本文選題：媒介 + 網(wǎng)絡(luò)媒介�。� 參考：《山東師范大學(xué)》2002年碩士論文

【摘要】： 本文主要從媒介的角度入手，綜合運(yùn)用文藝學(xué)、文化學(xué)、傳播學(xué)和網(wǎng)絡(luò)科學(xué)等多個(gè)學(xué)科的知識，對網(wǎng)絡(luò)這一新興的文學(xué)媒介進(jìn)行了初步的較為系統(tǒng)的研究和分析。旨在通過對網(wǎng)絡(luò)媒介與文學(xué)變革的內(nèi)在聯(lián)系進(jìn)行較為細(xì)致地梳理、分析和探討，以揭示網(wǎng)絡(luò)媒介在文學(xué)變革中的重要作用，初步形成對網(wǎng)絡(luò)媒介較為完整的看法，從而促進(jìn)對網(wǎng)絡(luò)媒介的深入研究。 全文共分五部分： 引言：提出所要研究的問題，闡明本文的寫作立場。 第一部分：對媒介及網(wǎng)絡(luò)媒介的概念進(jìn)行梳理和分析，追溯媒介發(fā)展的歷史，把握總結(jié)研究現(xiàn)狀。 媒介從本質(zhì)上是人類利用科學(xué)技術(shù)實(shí)現(xiàn)的一種對自己的延伸，由于在不同的社會(huì)發(fā)展階段，人類掌握的科學(xué)技術(shù)水平不同，所以創(chuàng)造的媒介也就不同，而媒介的不同，又導(dǎo)致了人類延伸的感官不同，這就造成了人類的感官比例失衡。而網(wǎng)絡(luò)媒介是一種綜合性的超級媒介，憑借數(shù)字技術(shù)和多媒體技術(shù)充分調(diào)動(dòng)了人類的各種感覺器官，初步改變了這種感官比例失衡的現(xiàn)象。因此，對網(wǎng)絡(luò)媒介進(jìn)行研究十分必要。 第二部分：對網(wǎng)絡(luò)媒介與文學(xué)變革的內(nèi)在關(guān)系進(jìn)行研究和探討。 網(wǎng)絡(luò)媒介技術(shù)的出現(xiàn)深刻地影響著文學(xué)的發(fā)展和變革，這一部分主要從網(wǎng)絡(luò)媒介的特點(diǎn)出發(fā)，探討網(wǎng)絡(luò)媒介與文學(xué)變革的內(nèi)在聯(lián)系。網(wǎng)絡(luò)媒介的多媒體性造就了多媒體化的文學(xué)，多媒體文學(xué)的出現(xiàn)徹底改變了人的感官比例和文學(xué)的表現(xiàn)方式；網(wǎng)絡(luò)媒介的數(shù)字性要求終端輸入的鍵盤化，鍵盤的輸入方式解構(gòu)了傳統(tǒng)的書寫方式，引起作家心態(tài)的微妙變化和文學(xué)語言的變化；網(wǎng)絡(luò)媒介的開放性使網(wǎng)絡(luò)媒介上的文學(xué)作品呈現(xiàn)出開放化的形態(tài)，互動(dòng)式文本和超文本的出現(xiàn)，極大地加強(qiáng)了讀者對作品介入的深度，解構(gòu)了文本的文獻(xiàn)意義和經(jīng)典性；網(wǎng)絡(luò)媒介的多維性使文學(xué)思維方式由直線型的深度思維模式轉(zhuǎn)向發(fā)散型的平面思維模式；網(wǎng)絡(luò)媒介的互動(dòng)性引發(fā)了閱讀方式和批評方式的革命，使傳統(tǒng)的閱讀和批評方式逐漸走向沒落；網(wǎng)絡(luò)媒介的網(wǎng)絡(luò)性、無中心化，改變了單向的傳播模式，使傳播成為雙向互動(dòng)的過程。 第三部分：網(wǎng)絡(luò)媒介引發(fā)的思考。 網(wǎng)絡(luò)媒介的迅速發(fā)展，引發(fā)了三個(gè)悸論：首先是全球化的悻論。網(wǎng)絡(luò)媒介 一方面是全球化的，另一方面又帶有鮮明的美國特色，要走向全球化就不可避 免地受到美國化的影響。其次是信息化的悻論。一方面，網(wǎng)絡(luò)媒介的強(qiáng)大信息 收集功能，帶來了海量的信息，使信息的獲得變得十分方便：另一方面，信息 太多又會(huì)造成信息污染，要對信息進(jìn)行篩選，必然會(huì)影響到網(wǎng)絡(luò)的自由與無中 心化。最后是商業(yè)化的使論。一方面，網(wǎng)絡(luò)媒介文學(xué)不斷標(biāo)榜自己是無功利的 自由創(chuàng)作，另一方面卻是網(wǎng)絡(luò)媒介文學(xué)的崛起恰恰就是商業(yè)資本運(yùn)作的結(jié)果， 擺脫了資本，，網(wǎng)絡(luò)媒介文學(xué)就失去了有力的支撐，接受資本，又面臨著被收買 的命運(yùn)。 余論：對未來的網(wǎng)絡(luò)媒介文學(xué)進(jìn)行展望。 網(wǎng)絡(luò)媒介的迅猛發(fā)展為文學(xué)開辟了光明的前景，未來的文學(xué)格局必將是“一 元主導(dǎo)，多元并存”。文學(xué)將獲得巨大的發(fā)展，使人們的閱讀與欣賞更加輕松和 愉悅。
[Abstract]:This paper, starting with the angle of media and comprehensively using the knowledge of literature, culture, communication and network science, has carried out a preliminary and systematic study and analysis of the new literary media of the network. The purpose of this paper is to analyze and analyze the internal relations between the network media and the literature change. In order to reveal the important role of the network media in the literary change, it has initially formed a more complete view of the network media, thus promoting the in-depth study of the network media.
The full text is divided into five parts:
Introduction: put forward the problems to be studied and clarify the writing standpoint of this article.
The first part: combing and analyzing the concept of media and network media, tracing the history of media development, and grasping the current situation of research.
In essence, the media is an extension of human use of science and technology. Because of the different levels of human science and technology in different stages of social development, the medium of creation is different, and the difference of the media leads to the sense of human being different, which leads to the imbalance of the human senses. The collaterals are a comprehensive super medium, which fully mobilize all kinds of sensory organs of human beings by digital technology and multimedia technology, and have changed the phenomenon of the imbalance of the proportion of the senses. Therefore, it is necessary to study the network media.
