格式塔 在 文藝?yán)碚?分類中 的翻譯結(jié)果
本文關(guān)鍵詞:信息時(shí)代平面設(shè)計(jì)與格式塔理論,由筆耕文化傳播整理發(fā)布。
在分類學(xué)科中查詢 所有學(xué)科 文藝?yán)碚?/p> 美術(shù)書法雕塑與攝影 心理學(xué) 中國(guó)語(yǔ)言文字 外國(guó)語(yǔ)言文字 美學(xué) 新聞與傳媒 戲劇電影與電視藝術(shù) 中國(guó)文學(xué) 歷史查詢
格式塔
On Graphic Design and Gestalt Theory in the Information Age
信息時(shí)代平面設(shè)計(jì)與格式塔理論
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The enlightenment of Gestalt theory on the literature appreciation
“格式塔”理論對(duì)文學(xué)鑒賞的啟示
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The Eternal Spirit in Poetry ——On Semantic Gestalt
詩(shī)壇上永恒的幽靈——語(yǔ)義格式塔現(xiàn)象淺論
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Gestalt and Literary Aesthetic Appreciation
“格式塔”與文學(xué)審美品鑒
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Hermeneutics and Gestalt theory which are closely connected with ReceptionAesthetics are also referred to in this Chapter.
與接受美學(xué)理論密切相關(guān)的解釋學(xué)以及格式塔理論在本章中也有所論及。
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This thesis explores the disparity between utterance form and its non-literal meaning and other related questions from perspectives of semantics, pragmatics, behavioral psychology, Gestalt psychology, schema theory, aesthetics and general psychology.
本文從語(yǔ)義學(xué)、語(yǔ)用學(xué)、行為主義心理學(xué)、格式塔心理學(xué)、圖式理論,以及美學(xué)、普通心理學(xué)等角度,對(duì)與藝術(shù)語(yǔ)言辭里與辭面的不吻合性及與此相關(guān)的幾個(gè)問題進(jìn)行了論述和探討。
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This essay uses the theory of Gestalt Psychology,explaining the conception of imago in the view of field.
本文運(yùn)用格式塔心理學(xué)的理論,從場(chǎng)的視角來闡釋意象的概念。
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Iser’s reading study involves the achievement of Phenomenology, Modern Hermeneutics and Gestalt Psychology, among others. He absorbs and reforms the reasonable factors and thus achieves continuity, dialectic in reading study.
伊瑟爾在進(jìn)行閱讀研究時(shí),廣泛涉獵了現(xiàn)象學(xué)理論、解釋學(xué)理論、格式塔心理學(xué)等各個(gè)方面的成果,并對(duì)其中的合理因素加以吸收改造,熔鑄進(jìn)自己的閱讀理論之中,從而造就了其閱讀理論的延展性、辯證性以及鮮明的學(xué)理性。
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The view can be clarified by the achievement of the gestalt psychology research. the establishment of gestalt theory make us analyse the instintc instinct of psychology and objective rule in the transformation ,in a complete new term of perception psycchology and visual thought.
這一提法可以近代格式塔心理學(xué)研究的成果為理論佐證 ,格式塔理論的確立讓我們從一個(gè)全新的角度即知覺心理與視覺思維的研究入手 ,分析藝術(shù)之形演變的心理本能及其客觀規(guī)律 ,也就是這種衍變的原動(dòng)力及其生成因素
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The principles of integrity,isomorphism and intuition advanced by Gestalt psychology enlighten us in understanding the formation of literary images and stepping into the beautiful realm created by works from the angle of appreciation,thus forming the Gestalt effect of literary appreciation.
格式塔心理學(xué)派提出的整體性、同構(gòu)性、直覺性原則為我們從鑒賞角度理解文本意象的構(gòu)成、走入作品設(shè)置的美的境地,提供了某種啟示,并由此形成了文學(xué)鑒賞的“格式塔”效應(yīng)。
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On Graphic Design and Gestalt Theory in the Information Age
信息時(shí)代平面設(shè)計(jì)與格式塔理論
短句來源
The enlightenment of Gestalt theory on the literature appreciation
“格式塔”理論對(duì)文學(xué)鑒賞的啟示
短句來源
Hermeneutics and Gestalt theory which are closely connected with ReceptionAesthetics are also referred to in this Chapter.
與接受美學(xué)理論密切相關(guān)的解釋學(xué)以及格式塔理論在本章中也有所論及。
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The view can be clarified by the achievement of the gestalt psychology research. the establishment of gestalt theory make us analyse the instintc instinct of psychology and objective rule in the transformation ,in a complete new term of perception psycchology and visual thought.
這一提法可以近代格式塔心理學(xué)研究的成果為理論佐證 ,格式塔理論的確立讓我們從一個(gè)全新的角度即知覺心理與視覺思維的研究入手 ,分析藝術(shù)之形演變的心理本能及其客觀規(guī)律 ,也就是這種衍變的原動(dòng)力及其生成因素
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Basics and Pictures——on the Cultural Pattern
底與圖——文化格式塔
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Literary Translation and Image-gestlt
文學(xué)翻譯過程與格式塔意象模式
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Theory of Completeness and Creative Concept
格式塔質(zhì)與意境
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An image-gestalt analysis of the translation of the Chinese ancient poem River-Snow
從格式塔意象看古詩(shī)《江雪》的翻譯
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This part focuses on how Langer's artistic illusion developed on the base of instinct aesthetic theory, the geslalt psychological aesthetics and the viual arts in 20th century.
把藝術(shù)幻象論置于20世紀(jì)文藝思潮大背景下,考察朗格藝術(shù)幻象論對(duì)審美直覺理論、格式塔心理學(xué)美學(xué)以及視覺藝術(shù)研究成果的借鑒。
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gestalt
This may explain the difficulties with intermodal perception (gestalt function).
low scores on the Wechsler intelligence scales and poor scores on the Bender Gestalt test.
