本文關(guān)鍵詞：媚俗藝術(shù):對一個概念的考察——解讀馬泰·卡林內(nèi)斯庫《現(xiàn)代性的五副面孔》，由筆耕文化傳播整理發(fā)布。

1.

The vulgar art is both the product of modernity and the lie of aesthetics.

媚俗藝術(shù)是現(xiàn)代的產(chǎn)物，同時也是一種美學謊言。

2.

Vulgar Art:An Examination of Concept--Reading Five Faces of Modernity by Matei Calinescu;

媚俗藝術(shù):對一個概念的考察——解讀馬泰·卡林內(nèi)斯庫《現(xiàn)代性的五副面孔》

3.

secular education, art, music

世俗教育、 藝術(shù)、 音樂

4.

Vulgar, Fawning Vulgar,and Popular --On the Literature at the Turn of the Century;

世俗·媚俗·通俗——世紀之交文學縱橫談

5.

Comparison between civil and folkway art and palace art

民間、民俗藝術(shù)與宮廷藝術(shù)之對比

6.

Artistic Custom: a Theoretical Framework to Delimit Art--On Dickie's Artistic Custom

藝術(shù)習俗:一種界定藝術(shù)的理論框架——論迪基的藝術(shù)習俗論

7.

Popular Art and Refined Art in Higher Art Education;

高校藝術(shù)教育中的通俗藝術(shù)和高雅藝術(shù)

8.

Boldness and Generosity Mingling with Gentleness and Charm --A Talk of Artistic Attainments of Ci Poetry by Xin Qiji;

豪邁與婉媚的交融——談辛棄疾詞的藝術(shù)成就

9.

On the art characteristics of folk language of the literature of Henan Quyi;

論河南曲藝文學民俗語言的藝術(shù)特征

10.

Conflict between Art and Technology;

藝術(shù)與技術(shù)之間的對抗——藝術(shù)俗化的成因探析

11.

A woman regarded as gaudy or tawdry.

娼妓被認為是媚俗或低俗的女人

12.

Populariged Mass Culture, Vulgarization and Catering to the Masses;

大眾文化的流行與"庸俗化"及"媚俗

13.

Analysis Paper cut as a carrier of Artistic Imagery in Folk Culture

淺談作為民俗文化的藝術(shù)載體——剪紙

14.

Outstanding Style, Refined and Popular Tastes-Research on "Haishangsanren";

風姿卓異 雅俗共賞—“海上三任”藝術(shù)研究

15.

On Translating the Performative Genre of Folklore and Its Implications;

論民俗表演藝術(shù)樣式的譯介及其意義

16.

Suited to Refined and Popular Tastes,Filled with Humor and Wit--On the Lingual Art of the Novel Lights on the Intersections;

雅俗共賞,妙趣橫生——《歧路燈》的語言藝術(shù)

17.

The Evolvement of Ghost-driven Door Spirits to the Convention of Annually Painting Art;

從門神驅(qū)鬼說談年畫習俗藝術(shù)的演變

18.

A preliminary exploration into the artistry of ci poetry by Liu Yong;

淺近俚俗 寄情幽遠——柳詞藝術(shù)探微

  本文關(guān)鍵詞：媚俗藝術(shù):對一個概念的考察——解讀馬泰·卡林內(nèi)斯庫《現(xiàn)代性的五副面孔》，由筆耕文化傳播整理發(fā)布。