本文關(guān)鍵詞： 藝術(shù) 語言 言外之意　出處：《云南師范大學》2002年碩士論文　論文類型：學位論文

【摘要】： 現(xiàn)代語言隨著社會科技的發(fā)展，向著理智、邏輯和準確的方向發(fā)展，使得語言與心靈之間出現(xiàn)了難以彌補的鴻溝，于是文學家們開始感嘆語言帶給他們的痛苦。因而，藝術(shù)語言，作為漢語中與科學語言并存的語言，是一種精神的語言，一種情感的語言，一種變化著的語言，于是得到了越來越多人們的關(guān)注與青睞。 藝術(shù)語言是對常規(guī)語言的超脫和違背，它的辭面意義與辭內(nèi)意義常有一定的距離，它表面上用詞不當、成分殘缺、不合邏輯，但它所蘊涵的情感卻是真實的，在它的下面有一個深厚豐盈的心理世界存在。 藝術(shù)語言注重用主體的精神去擁抱客體，以直覺感情去導引和化解創(chuàng)作時的復雜情緒，并將它升華到作品中去，使作品呈現(xiàn)出意蘊無窮的“言外之意”�！把酝庵狻背霈F(xiàn)于話語和文本中，它涉及到許多非語言因素，因而成為語義學、語用學、文藝學、哲學等學科共同關(guān)注的現(xiàn)象。 本文將從藝術(shù)語言的角度去分析“言外之意”。筆者認為“言外之意”有著源遠流長的理論基礎(chǔ)，古代、現(xiàn)代學者都有頗為精辟的論述，但還有許多有待填補的學術(shù)空白存在。筆者首先分析了文學作品和話語中的“言外之意”現(xiàn)象，并對藝術(shù)語言的“言外之意”作了一個界定。筆者剖析了藝術(shù)語言“言外之意”產(chǎn)生的原因是情感的外化和語境的顯示，并用大量篇幅論述了如何去理解藝術(shù)語言的“言外之意”。鑒于“言外之意”是一個復雜的修辭現(xiàn)象，眾多學科都對它發(fā)生過濃厚的興趣，，因此我們要利用相鄰學科的理論，在文章的最后，筆者嘗試著把語用學的“會話含義”規(guī)則納入藝術(shù)語言“言外之意”的研究中。 眾多人文學科都探討過“言外之意”現(xiàn)象，但研究成果還不盡如人意，本文算是對這一傳統(tǒng)命題所作的一點點不成熟的思考和初步的探索。
[Abstract]:With the development of social science and technology, modern language develops in the direction of reason, logic and accuracy, which makes the gap between language and soul appear irreparable. As a result, artistic language, as a language coexisting with scientific language, is a spiritual language, an emotional language, a changing language. As a result, more and more people pay attention and favor. The artistic language is the transcendence and the violation to the conventional language, its rhetorical meaning often has certain distance from the inside meaning, on the surface, its words are improper, the composition is incomplete, illogical. But the emotion it contains is real, and beneath it there is a deep and abundant psychological world. The artistic language pays attention to embracing the object with the spirit of the subject, guiding and resolving the complex emotion in the creation with the intuitive emotion, and sublimating it into the work. The works show the implication of "implicature". "implicature" appears in discourse and text, it involves many non-linguistic factors, so it becomes semantics, pragmatics, literature and art. A phenomenon of common concern in such disciplines as philosophy. In this paper, we will analyze the "implication of words" from the angle of artistic language. The author believes that "the implication of words" has a long history of theoretical foundation, ancient, modern scholars have a rather incisive discussion. However, there are still many academic gaps to be filled. Firstly, the author analyzes the phenomenon of "implicature" in literary works and discourse. The author analyzes the causes of artistic language's "implicature" is the externalization of emotion and the display of context. In view of the fact that "implicature" is a complicated rhetorical phenomenon, many disciplines have taken great interest in it. At the end of the thesis, the author tries to bring the conversational implicature of pragmatics into the study of artistic language "implicature". Many humanities disciplines have discussed the phenomenon of "implicature", but the research results are not satisfactory. This paper is a little immature thinking and preliminary exploration of this traditional proposition.
【學位授予單位】：云南師范大學
【學位級別】：碩士
【學位授予年份】：2002
【分類號】：I045

【引證文獻】

相關(guān)博士學位論文 前1條

1 陳麗梅;“言外之意”修辭現(xiàn)象研究[D];復旦大學;2012年

本文編號：1447919