本文選題：林語堂 + 生活藝術(shù)論��； 參考：《浙江師范大學(xué)》2003年碩士論文

【摘要】： 本文將林語堂置于二十世紀(jì)中國現(xiàn)代美學(xué)的情境中，主要從知識社會學(xué)、價值論、本體論的角度對他的“生活藝術(shù)論”進(jìn)行深入研究。在中西文化碰撞、融合的現(xiàn)實(shí)中，林語堂面臨著文化選擇的強(qiáng)大壓力，陷入了生存的困境。“生活藝術(shù)論”作為一種獨(dú)特的話語體系，是林語堂對生存困境進(jìn)行詩意反抗的表達(dá)方式。 本文主要分三部分：“生活藝術(shù)論”的形成之基點(diǎn)、內(nèi)涵及當(dāng)代意義�！吧钏囆g(shù)論”是林語堂文化觀、人生觀和審美觀的集中體現(xiàn)。它是通過“文化”這一平臺，揭示紛繁人生真相的一種人生哲學(xué)。它包含著三個層次，即分別在人與自然、人與社會、人與自我三層關(guān)系上形成自己的美學(xué)內(nèi)涵。具體地說，就是文化與自然的和諧、幽默與近情的人生態(tài)度、“真”我人格的自覺追求，最終實(shí)現(xiàn)人生與藝術(shù)合二為一的境界�！吧钏囆g(shù)論”就是一種注重人生體驗(yàn)的生活態(tài)度，其核心在于以審美的眼光對待人生。本文重點(diǎn)闡述林語堂藝術(shù)化人生的實(shí)現(xiàn)方式，即一方面通過對中、西文化的解讀，特別是通過對中國文化的“回歸”來開辟自己的“言說”空間，另一方面則又通過對文化的超越，實(shí)現(xiàn)審美生存的可能。 “生活藝術(shù)論”展示了林語堂在特殊的現(xiàn)實(shí)語境中所具有的情感狀態(tài)和人文精神。林語堂的可貴之處是能脫離西方現(xiàn)代美學(xué)感性與理性的分野，尋找到在文化混融狀態(tài)中的生存感覺，尋找到一種主體性，尋找到美學(xué)的情感支撐。作為一名現(xiàn)代知識分子，林語堂既秉承了中國“審美功利主義”傳統(tǒng)，又保持了開放的姿態(tài)，吸納了美學(xué)的現(xiàn)代精神，實(shí)現(xiàn)了審美跨文化的可能。因此，在今天現(xiàn)代化和全球化背景下，，對林語堂及其美學(xué)思想進(jìn)行研究、評價，將具有十分重要的現(xiàn)實(shí)意義。
[Abstract]:In this paper, Lin Yutang is placed in the context of modern Chinese aesthetics in the 20th century, and his "Art of Life" is deeply studied from the angles of sociology of knowledge, theory of value and ontology. In the reality of the collision and integration of Chinese and Western cultures, Lin Yutang is faced with the strong pressure of cultural choice and falls into the dilemma of survival. The Art of Life, as a unique discourse system, is the expression of Lin Yutang's poetic resistance to the plight of existence. This paper is divided into three parts: the basic point, connotation and contemporary significance of the Art of Life. The Art of Life is a concentrated embodiment of Lin Yutang's view of culture, life and aesthetics. It is a philosophy of life which reveals the truth of life through the platform of culture. It contains three levels, that is, in the relationship between man and nature, between man and society, and between man and self to form their own aesthetic connotations. Specifically, it is the harmony between culture and nature, the humor and the close feeling of life attitude, the conscious pursuit of "true" my personality, and the ultimate realization of the realm of life and art being one. Life Art Theory is a kind of life attitude which pays attention to life experience, and its core is to treat life aesthetically. This paper focuses on the realization of Lin Yutang's artistic life, that is, on the one hand, through the interpretation of Chinese and Western culture, especially through the "return" of Chinese culture to open up their own "speech" space. On the other hand, through the transcendence of culture, the possibility of aesthetic existence is realized. The Art of Life shows Lin Yutang's emotional state and humanistic spirit in the special realistic context. The valuable point of Lin Yutang is that it can break away from the division between sensibility and reason of modern western aesthetics, find the feeling of existence in the state of cultural blending, find a kind of subjectivity and find the emotional support of aesthetics. As a modern intellectual, Lin Yutang not only inherits the tradition of "aesthetic utilitarianism" in China, but also maintains an open attitude, absorbs the modern spirit of aesthetics and realizes the possibility of aesthetic cross-culture. Therefore, under the background of modernization and globalization, it is of great practical significance to study and evaluate Lin Yutang and its aesthetic thoughts.
【學(xué)位授予單位】：浙江師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2003
【分類號】：I01

【引證文獻(xiàn)】

相關(guān)博士學(xué)位論文 前1條

1 叢坤赤;林語堂生活美學(xué)觀念研究[D];山東大學(xué);2011年

相關(guān)碩士學(xué)位論文 前2條

1 蘭芳;論林語堂筆下的蘇東坡形象[D];福建師范大學(xué);2007年

2 何怡潔;《宇宙風(fēng)》雜志研究[D];華東師范大學(xué);2013年

本文編號：1929236