本文關(guān)鍵詞：藝術(shù)通感:一種統(tǒng)覺性創(chuàng)造性的審美能力——藝術(shù)通感的審美闡釋，由筆耕文化傳播整理發(fā)布。

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藝術(shù)通感     

     The Charm of Sensation-the Function of theExpression of Artistic Synaesthesia

     論藝術(shù)通感的表達(dá)功能

短句來源

     The artistic synaesthesia is a special way of sensation.

     藝術(shù)通感是一種特殊的感覺方式。

短句來源

     Art Telepathy: An Aesthetic Judgment of Apperceptive Creativity

     藝術(shù)通感:一種統(tǒng)覺性創(chuàng)造性的審美能力——藝術(shù)通感的審美闡釋

短句來源

     Mental enlightenment and emotional perceptiveness - On artistic perceptive transfer

     靈心妙悟 感而遂通──論藝術(shù)通感

短句來源

     The Superficial View of Artistic Communicating of Different Feelings

     藝術(shù)通感淺識

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     The article analyzes the feasibility of music and dancing integrated teaching from such aspects as the source of the art, the relationship between music and dancing and article transferred epithet phenomenon. It also makes auxiliary demonstration through foreign famous music education teaching methods.

     文章分別從藝術(shù)的起源、音樂和舞蹈的關(guān)系、藝術(shù)通感現(xiàn)象等方面分析了樂舞融合教學(xué)的可行性,并通過國外著名的音樂教育教學(xué)法進(jìn)行輔助論證。

短句來源

     In fact,both refer to psychological phenomena of one feeling caused by another and both depend on imagination. The author believes that artistic synesthesia and artistic imagination are the essence of art and also the quintessence and connotation of artistic psychology.

     事實(shí)上,聯(lián)覺和通感都是一種感覺引起另一種感覺的心理現(xiàn)象,而藝術(shù)通感的產(chǎn)生又必須借助于藝術(shù)想象,本文認(rèn)為,藝術(shù)通感和藝術(shù)想象,正是藝術(shù)的靈魂與本質(zhì)、藝術(shù)心理學(xué)的精髓與內(nèi)涵。

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     A Brief Talk on the Art of Linking Up of Sense Organs

     淺談通感藝術(shù)

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     The Trasferred Perception in Art Appreciation

     藝術(shù)鑒賞中的“通感”

短句來源

     The Superficial View of Artistic Communicating of Different Feelings

     藝術(shù)通感淺識

短句來源

     The Charm of Sensation-the Function of theExpression of Artistic Synaesthesia

     論藝術(shù)通感的表達(dá)功能

短句來源

     Connective Induction Art in Modern Architecture

     現(xiàn)代建筑中的通感藝術(shù)

短句來源

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What Xu Zhimo sought in his prose was bestowing natu re wi th intelligence and romantic charm. Xu forged his art of writing prose by seekin g creation of three forms of beauty: graceful beauty which harmorizes, comforts and delights, magnifiscent beauty which stirs a feeling of ascending, tragic beauty which inspires, stimulates, tempers and elevates man with sorrow, sympathy, respect and extolment. Beauty of imagination Xu sought wholeheartedly in his pro se finds its way largely in enlivening writing material,...

What Xu Zhimo sought in his prose was bestowing natu re wi th intelligence and romantic charm. Xu forged his art of writing prose by seekin g creation of three forms of beauty: graceful beauty which harmorizes, comforts and delights, magnifiscent beauty which stirs a feeling of ascending, tragic beauty which inspires, stimulates, tempers and elevates man with sorrow, sympathy, respect and extolment. Beauty of imagination Xu sought wholeheartedly in his pro se finds its way largely in enlivening writing material, drawing aesthetic experience, extending the horizon of meaning and idealizing things. In pursuit of bright and rich style, his prose embodies all in itself rich colours, renewed joint allusions, repeated elaboration and multiple perceptual impressions.

