【摘要】：本文討論這樣幾個問題:中華繪畫的"線"有著怎樣豐富的內(nèi)涵?曲線旋律使中華詩、書、畫達到了怎樣的融通?在音樂、舞蹈、戲劇、曲藝、建筑、園林、雕塑、圖案等中華傳統(tǒng)藝術(shù)中又各有怎樣的表現(xiàn)?中華民族的線型思維基于怎樣的文化背景?本文追溯了中華傳統(tǒng)繪畫中"線"的發(fā)生發(fā)展,接著,從詩、文、書法的曲線旋律入手,分析了中華詩、書、畫的融通,剖析了中華其他藝術(shù)中的曲線旋律,最后,論述了中華傳統(tǒng)藝術(shù)線化的形成背景。"線"的概念有顯有隱,或表現(xiàn)為構(gòu)圖,或表現(xiàn)為造型,或表現(xiàn)為圖案,或表現(xiàn)為曲線流動的氣韻。本文認為,線條傳達了時代的精神面貌,傳達了工匠和藝術(shù)家的情感與人格,曲線音樂般的旋律美,表現(xiàn)出中華傳統(tǒng)藝術(shù)的獨到美感。
[Abstract]:This paper discusses the following questions: what is the rich connotation of the "line" in Chinese painting? How can Chinese poetry, books and paintings be fused by curved melodies? In music, dance, drama, quyi, architecture, garden, sculpture, pattern and other traditional Chinese art, and how each performance? What kind of cultural background is the linear thinking of the Chinese nation based on? This paper traces the occurrence and development of "line" in Chinese traditional painting, and then, starting with the curve melody of poetry, text and calligraphy, analyzes the fusion of Chinese poetry, books and paintings, and analyzes the curve melody in other Chinese art. The formation background of Chinese traditional art linearization is discussed. " The concept of "line" is implicit, either in composition, in shape, in pattern, or in the charm of curve flow. This paper holds that the line conveys the spiritual outlook of the times, the emotion and personality of craftsmen and artists, the melodic beauty of curved music, and shows the unique aesthetic feeling of Chinese traditional art.
【作者單位】： 東南大學藝術(shù)學院;
【基金】：國家“211工程”三期“藝術(shù)學理論創(chuàng)新與應用研究”項目階段性成果之一
【分類號】：J120

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