- From among the seven respondents who replied in detail, the modal type of organization seemed to emerge, and this modal gestalt would fall short of an ideal spectrum of social psychiatric approaches, or a service saturation of a community.
60% Fettkalorien in Gestalt von Fett mit überwiegend ges?ttigten Fetts?uren - auf das Plasma-Cholesterin untersucht.
Zur Gestalt der aus Pulskurven abgeleiteten Ortskurven bei negativem Endreflexionsfaktor
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gestalt psychology
Borrowing the metaphor of foregrounding/backgrounding from Gestalt psychology, both the plasticity and tenacity of Judaism are emphasized.
The influence of the Berlin school of Gestalt psychology on Soviet psychology in the period before the 'reactological debate' (1931) is analyzed.
A review of the channels of communication (congresses personal visits, translations, review papers) shows that Soviet psychologists were well informed about Gestalt psychology, and that the members of L.S.
Gestalt psychology was welcomed as a potential 'ally' in the construction of a Marxist psychology first outlined by K.N.
The initial enthusiasm for Gestalt psychology was stimulated by the system concept as developed by Wolfgang K?hler, and A.R.
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gestalt theory
The distinction is drawn between the metatheoretical commitments of Gestalt theory and their instantiations in explicit theory.
For this reason rehabilitation of the reputation of Gestalt theory is urged.
In the concluding section certain similarities between the foundational premises of Gestalt theory and parallel distributed processing approaches are noted.
Citations superficially suggest that the relationship between Gestalt theory and contemporary social psychology is hardly recognizable if we disregard the occasional homage to Kurt Lewin.
On the other hand, it can be shown that basic concepts of Gestalt theory have survived under various names and are still of central importance.
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The article analyses some issues in current art by applying the principle of the pattern in visual psychology. What exists in pictures and patterns of art is in fact connected with basic principles of philosophy- Art reflects the human culture as a whole. Therefore it is pertinent to tackle problems from a philosophical point of view.
本文應(yīng)用視知覺心理學(xué)中的格式塔原理來描述當(dāng)今藝術(shù)中出現(xiàn)的一些問題。實(shí)質(zhì)上藝術(shù)圖形中存在的問題都與科學(xué)哲學(xué)的基底有關(guān)。藝術(shù)是人類整個(gè)文化的折射,只有從整體完形出發(fā)才能清楚地看到問題存在的合理性。
Literary texts are among the few art genres that may activate aesthetic experience in the reader. However, little is known about how aesthetic progression is involved in the translation of litorary texts. So far most models of literary translation focus on the cognitive aspects of the process and ignore aesthetic operation. The present study aims to explore the process of literary translation within an aesthetic domain, and focus specifically on the "image-gestalt" and its ac tualization, both mental and linguistic...
Literary texts are among the few art genres that may activate aesthetic experience in the reader. However, little is known about how aesthetic progression is involved in the translation of litorary texts. So far most models of literary translation focus on the cognitive aspects of the process and ignore aesthetic operation. The present study aims to explore the process of literary translation within an aesthetic domain, and focus specifically on the "image-gestalt" and its ac tualization, both mental and linguistic actualization, in order to provide for the study of literary translation and its process in all-manifested aspects.
本文運(yùn)用格式塔審美心理模式對(duì)文學(xué)翻譯的審美過程,即譯者的審美思維運(yùn)作方式進(jìn)行動(dòng)態(tài)的研究與認(rèn)識(shí)。根據(jù)譯者-讀者這-特殊審美主體在對(duì)原文藝術(shù)客體接受過程中的審美特點(diǎn),提出了具有文學(xué)翻譯特質(zhì)的“格式塔意象”,為文學(xué)翻譯的審美及認(rèn)知結(jié)構(gòu)提出了一定的理論思考。
Methods of literary appreciation are the sum total of ways,means and modes to realize literary appreciation.Among the methodologies that develop around the three links of literary appreciation are 1) those with the author as the center,including psychoanalytic approach,prototypical approach;2) those with the writing as the center,including Russian formalistic approach,neo-criticism approach in Britain and America and structuralistic approach and 3) those with the readership as the center,including interpretative...
Methods of literary appreciation are the sum total of ways,means and modes to realize literary appreciation.Among the methodologies that develop around the three links of literary appreciation are 1) those with the author as the center,including psychoanalytic approach,prototypical approach;2) those with the writing as the center,including Russian formalistic approach,neo-criticism approach in Britain and America and structuralistic approach and 3) those with the readership as the center,including interpretative approach and receptive approach.Among the methodologies that develop around the stages of literary appreciation are Gestalt aesthetic approach,semiotic approach and phenomenological approach.
文藝鑒賞方法是實(shí)現(xiàn)文藝鑒賞的途徑、手段與方式的總和。圍繞文藝鑒賞三環(huán)節(jié)的方法論 :以作者為核心的審美鑒賞有“以意逆志”與“知人論世”法、精神分析法、原型方法等 ;以作品為核心的審美鑒賞有俄國(guó)形式主義方法、英美新批評(píng)、結(jié)構(gòu)主義方法等 ,以讀者為核心的審美鑒賞有解釋學(xué)方法、接受主義方法等。圍繞文藝鑒賞諸階段的方法論有“格式塔”美學(xué)方法、符號(hào)學(xué)方法、現(xiàn)象學(xué)方法等。
 
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本文關(guān)鍵詞:信息時(shí)代平面設(shè)計(jì)與格式塔理論,由筆耕文化傳播整理發(fā)布。
,本文編號(hào):177108
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