先鋒精神及其命運(yùn)
發(fā)布時(shí)間:2018-11-24 13:32
【摘要】: 或許由于現(xiàn)代先鋒最先介入的是語(yǔ)言的革新,并且在語(yǔ)言成為焦點(diǎn) 以后,導(dǎo)致了敘述形式的變化。從而,從表面上看來(lái),先鋒創(chuàng)作更多關(guān) 注的是形式上的花樣翻新,以至于人們往往把先鋒等同于形式的標(biāo)新立 異,并認(rèn)為先鋒的意義僅在于此。 然而,形式的變異性很快就會(huì)式微,先鋒被宣布破產(chǎn)或消亡,成了 轉(zhuǎn)瞬即逝的事物。但是當(dāng)我們反觀現(xiàn)代先鋒作品時(shí),我們會(huì)發(fā)現(xiàn):實(shí)際 上,新異形式的沖擊力是短暫的,能被復(fù)制、移植的,而從文本中溢出 的渴望創(chuàng)新、蔑視權(quán)威、追求自由的精神才是最吸引我們,并促使一代 代的先鋒藝術(shù)家前仆后繼的推動(dòng)力。這種精神正是先鋒藝術(shù)的意義和價(jià) 值所在。 “先鋒”一詞本是軍事術(shù)語(yǔ),后被引申入藝術(shù)領(lǐng)域,泛指一切再藝 術(shù)上大膽突破、創(chuàng)新的人們。盡管先鋒性存在于任何時(shí)代,只有進(jìn)入現(xiàn)代 世界后,先鋒的存在成為一種自覺(jué)。本文的視點(diǎn)即從現(xiàn)代先鋒開(kāi)始,試對(duì) 其概念、產(chǎn)生背景進(jìn)行梳理,從中得出其特征、精神實(shí)質(zhì),并探索其命運(yùn), 又從其命運(yùn)中進(jìn)一步論證其精神實(shí)質(zhì),并以西方先鋒為參照系,來(lái)觀照中 國(guó)先鋒藝術(shù)的精神、命運(yùn)。 先鋒與現(xiàn)代主義有重合之處,但它們是不同的概念:先鋒是任何現(xiàn) 代主義的先驅(qū)者,現(xiàn)代主義比先鋒更易穩(wěn)定性,而先鋒比現(xiàn)代主義更具 變異性。二者卻具有共同的恒定主題:蔑視權(quán)威、積極創(chuàng)造嶄新的自我。 先鋒藝術(shù)具有以下特征: 一.異端性。即前衛(wèi)性,這正是其被命名的根據(jù)。這一特征使得 它把自己與前此的藝術(shù)分開(kāi),呈現(xiàn)出一種與眾不同的面貌, 當(dāng)然,這種異端不僅包括形式,還有思想和精神。 二.拒絕重復(fù)性。這一特征正是使其保持獨(dú)立的關(guān)鍵所在,既指 作家與作家之間,也貫穿于一個(gè)始終能堅(jiān)持先鋒精神的作家 所有的創(chuàng)作之中。 三.試驗(yàn)性。這一特征是副兩個(gè)特征的必然要求,試驗(yàn)性使『已永 遠(yuǎn)處于行動(dòng)之中。 這些特征也是導(dǎo)致其命運(yùn)坎、岡的關(guān)鍵。它總是處干俘扎之中,反抗 被世俗、主流意識(shí)形態(tài)承認(rèn)的命運(yùn):永遠(yuǎn)無(wú)法擁有自己的立足點(diǎn)。對(duì)于 先鋒而言,渴望成功與反抗成功是難以凋和的。 中國(guó)先鋒作家的處境尤其尷尬,完全拿西方模式采對(duì)比他們,無(wú)疑 是不公平的。他們有自己獨(dú)特的環(huán)境、精神源泉和追求。所以,如果我 們能穿越文本,不僅僅只關(guān)注寫作技巧,我們可望觸摸到他們內(nèi)心深處 的精神律動(dòng)。當(dāng)然,我們不能否定確實(shí)有一些作家在前行中難耐孤獨(dú)和 照,,喪失了先鋒精神,但不去深人與他們對(duì)視,只是浮光掠影地哀傷 干形式的退化,顯然是不夠全面的。
[Abstract]:Perhaps the first intervention by the modern pioneer is the innovation of the language and has become the focus in the language After that, the guide a change in the form of a narrative. It seems that the avant-garde works more and more notes are in the form of the figure renovation so that people tend to equate the pioneers with the shape The meaning of the pioneer is only that. However, the form of variability will soon be small, and the vanguard is expected to be To go bankrupt or to die, become a fleeting thing. But when I In view of the modern pioneer works, we will find that: on top, The new form of impact is short and can be complex to overflow from text. The spirit of the desire for innovation, the contempt of authority and the pursuit of freedom is the most attractive to us and to the generation the advance of the leading artist of the generation. Power. This spirit is the meaning and price of the pioneer art. Value is in.鈥減ioneer鈥
本文編號(hào):2353915
[Abstract]:Perhaps the first intervention by the modern pioneer is the innovation of the language and has become the focus in the language After that, the guide a change in the form of a narrative. It seems that the avant-garde works more and more notes are in the form of the figure renovation so that people tend to equate the pioneers with the shape The meaning of the pioneer is only that. However, the form of variability will soon be small, and the vanguard is expected to be To go bankrupt or to die, become a fleeting thing. But when I In view of the modern pioneer works, we will find that: on top, The new form of impact is short and can be complex to overflow from text. The spirit of the desire for innovation, the contempt of authority and the pursuit of freedom is the most attractive to us and to the generation the advance of the leading artist of the generation. Power. This spirit is the meaning and price of the pioneer art. Value is in.
本文編號(hào):2353915
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