area in modern times. 2. Xianxiao rhyme is divided into 10 parts: Yin rhyme 7, goo, home hemp, fish model, Ching-ha, Zhi Wei, Xiao Hao, you Hou, Yang sound 3, Jiang Yang, Yuan Qin, eastward invasion. The main vowel of Yang rhyme is nasal sound, and the nasal rhyme [-m] has disappeared and merged into [-n] tail, and [-n] tail and [- 畏] have been mixed or disappeared. [-p], [-t], [-k] three rhyme tails are completely lost, and the entrant rhyme disappears. In modern times, the sound of the northwest of China has been divided into yin and yang, and the total turbid upper voice has changed into the sound of removing, and the sound of the flat sound is similar to that of the sound of removing the sound, and the sound of the flat sound is similar to that of the sound. However, in modern Northwest China, some areas are not divided between yin and yang, such as Hezhou area; in some areas, Yangping and Qing Dynasty, the voice of secondary turbid upper voice become a kind of tune-Yangping, such as Wuwei in Liangzhou area. In a word, the modern northwest sound reflected by Xianxiao lyrics has produced some new characteristics on the basis of inheriting the northwest sound of Tang and five dynasties, Song Dynasty and Ming and Qing dynasties, and its rhyme and tone system are not different from those of modern northwest sound.
【學位授予單位】：南京師范大學
【學位級別】：碩士
【學位授予年份】：2015
【分類號】：H172.2

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