The second part: research and Discussion on the internal relationship between network media and literary change.
The emergence of network media technology profoundly affects the development and change of literature. This part mainly starts from the characteristics of the network media and discusses the internal relations between the network media and the literary change. The multimedia character of the network media has created the multimedia literature. The emergence of multimedia literature has completely changed the proportion of people's senses and the form of literature. The digital nature of the network media requires the keyboarding of the terminal input, the input mode of the keyboard deconstructs the traditional writing style, causes the subtle changes in the writer's mentality and the changes in the literary language; the openness of the network media makes the literary works on the network media open, interactive text and hypertext. At present, it has greatly strengthened the depth of readers' involvement in the works, deconstructed the literature meaning and classic of the text; the multidimensional nature of the network media turned the literary thinking mode from the linear deep thinking mode to the divergent plane thinking mode; the interaction of the network media led to the revolution of reading and criticism, and made the traditional one. The way of reading and criticism is gradually declining; the network nature of network media has no centralization, which has changed the one-way communication mode and made communication a two-way interaction process.
The third part: the thinking caused by the Internet media.
The rapid development of Internet media has triggered three palpitations: first, the theory of globalization.
On the one hand, it is globalized, on the other hand, it has distinctive American characteristics.
Free from the influence of Americanization, followed by the information theory. On the one hand, the powerful information of the Internet media.
Collection function brings huge amounts of information, making information access very convenient: on the other hand, information.
Too much will cause information pollution. Screening information will inevitably affect the freedom and lack of network.
On the one hand, the Internet media literature constantly advertised itself as utilitarian.
On the other hand, the rise of Internet media literature is precisely the result of the operation of commercial capital.
After getting rid of capital, the Internet media literature loses its strong support, accepting capital and facing being bought.
Fate.
Yu: the prospect of the future Internet media literature.
The rapid development of the Internet media has opened up a bright future for literature, and the future literary pattern is bound to be "one".
Literature will develop greatly, making people read and appreciate more easily.
Cheerful.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2002
【分類號】：I0-05

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前3條

1 李晶;論網(wǎng)絡(luò)文學(xué)的大眾化及其表征[D];牡丹江師范學(xué)院;2011年

2 丁丹丹;論不同媒介背景下慕容雪村的創(chuàng)作[D];山東師范大學(xué);2012年

3 韓志榮;論網(wǎng)絡(luò)媒介對文學(xué)傳播的影響[D];揚(yáng)州大學(xué);2012年

本文編號：1968414