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  本文關(guān)鍵詞： 翻譯對等 女性形象 文化差異 文化交流　出處：《安徽大學(xué)》2004年碩士論文　論文類型：學(xué)位論文

【摘要】：翻譯是溝通的橋梁，是文化交流的有效途徑�！胺g對等”作為翻譯的標(biāo)準(zhǔn)，一直是譯者不懈追求卻永遠(yuǎn)不可能完全達(dá)到的目標(biāo)。這是由于文化差異，譯者，譯文讀者，時代變遷等諸多因素的綜合影響造成的。 “女性形象”作為古今中外文學(xué)殿堂里永不衰竭的創(chuàng)作主題，在文學(xué)翻譯中理所當(dāng)然地占有舉足輕重的地位。 從文學(xué)作品中“女性形象”的角度研究“翻譯對等”是一個嶄新而有趣的課題，值得進(jìn)行系統(tǒng)深入的理論研究。作者認(rèn)為，女性的一些共同特征使“女性形象”在譯文中的“對等”成為可能，但由于文化差異等諸多因素的影響，“不對等”又是絕對的。不同時代，不同社會，主流文化對女性的審美標(biāo)準(zhǔn)，道德評判大相徑庭。一種文化里的“美人”，“玉女”或“毒婦”可能被不同時代，不同文化圈的讀者或譯者解讀為不同的“版本”。 二十世紀(jì)六十年代女權(quán)主義的興起影響深遠(yuǎn)，在某種程度上動搖了傳統(tǒng)文化，更是對傳統(tǒng)女性形象評判標(biāo)準(zhǔn)的大顛覆，文學(xué)中“女性形象對等”似乎更加難以企及。 就此論題，本文將分以下幾部分展開探討： 第一部分簡要介紹并總結(jié)國內(nèi)外主要翻譯理論從不同角度對“翻譯對等”的論述，基于此，陳述作者的觀點。 第二部分為本文主體，重點探討文學(xué)作品中“女性形象”及其在翻譯中的實現(xiàn)。首先，東西方女性的共同特征為翻譯實現(xiàn)“形象對等” 摘要 提供必要條件。同時必須看到，不同文化為傳統(tǒng)“女性形象”設(shè)定了 不同的評判標(biāo)準(zhǔn)，而這種評判標(biāo)準(zhǔn)己為本文化圈廣泛接受認(rèn)可，沉淀 為其民族心理。東西方文化在道德規(guī)范，審美標(biāo)準(zhǔn)乃至外貌服飾，言 語舉止等方面的諸多差異，不可避免地造成“文化障礙”，對“女性 形象”實現(xiàn)“翻譯對等”是巨大的挑戰(zhàn)。本文通過大量實例從不同角 度論證了文化差異是翻譯中實現(xiàn)“形象對等”的障礙。同時通過原文 與譯文以及不同譯文之間的比較探討了克服文化障礙，實現(xiàn)“翻譯對 等”的可能性及具體對策。其中包括譯者的努力，如在何種情況下， 如何運用“歸化”與“異化”，“意譯”與“直譯”;也包括譯語讀者 的努力，如努力豐富自己的背景知識，提高自身的文化素養(yǎng)，以及培 養(yǎng)對異域文化的敏感性等。 第三部分通過對文學(xué)作品經(jīng)典女性形象一林黛玉在楊憲益英譯本 中實現(xiàn)“形象對等”的個案分析，著重從道德規(guī)范，審美標(biāo)準(zhǔn)及外貌 服飾，行為舉止等四方面，體現(xiàn)傳統(tǒng)文化對“女性形象”的評判有著 根深蒂固的影響。同時指出楊譯在實現(xiàn)“女性形象”對等中的得失。 第四部分為全文總結(jié)。綜上所述，作者認(rèn)為，巨大文化差異導(dǎo)致 的“文化障礙”是翻譯中實現(xiàn)“女性形象”對等的巨大挑戰(zhàn)。越是時 代久遠(yuǎn)，傳統(tǒng)文化烙印深的作品，其中的“女性形象”就越具特色， 翻譯中實現(xiàn)“對等”的困難也越大。然而隨著世界文化交流的日益頻 繁，“文化全球共享”正在成為現(xiàn)實，人們正在越來越多地了解異域 文化，也從中反觀自己的文化，，東西方文化從“互識”到“互證”到 “互補”是歷史的必然趨勢，這無疑大大增加了文學(xué)翻譯實現(xiàn)“翻譯 Translation Eq一至ivalenee -一Viewed from Tral、s!ation ofFe生nale】mageinLiterature 對等”“形象趨同”的可能性。以最近一部美國暢銷書《廊橋遺夢》 的中譯本為例，由于中美文化交流日益頻繁，美國日常生活己為大多 數(shù)目的語讀者所熟知，中譯本讀者會對女主人公，從外貌服飾，心理 活動到社會規(guī)范都有著與源語讀者十分相近甚至相同的“讀者反應(yīng)”。 基于此，可以說，日益頻繁的文化交流為翻譯中包括“女性形象”在 內(nèi)的諸多方面實現(xiàn)“對等”帶來福音。
[Abstract]:Translation is the bridge of communication, an effective way of cultural exchange. "Translation equivalence" as the standard of translation, the translator has been relentless pursuit will never be completely achieved. This is due to cultural differences, the translator, the target readers, comprehensive impact of the changes of the times and many other factors.
"Female image", as a literary theme never exhaustion, occupies an important position in literary translation.
From the female image in literature "view of" translation equivalence "is a new and interesting subject, worthy of in-depth study of the theory system. The author thinks that some common features of women's" female image "in the translation of" equivalence "as possible, but due to the influence of cultural differences and other factors," unequal "is absolute. Different age, different social and aesthetic standards of the mainstream culture of women, be quite different. A moral judgment culture of" beauty "," Lady "or" mistress "may be in different times, the reader or the translator's interpretation of different cultures in different versions.
In the 1960s, the rise of feminism had a profound impact. It shook the traditional culture to a certain extent, and it was a great subversion of the traditional female image evaluation standard. The "feminine image equivalence" in literature seems to be more difficult to achieve.
This thesis will be discussed in the following parts:
The first part briefly introduces and summarizes the discussion of "translation equivalence" from different perspectives by the main translation theories at home and abroad. Based on this, the author's views are stated.
