本文選題：太陽 + 原型意象　； 參考：《山東師范大學》2005年碩士論文

【摘要】：太陽作為與人類的生存和生活最為密切的自然物之一,從人類誕生之初,便引起了原始先民的好奇、關注與探索。從抽象的巖畫紋飾到雄渾壯觀的埃及金字塔,從端坐神壇的神靈到文人墨客筆下的黃昏落日,無不或隱或顯地顯示出太陽的影子。歷代的思想家、哲學家、藝術家都對太陽投入了極大的熱情,并將其表現于各種類型的藝術形式中,從而形成了內容豐富、含義深刻的太陽原型意象。時至今日,古老的太陽原型意象仍然擁有著強大的生命力,不斷地根據時代的變遷與發(fā)展衍生出更豐富的、更具時代風貌的含義。 本文沿著太陽原型意象在人類認識發(fā)展的不同階段的發(fā)展軌跡,結合人類與太陽關系的演化過程,論述了太陽原型意象在巖畫、神話傳奇、建筑、文字、詩歌、小說等藝術表現形式的發(fā)展規(guī)律及其內涵,并注意進行橫向的(不同國家地區(qū))和縱向的(不同歷史時期)比較,試圖由此探討太陽原型意象的文化內涵及其獨特的審美特質。 論文主要有以下幾個部分構成: 第一部分是神化的太陽,即對于太陽原型意象的歷史淵源、審美特質的解析。遠古時代的人類對太陽的強烈依賴以及由此形成太陽崇拜,奠定了太陽原型意象的產生基礎,由此決定了其在最初產生階段所不可避免的神化色彩。同時由于太陽自身所具有的獨特的審美特質,使太陽意象在人類的想象中逐漸衍生出更多更廣泛的含義,并滲透到多種藝術表現形式中。 第二部分是人化的太陽,詳細地分析了階級社會產生后,太陽原型意象政治化、倫理化意義的生成原因及特點。伴隨著原始自然崇拜的解體和階級社會的出現,太陽原型意象人格化特征愈加凸現,“天之神,日為尊”的認識與君王的獨斷地位存在的異質同構關系使“帝王”和“權力”成為“日”的主要意象之一,在以后漫長的時期中逐漸地轉化成了深層的民族集體無意識,并不斷地被后人繼承與創(chuàng)新,產生出一系列的相關意象與意象群。 第三部分是詩化的太陽,從太陽的自然屬性、倫理屬性、情感屬性及倫理象征屬性全面分析了中國古典詩歌中太陽意象的主要含義及審美特點,并通過總結西方文學作品中太陽意象的特點,由此分析中西方思維方式的相似與差異性問題。
[Abstract]:The sun, as one of the closest natural objects to human existence and life, has aroused the curiosity, concern and exploration of the primitive ancestors from the beginning of human birth. From abstract lithographic ornaments to the magnificent Egyptian pyramids, from the gods sitting on the altar to the sunset in the writings of the literati, the shadow of the sun is revealed. The thinkers, philosophers and artists of all dynasties have devoted great enthusiasm to the sun and expressed it in various types of art forms, thus forming a rich and profound image of the prototype of the sun. To this day, the ancient archetypal image of the sun still has a strong vitality, and continues to derive more abundant according to the changes and development of the times. According to the development track of the archetypal image of the sun in different stages of the development of human cognition and development, combined with the evolution process of the relationship between human beings and the sun, this paper discusses the archetypal image of the sun in rock painting, mythology and legend, architecture, writing, etc. The development law and connotation of artistic expressions such as poetry and fiction, and pay attention to the horizontal (different countries and regions) and vertical (different historical periods) comparison, This paper attempts to explore the cultural connotation of the archetypal image of the sun and its unique aesthetic characteristics. The thesis mainly consists of the following parts: the first part is the deification of the sun, that is, the historical origin of the archetypal image of the sun, the analysis of the aesthetic characteristics of the archetypal image of the sun. The strong dependence of human beings on the sun in ancient times and the formation of solar worship have laid the foundation for the formation of the archetypal image of the sun, which determines its inevitable divinity in the initial stage. At the same time, because of the unique aesthetic characteristics of the sun itself, the image of the sun gradually derives more and more extensive meanings in the human imagination, and permeates into various artistic expressions. The second part is the humanized sun. After the emergence of class society, the causes and characteristics of the political and ethical meaning of Sun archetypal image are analyzed in detail. With the disintegration of primitive natural worship and the emergence of class society, the personification of the image of the archetype of the sun has become more and more prominent. The heterogeneous and isomorphic relationship between the recognition of "respect for the day" and the arbitrary position of the monarch made "emperor" and "power" one of the main images of "day", and gradually transformed into the deep national collective unconscious in the long period afterwards. The third part is the poetic sun, from the natural attributes of the sun, ethical attributes, This paper analyzes the main meaning and aesthetic characteristics of the sun image in Chinese classical poetry, and summarizes the characteristics of the sun image in the western literary works. This paper analyzes the similarities and differences between Chinese and western thinking modes.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2005
【分類號】：I04

【引證文獻】

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2 楊立;;繪畫投射技術在女大學生體育運動心理特征研究中的應用[J];體育成人教育學刊;2011年06期

相關碩士學位論文 前1條

1 邱艷;白居易詩歌中的星象意象研究[D];河南大學;2013年

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本文編號：2002336