賦與大自然以性靈神韻和社會意義，是徐志摩散文追捕的美。他把三種美感形態(tài)的創(chuàng)造作為散文重要的藝術(shù)追求：柔美，能讓人感到和諧、情意纏綿及輕松愉快；壯美，能引起人一種奮發(fā)向上的情感；悲壯美，能使人在沉痛、憐憫、崇敬和贊美等精神反應(yīng)中得到美好情感的激勵、振奮、陶冶和提高。他在散文中所探索的想象美，主要表現(xiàn)在補(bǔ)充感覺、洞見美質(zhì)、拓展詩意和超越時空局限方面。他的散文，極力追尋的濃艷富麗美文體，是由豐富的“色彩意識流”、變形的聯(lián)喻、虛幻的荒誕描寫和藝術(shù)通感組成的。

The artistic synaesthesia is a special way of sensation. Scholars used to study it from the aspects of rhetoric and aesthetics. With the recent development of psychology and literary psychology, we have had a more profound understanding of synesthosia in theory, and carried out a deeper study on it. This article inquires into the function of expression of synaesthesia. With it, we may express our feelings exactly in the way far beyond the normality of language. I may help the language retrieve to its original...

The artistic synaesthesia is a special way of sensation. Scholars used to study it from the aspects of rhetoric and aesthetics. With the recent development of psychology and literary psychology, we have had a more profound understanding of synesthosia in theory, and carried out a deeper study on it. This article inquires into the function of expression of synaesthesia. With it, we may express our feelings exactly in the way far beyond the normality of language. I may help the language retrieve to its original formation. Secondly, it can stimulate readers' sensation and thus evoke a succession of imagination.

藝術(shù)通感是一種特殊的感覺方式。過去研究者主要從修辭學(xué)、美學(xué)等角度進(jìn)行研究�，F(xiàn)今隨著心理學(xué)、文藝心理學(xué)的發(fā)展 ,在理論上對通感現(xiàn)象的認(rèn)識 ,也有了深入的研究。文章對通感這一藝術(shù)方式的表達(dá)功能進(jìn)行探討 :運(yùn)用通感 ,在語言的無能區(qū) ,可抒難寫之情 ;可恢復(fù)語言的原初形態(tài) ;可以刺激讀者的感受 ,引發(fā)豐富的聯(lián)想

From artistic and aesthetic point of view,dance sensation is not the feeling of spectators(visual sense)but that of the dancer himself/herself,including mainly his sense of noumenon(mo-tional or motionless)and ego.In the same way,music sensation is not the feeling of listeners(au-ral sense),but the feeling of the player himself/herself,including his sense of hearing,noumenon(motional or motionless)and ego.The two sensations are not isolated but interrelated.This kind of interrelation and connection between different...

From artistic and aesthetic point of view,dance sensation is not the feeling of spectators(visual sense)but that of the dancer himself/herself,including mainly his sense of noumenon(mo-tional or motionless)and ego.In the same way,music sensation is not the feeling of listeners(au-ral sense),but the feeling of the player himself/herself,including his sense of hearing,noumenon(motional or motionless)and ego.The two sensations are not isolated but interrelated.This kind of interrelation and connection between different sensations is called synesthesia in the field of com-mon psychology and artistic synesthesia in artistic psychology.In fact,both refer to psychological phenomena of one feeling caused by another and both depend on imagination.The author believes that artistic synesthesia and artistic imagination are the essence of art and also the quintessence and connotation of artistic psychology.

從藝術(shù)專業(yè)和美學(xué)觀點(diǎn)看,舞蹈感覺(舞感)并不是觀眾的感覺(視覺),而是舞蹈表演者本人的感覺,其中主要包括舞蹈者本人的本體感覺(動覺和靜覺)和自我感覺等;音樂感覺(樂感)也不是聽眾的感覺(聽覺),而是音樂演奏者本人的感覺,其中主要包括音樂演奏者本人的聽覺、本體感覺(動覺、靜覺)和自我感覺等。舞蹈感覺與音樂感覺之間并不是互相孤立的,而是互相聯(lián)系和互相作用的,這種不同感覺之間的互相聯(lián)系、互相作用與溝通在普通心理學(xué)上叫聯(lián)覺,在藝術(shù)心理學(xué)上叫通感或藝術(shù)通感。事實(shí)上,聯(lián)覺和通感都是一種感覺引起另一種感覺的心理現(xiàn)象,而藝術(shù)通感的產(chǎn)生又必須借助于藝術(shù)想象,本文認(rèn)為,藝術(shù)通感和藝術(shù)想象,正是藝術(shù)的靈魂與本質(zhì)、藝術(shù)心理學(xué)的精髓與內(nèi)涵。

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  本文關(guān)鍵詞：藝術(shù)通感:一種統(tǒng)覺性創(chuàng)造性的審美能力——藝術(shù)通感的審美闡釋，由筆耕文化傳播整理發(fā)布。