The second part is the body of this article. It focuses on the "feminine image" in literary works and its realization in translation. First, the common feature of women in the East and West is to achieve "image equivalence" in translation.
abstract
Provide the necessary conditions. At the same time, it must be seen that different cultures have been set for the traditional "female image".
Different criteria, which have been widely accepted for the cultural circle, have been settled.
For the national psychology. The eastern and Western cultures are in the moral standard, the aesthetic standard and even the appearance of the appearance.
Many differences in language and manners inevitably lead to "cultural barriers" to "women".
"Image" is a great challenge to achieve translation equivalence. This article is from a large number of examples from different angles
It demonstrates that cultural differences are obstacles to the realization of "image equivalence" in translation.
The comparison between the translation and the different translations discusses the overcoming of cultural barriers and the realization of "translation pairs".
The possibility and specific countermeasures, including the efforts of the translator, such as in what circumstances,
How to use "domestication" and "Foreignization", "free translation" and "literal translation", and also to the readers of the target language
The efforts, such as efforts to enrich their background knowledge, improve their own cultural quality, and cultivate them.
Raising the sensitivity of a foreign culture.
The third part through the literary works of the classic female image of Lin Daiyu in Yang Xianyiying translation
A case study of "image equivalence" is carried out in the middle of China, focusing on moral standards, aesthetic standards and appearance.
The four aspects of clothing, behavior and so on reflect the traditional culture of the "female image" evaluation.
At the same time, it points out the gains and losses of Yang's translation in the realization of the equivalence of the "female image".
The fourth part is a summary of the full text. To sum up, the author believes that great cultural differences lead to
The "cultural barrier" is a great challenge in translating the "female image" in translation.
For a long time, the traditional culture is deeply branded, and the "female image" is more distinctive.
The more difficult it is to achieve "equivalence" in translation. However, with the increasing frequency of cultural exchange in the world
Complex, "cultural global sharing" is becoming a reality, and people are getting to know more and more foreign countries.
Culture also reflects on its own culture, from "mutual understanding" to "mutual evidence" to the East and the West.
"Complementarity" is the inevitable trend of history, which undoubtedly greatly increases the translation of literary translation.
Translation Eq 1 to ivalenee
- a Viewed from Tral, s! Ation ofFe raw nale] mageinLiterature
The possibility of "equivalence" image. Convergence "in a recent American best-selling book" bridges "
As an example, because of the growing cultural exchanges between China and the United States, the daily life of the United States is most
The number of language readers is familiar with the Chinese version of the heroine, from the appearance of the appearance.
Activities to social norms have a "reader response" that is very similar or even the same to the source language readers.
Based on this, it can be said that more frequent cultural exchanges include the "female image" in translation.
Many aspects of the interior bring about the gospel of "reciprocity".

【學(xué)位授予單位】：安徽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2004
【分類號】：I046

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 段曉冬;異國情調(diào)的美：翻譯美學(xué)—詩歌翻譯的出路[D];東北財經(jīng)大學(xué);2006年

本文編號：1448075