本文關(guān)鍵詞： 貧窮藝術(shù) 物質(zhì)主義 后物質(zhì)主義 藝術(shù)精神 藝術(shù)態(tài)度　出處：《山西師大學(xué)報(bào)(社會(huì)科學(xué)版)》2011年S2期 　論文類型：期刊論文

【摘要】：目前,永無(wú)休止的生產(chǎn)和消費(fèi)正充斥著整個(gè)社會(huì),人們深深地陷入了物質(zhì)主義泛濫的困境�，F(xiàn)當(dāng)代藝術(shù)家高煬以及他的作品"時(shí)間的記憶"給人們帶來(lái)了新的思考。這種創(chuàng)作的靈感正是來(lái)源于60年代生長(zhǎng)于意大利的"貧窮藝術(shù)"。而如今,事過(guò)境遷,昔日以對(duì)抗藝術(shù)精神共性、反對(duì)藝術(shù)商業(yè)化的貧窮藝術(shù),今天所面對(duì)的是物質(zhì)主義價(jià)值觀占主導(dǎo)的社會(huì)價(jià)值觀取向和物質(zhì)極度豐盈的社會(huì),高煬用自己的藝術(shù)姿態(tài)詮釋了他對(duì)"物質(zhì)主義"的態(tài)度,引導(dǎo)人們從"物質(zhì)主義"走向"后物質(zhì)主義"。高煬所堅(jiān)持的是貧窮藝術(shù)的精神,是一種藝術(shù)態(tài)度。
[Abstract]:At present, endless production and consumption are flooding the whole society. People are deeply caught in the predicament of the rampant materialism. Gao Yang, a contemporary artist, and his work "memory of time" It brings new thinking. It was inspired by the "art of poverty" that grew up in Italy in 60s. And now. In the past, the poor art of fighting against the common spirit of art and opposing the commercialization of art is facing the social value orientation dominated by materialistic values and the extremely abundant society. Gao Yang interprets his attitude towards "materialism" with his artistic posture and guides people from "materialism" to "post-materialism". Gao Yang insists on the spirit of poor art and is an artistic attitude.
【作者單位】： 南開大學(xué)文學(xué)院;
【分類號(hào)】：J05
【正文快照】： 2011年2月16日,高煬新作“時(shí)間的記憶”歐洲巡回展在天津意式風(fēng)情文化中心的展出結(jié)束了。他以自己的藝術(shù)表達(dá)方式給人們帶來(lái)了最直率的藝術(shù)表情以及視覺上最強(qiáng)烈的震撼和深層次的思考。這些看似犀利的作品卻深深地觸及到了人類的靈魂,讓人們不得不反思:人類的創(chuàng)造力以及創(chuàng)造，

本文編號(hào)：1448016