【摘要】： 皮影藝術(shù)在我國源遠(yuǎn)流長,羅山皮影是集民間美術(shù)造型、色彩、戲曲音樂、文學(xué)等一體的皮影藝術(shù)代表之一。在經(jīng)歷了幾代藝人的傳承后,羅山皮影已然發(fā)展成為生、旦、凈、丑行當(dāng)齊全,唱詞道白雅俗共賞,音樂唱腔優(yōu)美動(dòng)聽,皮影制作美侖美奐,非常成熟的地方戲劇之一,對(duì)豐富活躍當(dāng)?shù)厝嗣袢罕姷奈幕钇鹆酥匾淖饔谩?本論文從民間藝術(shù)造型、色彩以及民俗文化角度出發(fā),以羅山皮影為個(gè)案研究。一方面對(duì)羅山皮影的造型、色彩進(jìn)行歸類總結(jié),并且對(duì)其獨(dú)特的造型特征和設(shè)色規(guī)律進(jìn)行了論述;另一方面,從民俗文化角度對(duì)羅山皮影戲作為“愿戲”存在的方式進(jìn)行了闡述,從而揭示了這一獨(dú)特民間藝術(shù)背后的民眾民間信仰問題,同時(shí)對(duì)羅山皮影戲演唱的藝術(shù)特色進(jìn)行簡(jiǎn)要的論述。論文的第一章是對(duì)皮影起源的概述以及羅山皮影概況的論述,這一部分論述了羅山皮影存在的地理環(huán)境和人文環(huán)境狀況。第二章是對(duì)羅山皮影的造型、色彩以及藝術(shù)特征進(jìn)行了論述和總結(jié)。采取圖文并茂的方式,將羅山皮影具有代表性的造型形式以及色彩特色進(jìn)行歸類,從而揭示其藝術(shù)特征。第三章將羅山皮影放在民俗文化的大背景下進(jìn)行審視,通過對(duì)一些民俗事項(xiàng)的展現(xiàn),來揭示羅山皮影作為“愿影”的民間信仰的文化內(nèi)涵。文章的最后一部分是對(duì)羅山皮影的現(xiàn)狀及保護(hù)的事實(shí)敘述,以及筆者的一些觀點(diǎn)的論述。
[Abstract]:Shadow art has a long history in our country. Luoshan shadow is one of the representative of shadow art which integrates folk art modeling, color, opera music, literature and so on. After several generations of entertainers, Luoshan Shadow has developed into one of the most mature local dramas, one of which is born, Dan, net, and ugly. The singing words are elegant and popular, the music is beautiful and beautiful, and the shadow is beautiful and beautiful. It plays an important role in enriching and enlivening the cultural life of the local people. This paper takes Luoshan shadow as a case study from the angle of folk art modeling, color and folk culture. On the one hand, the modeling and color of Luoshan shadow are classified and summarized, and its unique modeling features and coloring laws are discussed; on the other hand, This paper expounds Luoshan shadow play as a way of "wish play" from the perspective of folk culture, thus revealing the folk belief problem behind this unique folk art. At the same time, the artistic characteristics of Luoshan shadow play singing were briefly discussed. The first chapter is an overview of the origin of shadow and Luoshan shadow, this part discusses the geographical environment of the existence of Luoshan shadow and human environment. The second chapter discusses and summarizes the modeling, color and artistic features of Luoshan shadow. In order to reveal the artistic features of Luoshan Shadow, this paper classifies the typical modeling form and color features of Luoshan shadow by means of picture and text. The third chapter examines Luoshan shadow under the background of folk culture and reveals the cultural connotation of Luoshan shadow as "wish shadow" through the display of some folklore matters. The last part of the article is a description of the present situation and protection of Luoshan shadow, as well as some viewpoints of the author.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：J827

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前2條

1 王傳歷;羅山皮影戲家庭愿戲的調(diào)查研究[D];福建師范大學(xué);2011年

2 查黛;河南信陽羅山皮影戲民俗意蘊(yùn)研究[D];山西師范大學(xué);2012年

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本文編號(hào)：2140464