本文關(guān)鍵詞： 結(jié)構(gòu)助詞“的” “地” “得” “紅色經(jīng)典”歌曲 發(fā)音混亂 語法化　出處：《山東大學(xué)》2013年碩士論文　論文類型：學(xué)位論文

【摘要】：語言是一種社會現(xiàn)象,它的產(chǎn)生、存在和發(fā)展都與社會有著不可分割的密切關(guān)系,可以說一切語言現(xiàn)象都是社會發(fā)展的需要,都有著與時俱進(jìn)的特質(zhì)。那么,如果有哪一種語言現(xiàn)象恰恰與語言發(fā)展的潮流背道而馳,而且能在相當(dāng)長的時期內(nèi)保持著自己旺盛的生命力,甚至廣為流傳,那么這種語言現(xiàn)象就不得不引起學(xué)者們的注意。筆者發(fā)現(xiàn)：結(jié)構(gòu)助詞“的”、“地”在大量“紅色經(jīng)典”歌曲,特別是“樣板戲”和“紅歌”中,無一例外都唱為“di[ti]”,與其在口語中的規(guī)范讀音“de[ta]”相悖,而“得”與“的”、“地”不同,仍唱為“de[t3]”。 本文即以此違背語言規(guī)范化的現(xiàn)象為基礎(chǔ),結(jié)合語法化、語音韻律學(xué)和音樂理論等相關(guān)知識,來探索結(jié)構(gòu)助詞“的”、“地”、“得”在“樣板戲”和“紅歌”中的發(fā)音問題,通過大量檢索和分析“樣板戲”和“紅歌”中有關(guān)助詞“的”、“地”、“得”的發(fā)音情況,從語言學(xué)角度,探討了結(jié)構(gòu)助詞產(chǎn)生和發(fā)展,從源頭上證明了其歷史讀音對現(xiàn)代讀音的影響；結(jié)合語音學(xué)中的元音發(fā)音方法,來論證“di[ti]”與“de[t(?)]”的語音差異；運(yùn)用語法學(xué)的相關(guān)知識,來論證結(jié)構(gòu)助詞“的”、“地”、“得”的語法化程度高低對語音產(chǎn)生的影響；將樂理知識與語言學(xué)知識、歌詞的創(chuàng)作與詩歌韻律結(jié)合起來,多角度分析論證,實(shí)現(xiàn)理論指導(dǎo)與實(shí)際歸納相結(jié)合,從而做出最科學(xué)的分析和論證,總結(jié)出對實(shí)踐有益的結(jié)論。
[Abstract]:Language is a kind of social phenomenon, its production, existence and development are closely related to society. It can be said that all linguistic phenomena are the needs of social development and have the characteristics of keeping pace with the times. If there is a language phenomenon exactly contrary to the trend of language development, and can maintain their vigorous vitality in a very long period of time, or even widely spread. So this language phenomenon has to attract the attention of scholars. The author finds that the structural auxiliary words "", "land" in a large number of "red classic" songs, especially "model opera" and "Red Song". Without exception, they all sing "di" [Ti] ", as opposed to its canonical pronunciation in spoken English" de. ["contrary", and "get" and "land" are different, still sing "de" [T 3 ". On the basis of the phenomenon of violating the standardization of language, this paper combines the relevant knowledge of grammaticalization, phonological prosody and music theory to explore the "place" of the structural auxiliary word. The pronunciation of "de" in "Model Opera" and "Red Song" is analyzed from a linguistic point of view through a large number of searches and analyses of the pronunciation of "," "place" and "de" in "sample Opera" and "Red Song". This paper probes into the emergence and development of structural auxiliary words and proves the influence of its historical pronunciation on modern pronunciation from the source. Combining with the vowel pronunciation method in phonetics, the author tries to prove that "di" [Ti] "and" de. [Tory? "]" phonetic differences; Using the relevant knowledge of grammar to demonstrate the influence of the grammaticalization degree of the structural auxiliary words such as "the", "place" and "de" on the phonetics; Combining the knowledge of music theory with linguistic knowledge, the creation of lyrics and the rhyme of poetry, we can analyze and demonstrate from many angles and realize the combination of theoretical guidance and practical induction, so as to make the most scientific analysis and argumentation. Some useful conclusions for practice are summarized.
【學(xué)位授予單位】：山東大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：H116.1;J616.1

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本文編號：1458023