【摘要】：溫琴佐·貝利尼(Vincenzo Bellini,1801—1835)是19世紀(jì)上半葉與羅西尼、唐尼采蒂并駕齊驅(qū)的三位意大利歌劇大師之一,他的音樂語言對許多作曲家的音樂創(chuàng)作曾產(chǎn)生極大影響,無論在人物形象刻劃、旋律方法等方面都堪為浪漫主義歌劇之典范。 本論文以貝利尼(Vincenzo Bellini)的歌劇《凱普萊特與蒙太古》(I Capuleti ed I Montecchi,該劇劇名翻譯版本較多,恕不贅述)中朱麗葉(Giulietta,又譯為朱莉埃塔)的音樂語言和演唱處理等進行研究。該劇雖不及《夢游女》、《諾爾瑪》、《清教徒》出名,但劇中朱麗葉的詠嘆調(diào)和重唱部分在聲樂技巧、音樂表現(xiàn)、戲劇表演等對歌劇演員有極高的要求。 本文首先從《凱普萊特與蒙太古》產(chǎn)生的時代背景以及當(dāng)時的浪漫主義思潮出發(fā),通過進一步闡述貝利尼歌劇創(chuàng)作的浪漫主義風(fēng)格,深入解讀歌劇《凱普萊特與蒙太古》的劇情展開、戲劇結(jié)構(gòu)、人物關(guān)系、音樂表現(xiàn)等因素。發(fā)掘其音樂的抒情性、戲劇性特征,剖析其賦予人物的個性性特點。最后,節(jié)選朱麗葉的部分代表性的唱段,深入闡述貝利尼刻畫人物的手法,以準(zhǔn)確把握朱麗葉在這-特定戲劇情境中的性格和語言特征,進而就如何演唱有關(guān)唱段提出本人的學(xué)習(xí)心得和演繹認知。除了“前言”以外,全文共分三章�！扒把浴焙嗎尡菊撐臉�(biāo)題。第一章論述貝利尼筆下的朱麗葉。第二章解讀《凱普萊特與蒙太古》的戲劇結(jié)構(gòu)與音樂語言。第三章對朱麗葉藝術(shù)形象的演繹加以分析。
[Abstract]:Vincenzo Bellinin 1801-1835 was one of the three Italian opera masters in the first half of the 19th century, alongside Rossini and Donetzetti. His musical language had a great influence on the music creation of many composers. It can be regarded as the model of Romantic opera in the aspects of character characterization, melody method and so on. This thesis studies the musical language and singing processing of Juliet (Giulietta) in Bellini (Vincenzo Bellini) 's opera "Capulet and Montague" (I Capuleti ed I Montecchi, which has many translated versions. Although the play is not as famous as sleepwalkers, Norma, Puritans, the arias and recitals of Juliet have great demands on opera actors in vocal music skills, musical performance, theatrical performances, etc. From the background of the emergence of Capulet and Montague and the Romantic trend of thought at that time, this paper expounds the Romantic style of Bellini's opera creation. In-depth interpretation of opera "Capulet and Montague" plot development, drama structure, character relations, music performance and other factors. Explore the lyrical and dramatic features of his music, and analyze the personality of the characters. Finally, excerpts from some of Juliet's representative verses, deeply expounding Bellini's techniques of portraying characters, in order to accurately grasp Juliet's character and language characteristics in this particular drama situation. Then put forward my learning experience and deductive cognition on how to sing songs. In addition to the preface, the full text is divided into three chapters. A brief explanation of the title of this thesis. The first chapter discusses Juliet by Bellini. The second chapter interprets the dramatic structure and musical language of Capulet and Montague. The third chapter analyzes the deduction of Juliet's artistic image.
【學(xué)位授予單位】：上海音樂學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J832

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相關(guān)期刊論文 前1條

1 李莉;;生死的契約 負心的絕唱——貝利尼和《清教徒》[J];歌劇;2009年01期

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本文編號：2140362